<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0874-5560</journal-id>
<journal-title><![CDATA[Ex aequo]]></journal-title>
<abbrev-journal-title><![CDATA[Ex aequo]]></abbrev-journal-title>
<issn>0874-5560</issn>
<publisher>
<publisher-name><![CDATA[Associação Portuguesa de Estudos sobre as Mulheres - APEM]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0874-55602021000100069</article-id>
<article-id pub-id-type="doi">10.22355/exaequo.2021.43.05</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Reimaginando os contornos de gênero: intervenções artísticas no campo das masculinidades]]></article-title>
<article-title xml:lang="en"><![CDATA[Reimagining Gender: Artistic Interventions in the Field of Masculinities]]></article-title>
<article-title xml:lang="es"><![CDATA[Reimaginando los contornos del género: intervenciones artísticas en el ámbito de las masculinidades]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Gill]]></surname>
<given-names><![CDATA[Andréa]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
<xref ref-type="aff" rid="Aaf"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Silva]]></surname>
<given-names><![CDATA[Isabela Souza da]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
<xref ref-type="aff" rid="Aaf"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Fernández]]></surname>
<given-names><![CDATA[Marta]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Moura]]></surname>
<given-names><![CDATA[Tatiana]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
<xref ref-type="aff" rid="Aaf"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Pontíficia Universidade Católica do Rio de Janeiro Instituto de Relações Internacionais ]]></institution>
<addr-line><![CDATA[Rio de Janeiro RJ]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,UNIperiferias  ]]></institution>
<addr-line><![CDATA[Rio de Janeiro RJ]]></addr-line>
<country>Brasil</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Universidade Federal Fluminense  ]]></institution>
<addr-line><![CDATA[Niterói RJ]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af4">
<institution><![CDATA[,Observatório de Favelas  ]]></institution>
<addr-line><![CDATA[Rio de Janeiro RJ]]></addr-line>
<country>Brasil</country>
</aff>
<aff id="Af5">
<institution><![CDATA[,Pontíficia Universidade Católica do Rio de Janeiro Instituto de Relações Internacionais ]]></institution>
<addr-line><![CDATA[Rio de Janeiro RJ]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af6">
<institution><![CDATA[,Universidade de Coimbra Centro de Estudos Sociais ]]></institution>
<addr-line><![CDATA[Coimbra ]]></addr-line>
<country>Portugal</country>
</aff>
<aff id="Af7">
<institution><![CDATA[,Instituto Promundo  ]]></institution>
<addr-line><![CDATA[Brasília DF]]></addr-line>
<country>Brasil</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>06</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>06</month>
<year>2021</year>
</pub-date>
<numero>43</numero>
<fpage>69</fpage>
<lpage>84</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S0874-55602021000100069&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S0874-55602021000100069&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S0874-55602021000100069&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Neste artigo situa-se a discussão sobre gênero e masculinidades no contexto das suas qualificações e desqualificações hierárquicas da nossa humanidade. Partindo da violência estrutural e estruturante que marca as pós-colónias, como o Brasil, questionam-se as dinâmicas de violências raciais-genderizadas que reproduzem as normas, padrões e pactos imbricados de masculinidades hegemónicas. Desta forma, propõe-se um diálogo com práticas artístico-culturais periferizadas que redimensionam como incorporamos tais idealizações de gênero. Para esse fim, centramo-nos na produção do espetáculo Na Manha - desenvolvido no âmbito da residência artística do projeto de pesquisa-ação GlobalGRACE (Gênero e Culturas Globais de Igualdade), com a Companhia de Dança Passinho Carioca e sob a direção do coletivo de dança Mulheres ao Vento no Rio de Janeiro.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract In this paper we situate the discussion on gender and masculinities in the context of their hierarchical qualifications and disqualifications of our humanness. Taking as a point of departure the structural and structuring violence that marks postcolonies, such as Brazil, we question the dynamics of racial-gendered violence that reproduce the imbricated norms, standards and pacts of hegemonic masculinities. In this way, we propose a dialogue with peripherized artistic-cultural practices that reshape how we incorporate such idealizations of gender. To this end, we focus on the production of the performance Na Manha - developed within the scope of the artistic residency of the GlobalGRACE (Global Gender and Cultures of Equality) research-action project, with the Dance Company Passinho Carioca and under the direction of the dance collective Mulheres ao Vento (Women in the Wind) in Rio de Janeiro.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Em este trabajo situamos la discusión sobre género y masculinidades en el contexto de sus calificaciones y descalificaciones jerárquicas de nuestra humanidad. Tomando como punto de partida la violencia estructural y estructurante que marca las poscolonias, como Brasil, cuestionamos las dinámicas de violencias raciales-generizadas que reproducen las normas, estándares y pactos imbricados de las masculinidades hegemónicas. De esta forma, proponemos un diálogo con prácticas artístico-culturales periferizadas que redimensionan cómo incorporamos tales idealizaciones de género. Para este propósito, nos centramos en la producción de la performance Na Manha - elaborado en el contexto de la residencia artística del proyecto de investigación-acción GlobalGRACE (Género y Culturas Globales de Igualdad), con la Compañía de Danza Passinho Carioca y bajo la dirección del colectivo Mulheres ao Vento (Mujeres al viento) en Río de Janeiro.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Masculinidades]]></kwd>
<kwd lng="pt"><![CDATA[periferias]]></kwd>
<kwd lng="pt"><![CDATA[arte]]></kwd>
<kwd lng="pt"><![CDATA[passinho]]></kwd>
<kwd lng="pt"><![CDATA[decolonial]]></kwd>
<kwd lng="en"><![CDATA[Masculinities]]></kwd>
<kwd lng="en"><![CDATA[peripheries]]></kwd>
<kwd lng="en"><![CDATA[art]]></kwd>
<kwd lng="en"><![CDATA[passinho]]></kwd>
<kwd lng="en"><![CDATA[decolonial]]></kwd>
<kwd lng="es"><![CDATA[Masculinidades]]></kwd>
<kwd lng="es"><![CDATA[periferias]]></kwd>
<kwd lng="es"><![CDATA[arte]]></kwd>
<kwd lng="es"><![CDATA[passinho]]></kwd>
<kwd lng="es"><![CDATA[decolonial]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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