<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0870-8231</journal-id>
<journal-title><![CDATA[Análise Psicológica]]></journal-title>
<abbrev-journal-title><![CDATA[Aná. Psicológica]]></abbrev-journal-title>
<issn>0870-8231</issn>
<publisher>
<publisher-name><![CDATA[ISPA-Instituto Universitário]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0870-82311999000400008</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Movimento Dada: O banal e o indizível]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Martins]]></surname>
<given-names><![CDATA[Ana Maria Pina]]></given-names>
</name>
<xref ref-type="aff" rid="A01"/>
</contrib>
</contrib-group>
<aff id="A01">
<institution><![CDATA[,ISPA - Instituto Superior de Psicologia Aplicada  ]]></institution>
<addr-line><![CDATA[Lisboa ]]></addr-line>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>1999</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>1999</year>
</pub-date>
<volume>17</volume>
<numero>4</numero>
<fpage>723</fpage>
<lpage>726</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S0870-82311999000400008&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S0870-82311999000400008&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S0870-82311999000400008&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Neste artigo a autora aponta a literalidade como a característica predominante do Movimento Dada, tentando também captar o lado indizível da sua poesia e estética.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[In this paper the author points out literality as the predominant characteristic of the Dada Movement, trying also to catch the unspeakable side of its poetry and aesthetic.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Dadaismo]]></kwd>
<kwd lng="pt"><![CDATA[estética]]></kwd>
<kwd lng="pt"><![CDATA[poesia]]></kwd>
<kwd lng="pt"><![CDATA[literalidade]]></kwd>
<kwd lng="pt"><![CDATA[transcendência]]></kwd>
<kwd lng="en"><![CDATA[Dadaism]]></kwd>
<kwd lng="en"><![CDATA[aesthetic]]></kwd>
<kwd lng="en"><![CDATA[poetry]]></kwd>
<kwd lng="en"><![CDATA[literality]]></kwd>
<kwd lng="en"><![CDATA[transcendency]]></kwd>
</kwd-group>
</article-meta>
</front><body><![CDATA[ <P><b>Movimento Dada: O banal e o indiz&iacute;vel </b></P>     <P>&nbsp;</P>     <P align="right">Ana Maria Pina Martins<a name="top1"></a>(<a href="#1">*</a>)  </P>     <P>&nbsp;</P>     <P align="center">RESUMO</P>     <P>Neste artigo a autora aponta a literalidade      como a caracter&iacute;stica predominante do Movimento Dada, tentando tamb&eacute;m      captar o lado indiz&iacute;vel da sua poesia e est&eacute;tica.</P>     <P><I>Palavras-chave</I>: Dadaismo, est&eacute;tica, poesia, literalidade, transcend&ecirc;ncia.</P>     <P>&nbsp;</P>     <P>&nbsp;</P>     <P align="center">ABSTRACT </P>     ]]></body>
<body><![CDATA[<P>In this paper the author points out literality      as the predominant characteristic of the Dada Movement, trying also to catch      the unspeakable side of its poetry and aesthetic. </P>     <P><I>Key words</I>: Dadaism, aesthetic, poetry, literality, transcendency.</P>     <P>&nbsp;</P>     <P>&nbsp;</P>     <P>Texto completo dispon&iacute;vel apenas em PDF.</P>     <p>Full text only available in PDF format. </p>     <P>&nbsp;</P>     <P>&nbsp;</P>     <P align="center">REFER&Ecirc;NCIAS BIBLIOGR&Aacute;FICAS</P>     <!-- ref --><P>Abastado, C. (1986). <I>Introduction au surr&eacute;alisme</I>.      Paris: Bordas. &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[&#160;<a href="javascript:void(0);" onclick="javascript: window.open('/scielo.php?script=sci_nlinks&ref=000022&pid=S0870-8231199900040000800001&lng=','','width=640,height=500,resizable=yes,scrollbars=1,menubar=yes,');">Links</a>&#160;]<!-- end-ref --><P>Al-Hallaj (857-922). <I>Po&egrave;mes du Diwan</I>. (Trad. francesa de Sami-Ali).      Po&egrave;mes mystiques. Paris: Sindbad, 1986. </P>     <P>Huelsenbeck, R. (1972). Dada or the meaning of caos. <I>Studio International,      183 </I>(40), 26-29.  </P> 	     <p>L&eacute;gouti&egrave;re, E. (1972). Tristan Tzara. In <I>Le surr&eacute;alisme </I>(pp. 48-60). Paris: Masson. </p>     <p>Nadeau, M. (1964). <I>Histoire du surr&eacute;alisme</I>. Paris: &Eacute;d. du Seuil. </p>     <p>Pernes, F. (1972). Dada. Morte e ressurei&ccedil;&atilde;o da arte. <I>Col&oacute;quio-Artes, 14 </I>(7), 22-27. </p>     <p>Raspail, J.-L. (1991). <I>Les surr&eacute;alistes. Une g&eacute;n&eacute;ration entre le r&ecirc;ve et l&rsquo;action</I>. Paris:      Gallimard. </p>     <P>Richter, H. (1965). <I>Dada art et anti-art</I>. Paris: &Eacute;d. Connaissance.      <P>Sami-Ali, M. (1980). <I>Le banal</I>. Paris: Gallimard.      <p>Sharp, E. (1976). Toward an iconography of Tristan Tzara. <I>Bulletin of the Detroit Institute of Arts, 54 </I>(4), 191-205. </p>     <p>Siena, R. (1977). Il dadaism, e l&rsquo;irruzione delle Zen. <I>Art Dimension, Lanciano,      11-12</I>, 6-11. </p>     ]]></body>
<body><![CDATA[<p>Skira, A. (Ed.) (1989). <I>Journal du Mouvement Dada</I>,      par Marc Dachy. Gen&egrave;ve. </P>     <P>Tzara, T. (1950). Memoirs of Dadaism, Ap&ecirc;ndice II. In Edmund Wilson, <I>Axel,      s Castle. A Study in the Imaginative Literature of 1870-1930</I>. London:      Cassell. </P>     <P>&nbsp;</P>     <p><a name="1"></a>(<a href="#top1">*</a>) Psic&oacute;loga Cl&iacute;nica. Instituto    Superior de Psicologia Aplicada, Lisboa. </p>      ]]></body><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Abastado]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
</person-group>
<source><![CDATA[Introduction au surréalisme.]]></source>
<year>1986</year>
<publisher-loc><![CDATA[Paris ]]></publisher-loc>
<publisher-name><![CDATA[Bordas]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
