ALBUQUERQUE, Isabel Ribeiro de. The “eternity of the present” in Dulce Ferraz's jewelery. []. , 12, 35, pp.44-55.   30--2021. ISSN 1647-6158.

Dulce Ferraz’s creative journey is determined by the regions where she lived or passed through. Her memory of the landscapes, of her father’s mappings and the arts she has learned in Japan - Chinkin, Rattan and Ikebana - reflect themselves in her jewellery pieces, leading us to think about the sculpture, the scale and the dialectical relation between landscape/non-landscape, full/empty, interior/exterior, place/non-place. If on one hand the artist’s pieces work like little sculptures, that push us to address the work of Robert Smithson, by the other hand, these standing jewellery in the world of the objects, work as Japanese haikus in poetry, in literature.

: non-lanscape; sculpture; scale; haiku.

        · |     · |     · ( pdf )