MORAN, Ernesto Perez. El eneagrama sauriano: geometrías de la memoria en el cine de Carlos Saura durante la Transición democrática española. []. , 12, 1, pp.131-146. ISSN 1646-5954.

Carlos Saura's filmography during Spanish Transition is strongly revisionist. Memory and its representation imbue a group of six films that revolve around this return the characters of Saura implement. A comparative analysis of them reveals the saurian characters shape some kind of scheme. We've called “Carlos Saura's Enneagram” because it implies the repetition of a group of archetypes subordinate to the Memory. Our main objective is to define a memory model by a film director who never left nothing up to fate. This model also makes posible to delineate the main characteristics of the memory in Saura's cinema

: Cinema; Carlos Saura; Memory; Characters; Spanish Cinema; Cinema and Memory.

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