<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2184-0180</journal-id>
<journal-title><![CDATA[Convergências - Revista de Investigação e Ensino das Artes]]></journal-title>
<abbrev-journal-title><![CDATA[Revista Convergências]]></abbrev-journal-title>
<issn>2184-0180</issn>
<publisher>
<publisher-name><![CDATA[Escola Superior de Artes AplicadasInstituto Politécnico Castelo Branco]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2184-01802023000100085</article-id>
<article-id pub-id-type="doi">10.53681/c1514225187514391s.31.177</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Desenvolvimento do Pensamento Crítico: Questões de Género no Contexto da Formação em Artes no Ensino Superior]]></article-title>
<article-title xml:lang="en"><![CDATA[Critical Thinking Development: Gender Issues in the Context of Arts Training in Higher Education]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Silva]]></surname>
<given-names><![CDATA[Ana Maria Garcia Nolasco da]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Bárrios]]></surname>
<given-names><![CDATA[Jorge Manuel Garrido]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Santos]]></surname>
<given-names><![CDATA[Kátia Couto de Sá Sabino dos]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
<xref ref-type="aff" rid="Aaf"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Europeia Unidade de Investigação em Design e Comunicação ]]></institution>
<addr-line><![CDATA[Lisboa ]]></addr-line>
<country>Portugal</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Politécnico de Lisboa Escola Superior de Educação ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Portugal</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Centro de Interdisciplinar de Estudos Educacionais  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>05</month>
<year>2023</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>05</month>
<year>2023</year>
</pub-date>
<volume>16</volume>
<numero>31</numero>
<fpage>85</fpage>
<lpage>96</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2184-01802023000100085&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2184-01802023000100085&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2184-01802023000100085&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este artigo pretende analisar o desenvolvimento do pensamento crítico sobre questões de género no contexto da formação no ensino superior, tomando como caso de estudo a proposta "Género(s)", que visou a realização de um projeto transdisciplinar articulado entre as Unidades Curriculares de Oficina de Artes, Tecnologias e Multimédia IV (OATM IV) - módulos de Escultura e Arte Multimédia - e de Teoria da Arte, do 2º semestre do ano letivo de 2019/2020, promovendo a reflexão sobre a questão de género e o pensamento crítico dos estudantes de Licenciatura em Artes Visuais e Tecnologias da Escola Superior de Educação do Politécnico de Lisboa. No decorrer do processo, os professores assumiram um papel de facilitadores, criando um espaço livre de censura e constatando que os estudantes mobilizaram e desenvolveram o pensamento crítico em processos de investigação e criação artística em torno de estereótipos sobre questões de género. A imaginação de diferentes possibilidades de géneros levou a uma reflexão sobre os valores enquanto construções culturais e à consciência do agenciamento de cada um para os reinventar e contribuir para a mudança social. Deste modo, consideramos que a produção artística e/ou a interpretação de obras de arte estimulam o pensamento autónomo, capaz de lidar com situações novas, através da projeção de várias hipóteses alternativas. Concluímos, assim, que a educação artística é um espaço privilegiado para estimular o desenvolvimento do pensamento crítico, sem recorrer a ideias pré-concebidas, sendo por isso potencialmente apto a combater os estereótipos de classe, cultura ou género e, deste modo, contribuir para a criação de valores orientadores de uma ação socialmente justa.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This study aims to analyze the development of critical thinking on gender issues in the context of higher education training, taking as a case study the work proposal "Gender(s)" which aimed to carry out a transdisciplinary project articulated between the Curricular Units of Workshop of Arts, Technologies and Multimedia IV (OATM IV) - Sculpture and Multimedia Art modules - and Art Theory, of the 2nd semester of the academic year 2019/2020, promoting reflection on the issue of Gender and critical thinking of undergraduate students in Visual Arts and Technologies of the School of Education of the Polytechnic of Lisbon. The aim of this project is to promote reflection on the gender issue and critical thinking among undergraduate Visual Arts and Technologies students at the School of Education of the Polytechnic of Lisbon.During the process, teachers assumed the role of facilitators, creating a space free of censorship, finding that students mobilized and developed critical thinking, in processes of investigation and artistic creation around gender stereotypes. The imagination of different gender possibilities led to a reflection about values as cultural constructions and to the awareness of each one's agency to reinvent them and contribute to social change. In this way, we consider that artistic production and/or interpretation of art works stimulate autonomous thinking, capable of dealing with new situations, through the projection of several alternative hypotheses. We conclude, therefore, that art education is a privileged space to stimulate the development of critical thinking, without resorting to preconceived ideas, being, therefore, potentially able to combat class, culture or gender stereotypes and, in this way, contribute to the creation of values that guide a socially fair action.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[género]]></kwd>
<kwd lng="pt"><![CDATA[pensamento crítico]]></kwd>
<kwd lng="pt"><![CDATA[educação artística]]></kwd>
<kwd lng="pt"><![CDATA[questionamento estético e criativo]]></kwd>
<kwd lng="en"><![CDATA[gender]]></kwd>
<kwd lng="en"><![CDATA[critical thinking]]></kwd>
<kwd lng="en"><![CDATA[arts education]]></kwd>
<kwd lng="en"><![CDATA[aesthetic and creative questioning]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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