<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0807-8967</journal-id>
<journal-title><![CDATA[Revista Diacrítica]]></journal-title>
<abbrev-journal-title><![CDATA[Diacrítica]]></abbrev-journal-title>
<issn>0807-8967</issn>
<publisher>
<publisher-name><![CDATA[Centro de Estudos Humanísticos da Universidade do Minho]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0807-89672024000100208</article-id>
<article-id pub-id-type="doi">10.21814/diacritica.5263</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[POLÍTICA E ONTOLOGIA DA FIGURA NO PENSAMENTO DE GILLES DELEUZE]]></article-title>
<article-title xml:lang="en"><![CDATA[POLITICS AND ONTOLOGY OF THE FIGURE IN GILLES DELEUZE&#8217;S THOUGHT]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Nóbrega]]></surname>
<given-names><![CDATA[Diogo]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Nova Faculdade de Ciências Sociais e Humanas Instituto de Filosofia da Nova (Ifilnova)]]></institution>
<addr-line><![CDATA[Lisboa ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>04</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>04</month>
<year>2024</year>
</pub-date>
<volume>38</volume>
<numero>1</numero>
<fpage>208</fpage>
<lpage>225</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S0807-89672024000100208&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S0807-89672024000100208&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S0807-89672024000100208&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este artigo ocupa-se do conceito de &#8216;Figura&#8217; tal como Deleuze no-lo dá a pensar, sobretudo, nos ensaios Francis Bacon - Logique de la Sensation, Cinéma 1 - L&#8217;Image-mouvement e Cinéma 2 - L&#8217;Image-temps. Pretendemos defender a hipótese seguinte: a Figura deve compreender-se a partir de um conflito interior entre movimentos, modelos distintos. Por um lado, um desejo de conformidade ideal com um modelo discernível, estável; por outro lado, a deformação, a morte como modelo, morte múltipla, impessoal, sem relação necessária com um instante derradeiro, uma posição definitiva num quadro temporal a compreender em termos cronológicos, dizendo, distintamente, respeito a um elemento transformativo, vital, implicando uma possibilidade iterativa, ou de iteração, o eterno retorno da morte. Interessa-nos, em particular, acompanhar a repetição desta estrutura nos conceitos que a Figura solicita, que constituem a sua exo-consistência, como sejam os conceitos de &#8216;Imagem&#8217;, &#8216;corpo sem órgãos&#8217;, &#8216;Memória&#8217;, &#8216;perversão&#8217; e &#8216;democracia&#8217;. Concluímos justamente sublinhando o alcance não apenas estético-artístico, mas, também, político da Figura, forçando-nos a repropor de novo e diferentemente a questão da democracia enquanto tarefa, devir-democrático, para além de qualquer espécie de forma-Estado que adequadamente a concretize.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article explores Deleuze&#8217;s notion of Figure as it is presented in Francis Bacon - Logique de la Sensation, Cinéma 1 - L&#8217;Image-mouvement and Cinéma 2 - L&#8217;Image-temps. We begin with the following hypothesis: The Figure must be understood through a complex inner relationship between two different movements, models. On the one hand, a desire for conformity with a discernible model; on the other hand, deformation, death as a model, multiple, impersonal death, with no necessary relation to an ultimate instant, a definitive position in a temporal framework to be understood in chronological terms, but that which is concerned with a transformative, vital element, implying an iterative possibility, death&#8217;s eternal return. We are particularly interested in following the repetition of this structure in the concepts that constitute the Figure&#8217;s exoconsistency, that is, the concepts of &#8216;Image&#8217;, &#8216;Body without organs&#8217;, &#8216;Memory&#8217;, &#8216;perversion&#8217; and &#8216;democracy&#8217;. I conclude by underlining the Figure&#8217;s political significance, which obliges us to reposition the question of democracy as a task, a becoming-democratic, beyond any kind of state-form that adequately realises it.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Figura]]></kwd>
<kwd lng="pt"><![CDATA[Imagem]]></kwd>
<kwd lng="pt"><![CDATA[Corpo sem órgãos]]></kwd>
<kwd lng="pt"><![CDATA[Morte]]></kwd>
<kwd lng="pt"><![CDATA[Memória]]></kwd>
<kwd lng="pt"><![CDATA[Democracia.]]></kwd>
<kwd lng="en"><![CDATA[Figure]]></kwd>
<kwd lng="en"><![CDATA[Image]]></kwd>
<kwd lng="en"><![CDATA[Body without organs]]></kwd>
<kwd lng="en"><![CDATA[Death. Memory]]></kwd>
<kwd lng="en"><![CDATA[Democracy.]]></kwd>
</kwd-group>
</article-meta>
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