<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1647-6158</journal-id>
<journal-title><![CDATA[Revista :Estúdio]]></journal-title>
<abbrev-journal-title><![CDATA[Estúdio]]></abbrev-journal-title>
<issn>1647-6158</issn>
<publisher>
<publisher-name><![CDATA[Universidade de LisboaFaculdade de Belas-Artes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1647-61582019000300116</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Expandirse y replegarse: estructuras contingentes en la obra de Pep Montoya]]></article-title>
<article-title xml:lang="en"><![CDATA[Expand and retreat: contingent structures in the work of Pep Montoya]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Machó]]></surname>
<given-names><![CDATA[Oscar Padilla]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universitat de Barcelona Facultat de Belles Arts ]]></institution>
<addr-line><![CDATA[Barcelona ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>09</month>
<year>2019</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>09</month>
<year>2019</year>
</pub-date>
<volume>10</volume>
<numero>27</numero>
<fpage>116</fpage>
<lpage>122</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S1647-61582019000300116&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S1647-61582019000300116&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S1647-61582019000300116&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen: Este artículo explora las relaciones creadas entre las obras de la exposición «No saber perquč perň sabent per quč» en el Centro de Arte Espronceda de Barcelona que realizó Pep Montoya (Barcelona, 1952) en enero de 2018. El artista, a pesar de ser un caso particular por su trayectoria, forma parte de una generación de artistas que en el contexto catalán se preocuparon por las estructuras básicas de la pintura. En su caso esta preocupación permanece presente, a pesar de haber abierto nuevas vías de exploración. Montoya ha sido un explorador de las zonas limítrofes de la pintura, incluso aquellas que tienen que ver con la representación.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: This article explores the relationships created between the works of the exhibition «No saber perquč perň sabent per quč» at the Espronceda Art Center in Barcelona by Pep Montoya (Barcelona, 1952) in January 2018. The artist, despite being a particular case because of his career, belongs to a generation of artists in the Catalan context who were concerned with the basic structures of painting. In his case, this concern remains present, despite having opened new ways of exploration. Montoya has been an explorer of the border areas of painting, even those that have to do with representation.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Pintura]]></kwd>
<kwd lng="es"><![CDATA[arte contemporáneo]]></kwd>
<kwd lng="es"><![CDATA[geometría]]></kwd>
<kwd lng="es"><![CDATA[espacio]]></kwd>
<kwd lng="en"><![CDATA[Painting]]></kwd>
<kwd lng="en"><![CDATA[contemporary art]]></kwd>
<kwd lng="en"><![CDATA[geometry]]></kwd>
<kwd lng="en"><![CDATA[space]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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</article>
