<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0807-8967</journal-id>
<journal-title><![CDATA[Revista Diacrítica]]></journal-title>
<abbrev-journal-title><![CDATA[Diacrítica]]></abbrev-journal-title>
<issn>0807-8967</issn>
<publisher>
<publisher-name><![CDATA[Centro de Estudos Humanísticos da Universidade do Minho]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0807-89672025000100132</article-id>
<article-id pub-id-type="doi">10.21814/diacritica.5849</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[El conservadurismo paradojal de Aki Kaurismäki. Trabajo, género, amor y vitalidad en Hojas de otoño]]></article-title>
<article-title xml:lang="pt"><![CDATA[O conservadorismo paradoxal de Aki Kaurismäki. Trabalho, gênero, amor e vitalidade em Folhas caídas]]></article-title>
<article-title xml:lang="en"><![CDATA[Aki Kaurismäki&#8217;s paradoxical conservatism. Labor, gender, love, and vitality in Fallen leaves]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Lema Habash]]></surname>
<given-names><![CDATA[Nicolas]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Suárez Ortiz]]></surname>
<given-names><![CDATA[Giovana]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de los Andes Facultad de Ciencias Sociales Departamento de Filosofía]]></institution>
<addr-line><![CDATA[Bogotá ]]></addr-line>
<country>Colombia</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidad del Quindío Facultad Ciencias Humanas y Bellas Artes Programa de Filosofía]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Colombia</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>04</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>04</month>
<year>2025</year>
</pub-date>
<volume>39</volume>
<numero>1</numero>
<fpage>132</fpage>
<lpage>151</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S0807-89672025000100132&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S0807-89672025000100132&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S0807-89672025000100132&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumo: Proponemos un estudio del filme Hojas de otoño (2023) de Aki Kaurismäki en términos de una reflexión cinemática acerca de cómo es posible perseverar afectivamente en el mundo contemporáneo dominado por la lógica de la extracción de plusvalía por medio del trabajo asalariado. Luego de una contextualización de este filme dentro la obra de Kaurismäki, donde destaca una reflexión sobre el mundo laboral contemporáneo, argumentamos que en su cine se da una revalorización del amor romántico. Aunque ciertamente escenificado por motivos heterosexuales tradicionales, se trata de una forma de amor romántico que implica un intento rupturista por encontrar una suerte de refugio afectivo en medio de una estructura de la sociedad y el mundo que tiende a la aniquilación de la vitalidad. De ahí que propongamos la idea de un &#8220;conservadurismo paradojal&#8221; en los motivos del amor romántico en Kaurismäki: paradojal, puesto que las formas tradicionales del amor con las cuales piensa Hojas de otoño implican formas de potenciamiento afectivo y no simplemente la mantención del statu quo.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumen: Propomos um estudo do filme Folhas caídas (2023) de Aki Kaurismäki em termos de uma reflexão cinematográfica sobre como é possível perseverar afetivamente no mundo contemporâneo dominado pela lógica da extração de mais-valia através do trabalho assalariado. Após uma contextualização deste filme dentro da obra de Kaurismäki, onde se destaca uma reflexão sobre o mundo laboral contemporâneo, argumentamos que em seu cinema há uma revalorização do amor romântico. Embora certamente encenado por motivos heterossexuais tradicionais, trata-se de uma forma de amor romântico que implica uma tentativa disruptiva de encontrar uma espécie de refúgio afetivo em meio a uma estrutura da sociedade e do mundo que tende à aniquilação da vitalidade. Daí que proponhamos a ideia de um &#8220;conservadorismo paradoxal&#8221; nos motivos do amor romântico em Kaurismäki: paradoxal, pois as formas tradicionais do amor com as quais pensa Folhas caídas implicam formas de potencialização afetiva e não simplesmente a manutenção do status quo.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: We propose a study on Aki Kaurismäki&#8217;s Fallen leaves (2023). We argue that the film is a cinematic reflection on how it is possible to persevere affectively in a contemporary world dominated by the logic of surplus value extraction through wage labor. After contextualizing this film within Kaurismäki&#8217;s work, which features a reflection on the contemporary labor world, we contend that his cinema involves a revaluation of romantic love. Although certainly depicted through traditional heterosexual motifs, it is a form of romantic love that implies a rupturist attempt to find a sort of affective refuge in the midst of a societal and worldly structure that tends towards the annihilation of vitality. Hence, we propose the idea of a &#8220;paradoxical conservatism&#8221; in the motifs of romantic love in Kaurismäki. We argue it is paradoxical, because the traditional forms of love through which Fallen leaves thinks involve modes of increase of affective power and not merely the maintenance of the status quo.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Trabajo]]></kwd>
<kwd lng="es"><![CDATA[Amor]]></kwd>
<kwd lng="es"><![CDATA[Género]]></kwd>
<kwd lng="es"><![CDATA[Vitalidad]]></kwd>
<kwd lng="es"><![CDATA[Kaurismäki.]]></kwd>
<kwd lng="pt"><![CDATA[Trabalho]]></kwd>
<kwd lng="pt"><![CDATA[Amor]]></kwd>
<kwd lng="pt"><![CDATA[Gênero]]></kwd>
<kwd lng="pt"><![CDATA[Vitalidade]]></kwd>
<kwd lng="pt"><![CDATA[Kaurismäki.]]></kwd>
<kwd lng="en"><![CDATA[Labor]]></kwd>
<kwd lng="en"><![CDATA[Love]]></kwd>
<kwd lng="en"><![CDATA[Gender]]></kwd>
<kwd lng="en"><![CDATA[Vitality]]></kwd>
<kwd lng="en"><![CDATA[Kaurismäki.]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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