<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0874-5560</journal-id>
<journal-title><![CDATA[Ex aequo]]></journal-title>
<abbrev-journal-title><![CDATA[Ex aequo]]></abbrev-journal-title>
<issn>0874-5560</issn>
<publisher>
<publisher-name><![CDATA[Associação Portuguesa de Estudos sobre as Mulheres - APEM]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0874-55602025000100176</article-id>
<article-id pub-id-type="doi">10.22355/exaequo.2025.51.11</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[O cinema de Tila Chitunda como autoetnografia]]></article-title>
<article-title xml:lang="en"><![CDATA[Tila Chitunda&#8217;s Cinema as Autoethnography]]></article-title>
<article-title xml:lang="fr"><![CDATA[Le cinéma de Tila Chitunda comme autoethnographie]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Oliveira]]></surname>
<given-names><![CDATA[Catarina Sales]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade da Beira Interior  ]]></institution>
<addr-line><![CDATA[Covilhã ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2025</year>
</pub-date>
<numero>51</numero>
<fpage>176</fpage>
<lpage>196</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S0874-55602025000100176&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S0874-55602025000100176&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S0874-55602025000100176&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo A tendência para a reflexão autobiográfica tem vindo a acentuar-se entre uma jovem geração de cineastas lusófonas, considerando-se Tila Chitunda um caso de particular interesse. No registo autobiográfico, a voz que narra uma história individual/familiar é, ao mesmo tempo, expressão de processos coletivos mais abrangentes. Neste sentido, o diálogo com o self e com o seu contexto tem pontos de semelhança com a metodologia autoetnográfica. A nossa reflexão - construída a partir da análise qualitativa de filmes e de material empírico recolhido em contacto direto com a realizadora - propõe discutir as opções metodológicas da cineasta e o lugar desta obra num percurso de afirmação das mulheres como realizadoras.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The trend towards autobiographical reflection has been growing among a young generation of Lusophone filmmakers. We believe that Tila Chitunda is a case of particular interest. In autobiographical documentaries the voice narrating an individual/family story is, at the same time, an expression of broader collective processes. In this sense, the dialogue with the self and its context has points of similarity with the autoethnographic methodology. Our reflection - built on the qualitative analysis of films and empirical material collected in direct contact with the director - proposes to discuss the filmmaker's methodological choices and the place of her work in the affirmation of women as directors.]]></p></abstract>
<abstract abstract-type="short" xml:lang="fr"><p><![CDATA[Résumé La tendance à la réflexion autobiographique s'est développée parmi une jeune génération de cinéastes lusophones, dont Tila Chitunda est un cas particulièrement intéressant. Dans le document autobiographique, la voix qui raconte l'histoire d'un individu ou d'une famille est en même temps l'expression de processus collectifs plus larges. En ce sens, le dialogue avec le soi et son contexte présente des similitudes avec la méthodologie autoethnographique. Notre réflexion - construite sur l'analyse qualitative des films et du matériel empirique recueilli en contact direct avec la réalisatrice - propose de discuter des choix méthodologiques de la réalisatrice et de la place de ce travail dans un parcours d'affirmation des femmes réalisatrices.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Memória]]></kwd>
<kwd lng="pt"><![CDATA[mulheres realizadoras]]></kwd>
<kwd lng="pt"><![CDATA[autobiografia]]></kwd>
<kwd lng="pt"><![CDATA[autoetnografia]]></kwd>
<kwd lng="pt"><![CDATA[diáspora]]></kwd>
<kwd lng="en"><![CDATA[Memory]]></kwd>
<kwd lng="en"><![CDATA[women directors]]></kwd>
<kwd lng="en"><![CDATA[autobiography]]></kwd>
<kwd lng="en"><![CDATA[autoethnography]]></kwd>
<kwd lng="en"><![CDATA[diaspora]]></kwd>
<kwd lng="fr"><![CDATA[Mémoire]]></kwd>
<kwd lng="fr"><![CDATA[femmes réalisatrices]]></kwd>
<kwd lng="fr"><![CDATA[autobiographie]]></kwd>
<kwd lng="fr"><![CDATA[autoethnographie]]></kwd>
<kwd lng="fr"><![CDATA[diaspora]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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