<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0872-8380</journal-id>
<journal-title><![CDATA[Forum Sociológico]]></journal-title>
<abbrev-journal-title><![CDATA[Forum Sociológico]]></abbrev-journal-title>
<issn>0872-8380</issn>
<publisher>
<publisher-name><![CDATA[CICS.NOVA - Centro Interdisciplinar de Ciências Sociais]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0872-83802020000200027</article-id>
<article-id pub-id-type="doi">10.4000/sociologico.9456</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[O teatro aberto em Lisboa: Notas de pesquisa sobre uma experiência de participação cultural]]></article-title>
<article-title xml:lang="en"><![CDATA[Teatro aberto in Lisbon: Fieldwork notes on an experience of cultural participation]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Borges]]></surname>
<given-names><![CDATA[Vera]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Caeiro]]></surname>
<given-names><![CDATA[Célia]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Iscte - Instituto Universitário de Lisboa Centro de Investigação e Estudos de Sociologia (CIES-Iscte) ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Portugal</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Diretora de Comunicação do Teatro Aberto  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>31</day>
<month>12</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>31</day>
<month>12</month>
<year>2020</year>
</pub-date>
<numero>37</numero>
<fpage>27</fpage>
<lpage>37</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S0872-83802020000200027&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S0872-83802020000200027&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S0872-83802020000200027&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este artigo tem um carácter exploratório e pretende descrever uma experiência de um &#8220;encontro&#8221; cultural com os públicos no teatro. Inspirada pelos debates recentes sobre a participação cultural e os pressupostos do programa europeu Be SpectACTive!, esta experiência promoveu um contexto de interação próxima de um conjunto de indivíduos com perfis heterogéneos e os profissionais da companhia Novo Grupo - Teatro Aberto, em Lisboa. A história deste teatro e as especificidades do seu trabalho artístico foram partilhadas durante o &#8220;encontro&#8221;. Concluímos que os encontros com os públicos são micromomentos de participação cultural e diálogo que podem integrar-se nas missões, objetivos e atividades correntes das organizações teatrais e nas práticas e motivações dos seus responsáveis. O artigo utiliza as notas do diário de campo, as palavras dos responsáveis do teatro e uma sequência de fotografias que ilustram o percurso feito pelos participantes nos bastidores do teatro.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article takes an exploratory approach and seeks to describe the experience of a cultural &#8220;encounter&#8221; with theatre audiences. Inspired on the recent debates around cultural participation and the assumptions of the European Be SpectACTive! program, this experience staged a frame of interaction between a set of individuals with heterogeneous profiles and professionals from the theatre company Novo Grupo - Teatro Aberto in Lisbon. The history of this theatre and the specific characteristics of its artistic work were shared over the course of this &#8220;encounter&#8221;. We conclude that encounters with the public provide micro-moments of dialogue and cultural participation that may integrate both into the missions, objectives and current activities of theatrical organisations and into the practices and motivations of their leaders. This article deploys fieldwork notes, the declarations of those responsible for the theatre and a sequence of photographs that illustrate the path taken by these participants when backstage in the theatre.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[teatro]]></kwd>
<kwd lng="pt"><![CDATA[encontros]]></kwd>
<kwd lng="pt"><![CDATA[participação cultural]]></kwd>
<kwd lng="pt"><![CDATA[democracia cultural]]></kwd>
<kwd lng="en"><![CDATA[theater]]></kwd>
<kwd lng="en"><![CDATA[encounters]]></kwd>
<kwd lng="en"><![CDATA[cultural participation]]></kwd>
<kwd lng="en"><![CDATA[cultural democracy]]></kwd>
</kwd-group>
</article-meta>
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