6 12Identidades femeninas del travestismo "Ocañí": iconografía e influencias de la mujer andaluza en la producción artística de Ocaña 
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Revista :Estúdio

 ISSN 1647-6158

CIRILLO, Aparecido José    COSTA, Rosa da Penha Ferreira da. Dilma Góes: brazilian textil art from 1980 to 1990, looking through her personal files. []. , 6, 12, pp.217-224. ISSN 1647-6158.

The article discusses the prospects of woven art in the Espírito Santo (Brasil), from the work of Dilma Góes, starting from her experience as generating images to resignifying these memories and the (re)materialization in works that reflect the textile innovation in Brasil. It starts with a historical contextualization of this visual language in Brasil. The approach will be made by through the methodological bias the studies of the creation process, based on the assumptions of genetic criticism and archives studies on its mediation with visual arts, starting from the study of the artist's documents of the creative process.

: Textile Art; Creation Process; Dilma Góes; Genetic Criticism; Archival.

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