<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0872-8380</journal-id>
<journal-title><![CDATA[Forum Sociológico]]></journal-title>
<abbrev-journal-title><![CDATA[Forum Sociológico]]></abbrev-journal-title>
<issn>0872-8380</issn>
<publisher>
<publisher-name><![CDATA[CICS.NOVA - Centro Interdisciplinar de Ciências Sociais]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0872-83802019000200051</article-id>
<article-id pub-id-type="doi">10.4000/sociologico.8640</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[O terceiro lado do muro. A arte e as suas cidades]]></article-title>
<article-title xml:lang="en"><![CDATA[The third side of the wall. Art and its Cities]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Pussetti]]></surname>
<given-names><![CDATA[Chiara]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Barros]]></surname>
<given-names><![CDATA[Vitor]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade de Lisboa Instituto de Ciências Sociais ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>12</month>
<year>2019</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>12</month>
<year>2019</year>
</pub-date>
<numero>35</numero>
<fpage>51</fpage>
<lpage>59</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S0872-83802019000200051&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S0872-83802019000200051&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S0872-83802019000200051&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este ensaio pretende, a partir da observação etnográfica de expressões de arte urbana embemáticas na cidade de Lisboa e de uma reflexão comparativa entre distinctive cities (Markusen, 2004), criar uma narrativa que percorra os principais vectores da transformação do universo da arte urbana na última década. Tentando reproduzir o estilo ensaístico e as modalidades narrativas que estiveram na origem desta reflexão, traçaremos um percurso através dos debates principais sobre arte urbana, mostrando no seu conjunto a heterogeneidade dos processos e das forças que condicionam a presença artística no espaço urbano e delineando futuras hipóteses de pesquisa. O objetivo desta reflexão será conduzir o leitor a a) observar os efeitos da progressiva influência da gramática do empreendedorismo; b) inquirir os dispositivos regulatórios criados - novos agentes, instituições e legislação, seja para punir ou fomentar a sua produção; c) analisar a relação material e sensorial da arte urbana com a própria cidade - da sua normativização estética à reificação da propriedade ou à consolidação da &#8220;cidade legislada&#8221;; d) integrar a arte urbana no processo mais alargado de divisão estrutural da cultura que, por um lado, é absorvida pela narrativa hegemónica das indústrias criativas e, por outro, permeia o tecido social, promovendo a participação ou a coesão social; e) examinar estas transformações da arte urbana no quadro da construção da cidade contemporânea e, em particular, do seu espaço público.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Based on a ethnographic observation of empirical urban art expressions in the city of Lisbon and on a comparative reflection between &#8220;distinctive cities&#8221; (Markusen, 2004), this essay aims to create a narrative that covers the main vectors of the transformation of the urban art universe in the last decade. Trying to reproduce the essayistic style and narrative modalities that were the origin of this reflection, we will trace a path through the main debates about urban art, showing together the heterogeneity of the processes and forces that condition the artistic presence in the urban space and outlining future hypotheses of research. The purpose of this reflection will be to lead the reader to a) observe the effects of the progressive influence of the grammar of entrepreneurship; b) inquire into the regulatory dispositifs created - new agents, institutions and legislation either to punish or encourage its production; c) analyze the material and sensorial relationship of urban art with the city itself - from its aesthetic normativization, to the reification of property or the consolidation of the &#8220;legislated city&#8221;; d) integrate urban art into the broader process of structural division of culture, which, on the one hand, is absorbed by the hegemonic narrative of the creative industries and, on the other, permeates the social fabric, promoting social participation or cohesion; e) examine these transformations of urban art in the context of the construction of the contemporary city and, in particular, of its public space.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[arte urbana]]></kwd>
<kwd lng="pt"><![CDATA[cidade]]></kwd>
<kwd lng="pt"><![CDATA[indústrias culturais]]></kwd>
<kwd lng="pt"><![CDATA[regeneração urbana]]></kwd>
<kwd lng="en"><![CDATA[urban art]]></kwd>
<kwd lng="en"><![CDATA[city]]></kwd>
<kwd lng="en"><![CDATA[cultural industries]]></kwd>
<kwd lng="en"><![CDATA[urban regeneration]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Aubry]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[Blein]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[Vivant]]></surname>
<given-names><![CDATA[E.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The promotion of creative industries as a tool for urban planning: the case of the Territoire de la culture et de la création in Paris Region]]></article-title>
<source><![CDATA[International Journal of Cultural Policy]]></source>
<year>2015</year>
<volume>21</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>121-38</page-range></nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bailey]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
<name>
<surname><![CDATA[Miles]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
<name>
<surname><![CDATA[Stark]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Culture-Led Urban regeneration and the revitalization of identities in Newcastle, Gateshead and the North East of England]]></article-title>
<source><![CDATA[International Journal of Cultural Policy]]></source>
<year>2004</year>
<volume>10</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>47-65</page-range></nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bengtsen]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Carelessness or curatorial chutzpah? On controversies surrounding street art in the museum]]></article-title>
<source><![CDATA[Konsthistorisk tidskrift/Journal of Art History]]></source>
<year>2015</year>
<volume>84</volume>
<numero>4</numero>
<issue>4</issue>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="">
<collab>Câmara Municipal de Lisboa</collab>
<source><![CDATA[Carta Estratégica de Lisboa 2010-2024 - Um Compromisso para o Futuro da Cidade]]></source>
<year>2009</year>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cameron]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
<name>
<surname><![CDATA[Coaffee]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Art, gentrification and regeneration - From artist as pioneer to public arts]]></article-title>
<source><![CDATA[European Journal of Housing Policy]]></source>
<year>2005</year>
<volume>5</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>39-58</page-range></nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Campos]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Graffiti writer as superhero]]></article-title>
<source><![CDATA[European Journal of Cultural Studies]]></source>
<year>2012</year>
<volume>16</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>155-70</page-range></nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Campos]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Youth, graffiti, and the Aestheticization of Transgression]]></article-title>
<source><![CDATA[Social Analysis]]></source>
<year>2015</year>
<volume>59</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>17-40</page-range></nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cardoso]]></surname>
<given-names><![CDATA[J. A.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A arte clandestina pinta ou suja as ruas?]]></article-title>
<source><![CDATA[Jornal Público]]></source>
<year>2007</year>
<month>,</month>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Costa]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
<name>
<surname><![CDATA[Lopes]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Urban Design, Public Space and the Dynamics of Creative Milieux: A Photographic Approach to Bairro Alto (Lisbon), Gràcia (Barcelona) and Vila Madalena (São Paulo)]]></article-title>
<source><![CDATA[Journal of Urban Design]]></source>
<year>2015</year>
<volume>20</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>28-51</page-range></nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Costa]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Práticas artísticas e espaço urbano: renovando compromissos com a observação etnográfica]]></article-title>
<source><![CDATA[Etnográfica]]></source>
<year>2018</year>
<volume>22</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>389-94</page-range></nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Dickens]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Placing post-graffiti: the journey of the Peckham Rock]]></article-title>
<source><![CDATA[Cultural Geographies]]></source>
<year>2008</year>
<volume>15</volume>
<page-range>471-94</page-range></nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Franklin]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Art tourism: a new field for tourist studies]]></article-title>
<source><![CDATA[Tourist Studies]]></source>
<year>2018</year>
<volume>18</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>399-416</page-range></nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gainza]]></surname>
<given-names><![CDATA[X.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Culture-led neighbourhood transformations beyond the revitalisation/gentrification dichotomy]]></article-title>
<source><![CDATA[Urban Studies]]></source>
<year>2017</year>
<volume>54</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>953-70</page-range></nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Guinard]]></surname>
<given-names><![CDATA[P.]]></given-names>
</name>
<name>
<surname><![CDATA[Molina]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Urban geography of arts: The co-production of arts and cities]]></article-title>
<source><![CDATA[Cities]]></source>
<year>2018</year>
<volume>77</volume>
<page-range>1-3</page-range></nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Hall]]></surname>
<given-names><![CDATA[T.]]></given-names>
</name>
<name>
<surname><![CDATA[Robertson]]></surname>
<given-names><![CDATA[I.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Public Art and Urban Regeneration: Advocacy, claims and critical debates]]></article-title>
<source><![CDATA[Landscape Research]]></source>
<year>2001</year>
<volume>26</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>5-26</page-range></nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Häussermann]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
<name>
<surname><![CDATA[Siebel]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Die Politik der Festivalisierung und die Festivalisierung der Politik. Große Ereignisse in der Stadtpolitik]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Häussermann]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
<name>
<surname><![CDATA[Siebel]]></surname>
<given-names><![CDATA[W.]]></given-names>
</name>
</person-group>
<source><![CDATA[Festivalisierung der Stadtpolitik: Stadtentwicklung durch große Projekte]]></source>
<year>1993</year>
<page-range>7-31</page-range><publisher-loc><![CDATA[Opladen ]]></publisher-loc>
<publisher-name><![CDATA[Westdeutscher Verlag]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Henningsen]]></surname>
<given-names><![CDATA[E.]]></given-names>
</name>
<name>
<surname><![CDATA[Håkonsen]]></surname>
<given-names><![CDATA[L.]]></given-names>
</name>
<name>
<surname><![CDATA[Løyland]]></surname>
<given-names><![CDATA[K.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[From institutions to events - structural change in Norwegian local cultural policy]]></article-title>
<source><![CDATA[International Journal of Cultural Policy]]></source>
<year>2015</year>
<volume>23</volume>
<page-range>352-71</page-range></nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Iveson]]></surname>
<given-names><![CDATA[K.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The wars on graffiti and the new military urbanism]]></article-title>
<source><![CDATA[City: analysis of urban trends, culture, theory, policy, action]]></source>
<year>2010</year>
<volume>14</volume>
<numero>1-2</numero>
<issue>1-2</issue>
<page-range>115-34</page-range></nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Jacob]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Eventification of Place: Urban Development and Experience Consumption in Berlin and New York City]]></article-title>
<source><![CDATA[European Urban and Regional Studies]]></source>
<year>2013</year>
<volume>20</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>449-59</page-range></nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lacy]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<source><![CDATA[Mapping the terrain: new genre public art]]></source>
<year>1994</year>
<publisher-name><![CDATA[Bay Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ley]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Artists, aestheticisation and the field of gentrification]]></article-title>
<source><![CDATA[Urban Studies]]></source>
<year>2003</year>
<volume>40</volume>
<numero>12</numero>
<issue>12</issue>
<page-range>2527-44</page-range></nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Liu]]></surname>
<given-names><![CDATA[Y.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Cultural Events and Cultural Tourism Development: Lessons from the European Capitals of Culture]]></article-title>
<source><![CDATA[European Planning Studies]]></source>
<year>2012</year>
<volume>22</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>498-514</page-range></nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lombard]]></surname>
<given-names><![CDATA[K.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[From Subways to Product Labels: The Commercial Incorporation of Hip Hop Graffiti]]></article-title>
<source><![CDATA[Visual Communication Quarterly]]></source>
<year>2013</year>
<volume>20</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>91-103</page-range></nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Markusen]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Targeting Occupations in Regional and Community Economic Development]]></article-title>
<source><![CDATA[Journal of the American Planning Association]]></source>
<year>2004</year>
<volume>70</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>253-68</page-range></nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Markusen]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
<name>
<surname><![CDATA[Schrock]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Distinctive City: Divergent Patterns in Growth, Hierarchy and Specialization]]></article-title>
<source><![CDATA[Urban Studies]]></source>
<year>2006</year>
<volume>43</volume>
<numero>8</numero>
<issue>8</issue>
<page-range>1301-23</page-range></nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pavoni]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Resistant legacies]]></article-title>
<source><![CDATA[Annals of Leisure Research]]></source>
<year>2015</year>
<volume>18</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>470-90</page-range></nlm-citation>
</ref>
<ref id="B27">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pussetti]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
<name>
<surname><![CDATA[Barros]]></surname>
<given-names><![CDATA[V.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The care of the immigrant self: technologies of citizenship and the healthcare sector]]></article-title>
<source><![CDATA[International Journal of Migration, Health and Social Care]]></source>
<year>2012</year>
<volume>8</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>42-50</page-range></nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pussetti]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
<name>
<surname><![CDATA[Barros]]></surname>
<given-names><![CDATA[V.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Geographies of Public Art and Urban Regeneration in Lisbon]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Martinez]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
</person-group>
<source><![CDATA[Politics of Recuperation. Repair and Recovery in Post-crisis Portugal]]></source>
<year></year>
<publisher-loc><![CDATA[Londres ]]></publisher-loc>
<publisher-name><![CDATA[Bloomsbury]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B29">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Radice]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
<name>
<surname><![CDATA[Boudreault-Fournier]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Urban Encounters. Art and the Public]]></source>
<year>2017</year>
<publisher-name><![CDATA[McGill-Queen&#8217;s University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B30">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rankin]]></surname>
<given-names><![CDATA[K. N.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Assemblage and the politics of thick description]]></article-title>
<source><![CDATA[City]]></source>
<year>2011</year>
<volume>15</volume>
<numero>5</numero>
<issue>5</issue>
<page-range>563-9</page-range></nlm-citation>
</ref>
<ref id="B31">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ren]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The landscape of power. Imagineering consumer behavior at China&#8217;s Theme Park]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Lukas]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<source><![CDATA[The Themed Space: Locating Culture, Nation and the Self]]></source>
<year>2007</year>
<page-range>97-112</page-range><publisher-name><![CDATA[Lextington Books]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B32">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Skrede]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[What may culture contribute to urban sustainability? Critical reflections on the uses of culture in urban development in Oslo and beyond]]></article-title>
<source><![CDATA[Journal of Urbanism : International Research on Placemaking and Urban Sustainability]]></source>
<year>2015</year>
<volume>9</volume>
<numero>4</numero>
<issue>4</issue>
<page-range>408-25</page-range></nlm-citation>
</ref>
<ref id="B33">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Teixeira Pinto]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Art of Gentrification : The Lisbon Version]]></article-title>
<source><![CDATA[Afterall: A Journal of Art, Context and Enquiry]]></source>
<year>2018</year>
<volume>45</volume>
<page-range>88-97</page-range></nlm-citation>
</ref>
<ref id="B34">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Young]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Citiefus in the city: Street Art, Enchantment, and the Urban Commons]]></article-title>
<source><![CDATA[Law &amp; Literature]]></source>
<year>2014</year>
<volume>26</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>145-61</page-range></nlm-citation>
</ref>
<ref id="B35">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Zukin]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<source><![CDATA[The Cultures of Cities]]></source>
<year>1995</year>
<publisher-loc><![CDATA[Malden and Oxford ]]></publisher-loc>
<publisher-name><![CDATA[Blackwell Publishing]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
