Resumo

VITELLI, Celso. Representations of masculine hegemony and subalterns in the cinema. Anál. Social [online]. 2011, n.198, pp.157-169. ISSN 0003-2573.

This article discusses part of the theory proposed by Robert Connell regarding masculinity as portrayed in the film Crash, by Paul Haggis.  We analyze two forms of masculinity in the film (hegemonic and subaltern) and their relationships to power, including the culture of the image, specifically, the language of film.

Palavras-chave : masculinities; cinema; Crash; education; Robert Connell.

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