<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>0874-5560</journal-id>
<journal-title><![CDATA[Ex aequo]]></journal-title>
<abbrev-journal-title><![CDATA[Ex aequo]]></abbrev-journal-title>
<issn>0874-5560</issn>
<publisher>
<publisher-name><![CDATA[Associação Portuguesa de Estudos sobre as Mulheres - APEM]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S0874-55602025000200131</article-id>
<article-id pub-id-type="doi">10.22355/exaequo.2025.52.10</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[FORCE: A costura como prática feminista da arte contra a cultura do estupro e promoção do consentimento]]></article-title>
<article-title xml:lang="en"><![CDATA[FORCE: Quilting as Feminist Art Practice Against Rape Culture and for the Promotion of Consent]]></article-title>
<article-title xml:lang="es"><![CDATA[FORCE: La costura como práctica feminista del arte contra la cultura de la violación y promoción del consentimiento]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Wieczorek]]></surname>
<given-names><![CDATA[Gabriela Traple]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade do Rio Grande do Sul Instituto de Artes Programa de Pós-Graduação em Artes Visuais]]></institution>
<addr-line><![CDATA[Porto Alegre ]]></addr-line>
<country>Brasil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2025</year>
</pub-date>
<numero>52</numero>
<fpage>131</fpage>
<lpage>149</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S0874-55602025000200131&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S0874-55602025000200131&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S0874-55602025000200131&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo1 O presente artigo aborda o trabalho do coletivo FORCE: Upsetting Rape Culture, encabeçado pela artista e arte-educadora Hannah Brancato e pela jornalista e ativista indígena cherokee Rebecca Nagle, com atuação crítica sobre a cultura do estupro e violência de gênero nos Estados Unidos e México. O foco específico é o Monument Quilt, iniciado em 2014. Nossa contribuição é informada por entrevista realizada com Hannah Brancato. O suporte metodológico do artigo é desenvolvido a partir das pesquisas de Julia Bryan-Wilson e Lora J. Bristow sobre bordado e costura como práticas feministas da arte; de Suzanne Lacy, Jacqueline Millner e Catriona Moore sobre arte comunitária; e de Catharine MacKinnon sobre consentimento.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article addresses the work of the collective FORCE: Upsetting Rape Culture, headed by artist and art educator Hannah Brancato and Cherokee journalist and activist Rebecca Nagle, with a critical focus on rape culture and gender violence in the United States and Mexico. The specific focus is the Monument Quilt, initiated in 2014. This contribution is informed by an interview with Hannah Brancato. The methodological support for the article is developed from the research of Julia Bryan-Wilson and Lora J. Bristow on embroidery and sewing as feminist art practices; Suzanne Lacy, Jacqueline Millner and Catriona Moore on community art; and Catharine MacKinnon on consent.]]></p></abstract>
<abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Este artículo aborda el trabajo del colectivo FORCE: Upsetting Rape Culture, encabezado por la artista y educadora de arte Hannah Brancato y la periodista y activista indígena cherokee Rebecca Nagle, con actuación crítica sobre la cultura de la violación y la violencia de género en Estados Unidos y México. El foco específico es el Monument Quilt, iniciado en 2014. Nuestra contribución es informada por una entrevista realizada con Hannah Brancato. El soporte metodológico del artículo se desarrolla a partir de las investigaciones de Julia Bryan-Wilson y Lora J. Bristow sobre bordado y costura como prácticas feministas del arte; de Suzanne Lacy, Jacqueline Millner y Catriona Moore sobre arte comunitario; y de Catharine MacKinnon sobre consentimiento.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Arte comunitária]]></kwd>
<kwd lng="pt"><![CDATA[feminismo]]></kwd>
<kwd lng="pt"><![CDATA[consentimento]]></kwd>
<kwd lng="pt"><![CDATA[cultura do estupro]]></kwd>
<kwd lng="pt"><![CDATA[espaços públicos]]></kwd>
<kwd lng="en"><![CDATA[Community art]]></kwd>
<kwd lng="en"><![CDATA[feminism]]></kwd>
<kwd lng="en"><![CDATA[consent]]></kwd>
<kwd lng="en"><![CDATA[rape culture]]></kwd>
<kwd lng="en"><![CDATA[public spaces]]></kwd>
<kwd lng="es"><![CDATA[Arte comunitario]]></kwd>
<kwd lng="es"><![CDATA[feminismo]]></kwd>
<kwd lng="es"><![CDATA[consentimiento]]></kwd>
<kwd lng="es"><![CDATA[cultura de la violación]]></kwd>
<kwd lng="es"><![CDATA[espacios públicos]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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