<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0873-6561</journal-id>
<journal-title><![CDATA[Etnográfica]]></journal-title>
<abbrev-journal-title><![CDATA[Etnográfica]]></abbrev-journal-title>
<issn>0873-6561</issn>
<publisher>
<publisher-name><![CDATA[Centro em Rede de Investigação em Antropologia - CRIA]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0873-65612024000300853</article-id>
<article-id pub-id-type="doi">10.4000/12lao</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[A Antropologia da Arte, a Antropologia - história, dilemas, possibilidades]]></article-title>
<article-title xml:lang="en"><![CDATA[Anthropology of art, Anthropology - history, dilemmas, possibilities]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Verde]]></surname>
<given-names><![CDATA[Filipe]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Iscte-IUL Departamento Antropologia ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2024</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2024</year>
</pub-date>
<volume>28</volume>
<numero>3</numero>
<fpage>853</fpage>
<lpage>870</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S0873-65612024000300853&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S0873-65612024000300853&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S0873-65612024000300853&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Neste ensaio procuro primeiro identificar as razões do lugar marginal que a arte desde sempre ocupou no pensamento antropológico, sugerindo que elas são a influência da conceção estética de arte e da metafísica que suportou o projeto das ciências sociais e fez supor que a reflexão sobre arte deve ser mediada por dispositivos de natureza teórica. Tomando como guia a tradição fenomenológica e o ensaio seminal de Heidegger A Origem da Obra de Arte, que devolvem à compreensão da obra de arte a sua função de fundar e articular as coordenadas metafísicas que fundam uma comunidade e guiam o seu devir histórico, defendo que o olhar antropológico sobre arte deve focar a sua potencialidade ontológica. Argumento, por fim, que essa é a via pela qual a antropologia pode apreender a dimensão generativa do que chamamos sociedade e cultura, trazendo as &#8220;grandes obras&#8221; que as sociedades do mundo produziram e produzem para uma relação dialógica caracterizada pela reciprocidade interpretativa que se estabelece entre elas, os seus autores e os seus intérpretes.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract In this essay, I first aim to pinpoint the factors that have historically marginalized art within anthropological thought. I propose that this marginalization stems from two main influences: the aesthetic conception of art and the metaphysical underpinnings of the social sciences, which suggest that art must be understood through theoretical frameworks. Drawing on phenomenology and following Heidegger&#8217;s seminal essay The Origin of the Work of Art, I assert that art&#8217;s role in establishing and navigating the metaphysical coordinates of a community, guiding its historical course, should be central to anthropological inquiry. I argue thus for an anthropological approach to art that prioritizes its ontological potentiality, thereby enabling us to appreciate the generative aspects of what we call society and culture. This approach invites a dialogical engagement with the world&#8217;s great artworks, fostering a relationship marked by interpretive reciprocity among the works, their creators, and interpreters.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[arte]]></kwd>
<kwd lng="pt"><![CDATA[antropologia]]></kwd>
<kwd lng="pt"><![CDATA[fenomenologia]]></kwd>
<kwd lng="pt"><![CDATA[ontologia]]></kwd>
<kwd lng="pt"><![CDATA[estética]]></kwd>
<kwd lng="en"><![CDATA[art]]></kwd>
<kwd lng="en"><![CDATA[anthropology]]></kwd>
<kwd lng="en"><![CDATA[phenomenology]]></kwd>
<kwd lng="en"><![CDATA[ontology]]></kwd>
<kwd lng="en"><![CDATA[aesthetics]]></kwd>
</kwd-group>
</article-meta>
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