Editorial |
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| · The good consumer and the image Queiroz, João Paulo
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Original articles |
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| · João Câmara's metaphorical and paradoxical painting and the unusual game of the visible Lopes, Almerinda da Silva
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| · Spacial Expansion in Darya Von Berner"s (Selfi) Simal, Iratxe Hernández
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| · Blaufuks & Molder against the empire of selfies: Self portrait, self representations and selfies in the universe of photography Caseirão, Armando Jorge
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| · Fascination with "the occult" in contemporary figurative painting: the case of Alain Urrutia Cañestro, Sheila Rodríguez; Ruiz, Javier Garcerá
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| · The Solid and the Ethereal in the Work of Sérgio Niculitcheff Cole, Ariane Daniela
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| · The Art of Roberto Evangelista: A Ritualistic in the Amazonian Forest Maneschy, Orlando; Stoco, Sávio Luis
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| · Souke, by Kennia Passos: art as research and method as creation Lesnovski, Ana Flávia Merino
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| · Rui Mourão's artistic discourses vis-à-visindigenous trends: the bodymanifesto in the multicultural dialogue Senra, Letícia Larin Platzeck
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| · Jonathan Millán: Overexposed intimacy. Artistic exercises on exteriority Planas, Joaquim Cantalozella
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| · Edible Installations of Marisa Benjamim Rodrigues, Teresa Palma
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| · Paradoxes and displacements: frictions in the objects of Luis Bisbe Machó, Oscar Padilla
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| · The Seeds of the Oblivion of Luis Marco Viruete, Joaquín Escuder
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| · Nuno Branco, a draughtsman Jesuit priest Linhares, Mário
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| · Maia Horta's SELF-HELP: self-portrait as a device of empowerment and self-definition Corujo, Cecília
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| · José Patrício and his infinite games Alberti, Raquel Sampaio
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| · What remains to be seen: silence, delay and resignation in the work of Javier Garcerá (2008-2018) Fernández, Ana Esther Santamaría; Cañestro, Sheila Rodríguez
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