<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1647-6158</journal-id>
<journal-title><![CDATA[Revista :Estúdio]]></journal-title>
<abbrev-journal-title><![CDATA[Estúdio]]></abbrev-journal-title>
<issn>1647-6158</issn>
<publisher>
<publisher-name><![CDATA[Universidade de LisboaFaculdade de Belas-Artes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1647-61582019000300077</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[O preto ao cubo branco: "dos pesos que se carrega"]]></article-title>
<article-title xml:lang="en"><![CDATA[The Black in the White cube: "of the weights that we carry"]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Carvalho]]></surname>
<given-names><![CDATA[Francione Oliveira]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Silva]]></surname>
<given-names><![CDATA[Karina Pereira da]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal de Juiz de Fora Faculdade de Educação Departamento de Educação]]></institution>
<addr-line><![CDATA[Juiz de Fora MG]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade Federal de Juiz de Fora Instituto de Artes e Design ]]></institution>
<addr-line><![CDATA[Juiz de Fora MG]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>09</month>
<year>2019</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>09</month>
<year>2019</year>
</pub-date>
<volume>10</volume>
<numero>27</numero>
<fpage>77</fpage>
<lpage>85</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S1647-61582019000300077&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S1647-61582019000300077&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S1647-61582019000300077&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo: O artigo reflete sobre um recorte da produção do artista visual Matheus Assunção, nascido em 1993 na cidade do Rio de Janeiro. O artista explora as interfaces entre a performance a fotografia, o vídeo, e a relação entre corpo/sexualidade/gênero dissidentes e as marcas do tráfico negreiro. A partir dele é possível diálogos e conexões com todo um coletivo de artistas afrodescendentes surgidos na última década no Brasil que questionam a institucionalização da arte e renovam práticas artísticas, temáticas e as práticas de circulação de obras.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: The article reflects on a section of the artistic production of the visual artist Matheus Assunção, born in 1993 in Rio de Janeiro. The artist explore the interfaces between performance art, photography, video and the relation between body/sexuality/gender dissidence and the marks of the slave trade. From this, dialogues and connections are possible with an entire collective of afrodescendant artists who emerged in the last decade in Brazil and who contest the institutionalization of art and renew artistic practices, themes and the ways art works circulate.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Matheus Assunção]]></kwd>
<kwd lng="pt"><![CDATA[arte afrodescendente]]></kwd>
<kwd lng="pt"><![CDATA[corporeidade.]]></kwd>
<kwd lng="en"><![CDATA[Matheus Assunção]]></kwd>
<kwd lng="en"><![CDATA[afrodescendant art]]></kwd>
<kwd lng="en"><![CDATA[corporeity.]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
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</person-group>
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<source><![CDATA[Revista Desvio: arte, memória e patrimônio]]></source>
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<person-group person-group-type="author">
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<source><![CDATA[Belém]]></source>
<year>2017</year>
<volume>Especial</volume>
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<issue>4</issue>
<page-range>73-92</page-range></nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
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</name>
</person-group>
<source><![CDATA[Crítica da razão negra]]></source>
<year>2018</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[n-1 edições]]></publisher-name>
</nlm-citation>
</ref>
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<person-group person-group-type="author">
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<surname><![CDATA[Nascimento]]></surname>
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</name>
</person-group>
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<year>2016</year>
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</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="confpro">
<person-group person-group-type="author">
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<surname><![CDATA[Silva]]></surname>
<given-names><![CDATA[Joyce Gonçalves da]]></given-names>
</name>
</person-group>
<source><![CDATA[Corporeidade e Identidade, o corpo negro como espaço de significação]]></source>
<year>2014</year>
<conf-name><![CDATA[ Congresso Internacional Interdisciplinar em Sociais e Humanidades]]></conf-name>
<conf-date>10 de Outubro de 2014</conf-date>
<conf-loc>Salvador, BA </conf-loc>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
