<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1647-6158</journal-id>
<journal-title><![CDATA[Revista :Estúdio]]></journal-title>
<abbrev-journal-title><![CDATA[Estúdio]]></abbrev-journal-title>
<issn>1647-6158</issn>
<publisher>
<publisher-name><![CDATA[Universidade de LisboaFaculdade de Belas-Artes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1647-61582019000400012</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[O bom consumidor e a imagem]]></article-title>
<article-title xml:lang="en"><![CDATA[The good consumer and the image]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Queiroz]]></surname>
<given-names><![CDATA[João Paulo]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade de Lisboa Faculdade de Belas-Artes Centro de Investigação e Estudos em Belas Artes]]></institution>
<addr-line><![CDATA[Lisboa ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>31</day>
<month>12</month>
<year>2019</year>
</pub-date>
<pub-date pub-type="epub">
<day>31</day>
<month>12</month>
<year>2019</year>
</pub-date>
<volume>10</volume>
<numero>28</numero>
<fpage>12</fpage>
<lpage>19</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S1647-61582019000400012&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S1647-61582019000400012&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S1647-61582019000400012&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Nunca como agora se conviveu com tanta invisibilidade: as imagens são hegemónicas, omnipresentes, e por isso invisíveis. Já não são dramáticas, são virais. São baratas, pervasivas, instantâneas. Aceites no seu valor micro, as imagens são monetizadas, transformadas em liquidez. As imagens, cada vez mais visíveis, são por isso invisíveis. As imagens parecem dar lugar uma às outras num entendimento auto-regulado. De certo modo poderemos acompanhar estas perplexidades na presente edição da Revista Estúdio, onde os artistas são desafiados à visibilidade, através dos artigos aqui reunidos.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Never before has it been so invisible: images are hegemonic, omnipresent, and therefore invisible. The images are no longer dramatic, they are viral. They are cheap, pervasive, instantaneous. The image, accepted at its micro value, is monetized, transformed into liquidity. The images, more and more visible, are therefore invisible. It seems that the images themselves are concerned not to be too interesting, too deep, not to disturb the economy of the circulation of the rest of them. The images seem to give place to each other in a self-regulated balance. We will be able to follow these contradictions in the present edition of the Estúdio Journal, where the artists are challenged to the visibility, through their articles, gathered here.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[viagem]]></kwd>
<kwd lng="pt"><![CDATA[ironia]]></kwd>
<kwd lng="pt"><![CDATA[arte]]></kwd>
<kwd lng="pt"><![CDATA[revista Estúdio]]></kwd>
<kwd lng="en"><![CDATA[travel]]></kwd>
<kwd lng="en"><![CDATA[irony]]></kwd>
<kwd lng="en"><![CDATA[art]]></kwd>
<kwd lng="en"><![CDATA[Estúdio Journal]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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