Resumo

RUIZ, Javier Garcerá  e  CRUZ, Juan Manuel Cabrera. Painting revealed: distortion and intertextuality in the work of Pedro Morales Elipe. Estúdio [online]. 2020, vol.11, n.32, pp.72-80.  Epub 31-Dez-2020. ISSN 1647-6158.

This article explores the effect of the intertextual dimension of the work of Spanish painter Pedro Morales Elipe on his development of an open, ambiguous and distorted pictorial language. To do so, we analyze the resources and strategies he recovers from the history of the still-life genre and, through the related writings of Derrida, Didi-Huberman or Merleau Ponty, we clarify his contribution to a diffuse pictorial language: an image subordinated to the plastic power of painting on its surface.

Palavras-chave : painting; intertextuality; still-life; distortion.

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