<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1646-740X</journal-id>
<journal-title><![CDATA[Medievalista]]></journal-title>
<abbrev-journal-title><![CDATA[Medievalista]]></abbrev-journal-title>
<issn>1646-740X</issn>
<publisher>
<publisher-name><![CDATA[Instituto de Estudos Medievais, Faculdade de Ciências Sociais e Humanas da Universidade Nova de Lisboa]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1646-740X2025000100323</article-id>
<article-id pub-id-type="doi">10.4000/134bb</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Expressões retóricas do amor no Cancioneiro Geral de Garcia de Resende. Tropos e figuras]]></article-title>
<article-title xml:lang="en"><![CDATA[Rhetorical expressions of love in Garcia de Resende's General Songbook Tropes and figures]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Fernandes]]></surname>
<given-names><![CDATA[Geraldo Augusto]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal do Ceará Departamento de Literatura ]]></institution>
<addr-line><![CDATA[Fortaleza ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>06</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>06</month>
<year>2025</year>
</pub-date>
<numero>37</numero>
<fpage>323</fpage>
<lpage>363</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S1646-740X2025000100323&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S1646-740X2025000100323&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S1646-740X2025000100323&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Na Antiguidade, o orador pautava-se pela elocutio para fazer de seu discurso um rico ornato com a intenção de convencer seu auditório de que ele, orador, defendia uma tese justa, e que sua oratória era, antes de tudo, uma peça para deleite. Na Idade Média, os ornamentos de que se serviam os oradores antigos passam à composição poética não só como um trabalho do léxico, mas também como o modo pelo qual a poesia era estruturada. Vejam-se as rimas, o ritmo, a métrica, mesmo que estas duas fossem já parte da criação retórico-poética dos antigos. A rima e a estrofe são, então, partes do ornamento juntamente com as figuras e os tropos, antes usados na eloquência oratória. Os humanistas medievais, no seu culto à civilização antiga, transpõem para o ato de poetar os mesmos elementos e preocupações característicos dos oradores passados. Os recursos de que se servem os poetas seriam, através da revalorização da poesia, a harmonia e a musicalidade, pelas quais se expressavam os conteúdos mais diversos da indagação humana, o que revela as preocupações antigas que os poetas medievais emularam. A poética expressada no Cancioneiro Geral de Garcia de Resende vale-se dessas expressões retóricas para embelezar os poemas. Neste estudo, proponho elencar essas expressões relacionadas ao tema do amor. Para tanto, faço uso de teóricos e estudiosos da Literatura como Quintiliano, Heinrich Lausberg, Maria Isabel Morán Cabanas, Massimo Marini, Pierre Le Gentil, Edmond Faral, Juan Casas Rigall, entre outros.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract In antiquity, the orator was guided by elocutio to make his speech a rich ornament with the intention of convincing his audience that he, the orator, defended a correct thesis, and that his oratory was, above all, a piece for delight. In the Middle Ages, the ornaments used by orators became poetic composition not only as a work of lexicon, but also as the way in which poetry was structured. Look at the rhymes, the rhythm, the meter, even if these two were already part of the rhetorical-poetic creation of the ancients. The rhyme and the stanza are, then, parts of the ornament along with the figures and tropes, formerly used in oratorical eloquence. The medieval humanists, in their cult of ancient civilization, transpose to the act of making poetry the same elements and concerns characteristic of past orators. The resources used by poets would be, through the revaluation of poetry, harmony and musicality, through which the most diverse contents of human inquiry were expressed, which reveals the ancient concerns that medieval poets emulated. The poetic expressed in Garcia de Resende&#8217;s Cancioneiro Geral uses these rhetorical expressions to embellish the poems. In this study, I propose to list these expressions related to the theme of love. To this end, I rely on theorists and scholars of Literature such as Quintiliano, Heinrich Lausberg, Maria Isabel Morán Cabanas, Massimo Marini, Pierre Le Gentil, Edmond Faral, Juan Casas Rigall, among others.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Cancioneiro Geral de Garcia de Resende]]></kwd>
<kwd lng="pt"><![CDATA[Retórica]]></kwd>
<kwd lng="pt"><![CDATA[Tropos e figuras]]></kwd>
<kwd lng="pt"><![CDATA[Amor]]></kwd>
<kwd lng="pt"><![CDATA[Poesia dos séculos XV/XVI]]></kwd>
<kwd lng="en"><![CDATA[Garcia de Resende&#8217;s Cancioneiro Geral]]></kwd>
<kwd lng="en"><![CDATA[Rhetoric]]></kwd>
<kwd lng="en"><![CDATA[Tropes and figures]]></kwd>
<kwd lng="en"><![CDATA[Love]]></kwd>
<kwd lng="en"><![CDATA[Poetry of 15th-16th centuries]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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<source><![CDATA[Poesia medieval]]></source>
<year>1987</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Global]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
