<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1647-6158</journal-id>
<journal-title><![CDATA[Revista :Estúdio]]></journal-title>
<abbrev-journal-title><![CDATA[Estúdio]]></abbrev-journal-title>
<issn>1647-6158</issn>
<publisher>
<publisher-name><![CDATA[Universidade de LisboaFaculdade de Belas-Artes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1647-61582019000300069</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Improvisação e drone: uma leitura metodológica de David Maranha]]></article-title>
<article-title xml:lang="en"><![CDATA[Improvisation and drone: a methodological reading of David Maranha]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Trochmann]]></surname>
<given-names><![CDATA[Bruno]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Paraguai]]></surname>
<given-names><![CDATA[Luisa]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Pontifícia Universidade Católica de Campinas Programa de Pós-Graduação em Linguagens, Midia e Arte ]]></institution>
<addr-line><![CDATA[Campinas SP]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Pontifícia Universidade Católica de Campinas Faculdade de Artes Visuais Centro de Linguagem e Comunicação]]></institution>
<addr-line><![CDATA[Campinas SP]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>09</month>
<year>2019</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>09</month>
<year>2019</year>
</pub-date>
<volume>10</volume>
<numero>27</numero>
<fpage>69</fpage>
<lpage>76</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S1647-61582019000300069&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S1647-61582019000300069&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S1647-61582019000300069&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo: Este artigo articula as obras "Âncora" (2016) e "Marches of the new world" (2007) de David Maranha, com a improvisação emocional do Free jazz negro e o drone incendiário da Dream music. Ambas perspectivas estão comprometidas com o rompimento das tradições eurocêntricas da música, e neste sentido, o texto vale-se de Flynt (1982) como abordagem metodológica teórico-prática, para inferir os modos de apropriação das técnicas e tecnologias sonoras do artista, enquanto princípios operativos do processo de criação.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: This article articulates the David Maranha's works, "Âncora" (2016) and "Marches of the new world" (2007), with the emotional improvisation of Free black jazz and the incendiary drone of Dream music. Both perspectives are committed to the disruption of Eurocentric traditions of music, and in this sense, the text draws on Flynt (1982) as a theoretical-practical methodological approach, to infer the ways of appropriation of the artist's sound techniques and technologies, as practical principles of the creative process.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[processo de criação]]></kwd>
<kwd lng="pt"><![CDATA[música experimental]]></kwd>
<kwd lng="pt"><![CDATA[improvisação]]></kwd>
<kwd lng="pt"><![CDATA[drone.]]></kwd>
<kwd lng="en"><![CDATA[creative process]]></kwd>
<kwd lng="en"><![CDATA[experimental music]]></kwd>
<kwd lng="en"><![CDATA[improvisation]]></kwd>
<kwd lng="en"><![CDATA[drone.]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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</back>
</article>
