Resumen

GENTIL-HOMEM, Pedro. Destination Portugal”: two “gringo” approaches to a country, it’s regime, and it’s nice vacations (1967 - 1972). Revista Convergências [online]. 2023, vol.16, n.32, pp.67-80.  Epub 31-Dic-2023. ISSN 2184-0180.  https://doi.org/10.53681/c1514225187514391s.32.179.

The flag carrier airline TAP consolidated the portuguese imagination for a long time a certain idea of ​​an evolved country, and so closer to the European democracies emerging from the Second World War. This image was constructed by the (factual) idea of ​​safety and technological advance, that worked as an antidote to the atavism that reigned among the small country of Portugal - a small reason for national pride. The company, in existence for almost eighty years, has crossed many socio-cultural contexts, his image navigating at times with the wind of the regime and others not so. This article follows a line of investition by the author that deals with the relation between Design Culture and National Identity. We present two strategic design case studies from two of the largest advertising agencies in New York at the time, showing a contrast between two different images of Portugal. A “gringo” version “just for show”. Simultaneously, the events took place in an important period of the Portuguese 20th century history: the “Marcelist Spring”, a propagandistic utopia that anticipated the “death knell” of the regime.

Palabras clave : Design History; Design Criticism; Design Culture; Aviation; TAP.

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