<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1647-6158</journal-id>
<journal-title><![CDATA[Revista :Estúdio]]></journal-title>
<abbrev-journal-title><![CDATA[Estúdio]]></abbrev-journal-title>
<issn>1647-6158</issn>
<publisher>
<publisher-name><![CDATA[Universidade de LisboaFaculdade de Belas-Artes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1647-61582019000400152</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[José Patrício e seus jogos infinitos]]></article-title>
<article-title xml:lang="en"><![CDATA[José Patrício and his infinite games]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Alberti]]></surname>
<given-names><![CDATA[Raquel Sampaio]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal do Rio Grande do Sul  ]]></institution>
<addr-line><![CDATA[Porto Alegre RS]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>31</day>
<month>12</month>
<year>2019</year>
</pub-date>
<pub-date pub-type="epub">
<day>31</day>
<month>12</month>
<year>2019</year>
</pub-date>
<volume>10</volume>
<numero>28</numero>
<fpage>152</fpage>
<lpage>157</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S1647-61582019000400152&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S1647-61582019000400152&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S1647-61582019000400152&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este artigo propõe uma análise de parte da produção de José Patrício (Recife/ PE - 1960) que tem como material as peças de dominó, colocando a forma modular e a construção através de um sistema em diálogo com as surpresas que ocorrem a medida que se dá a instauração dos trabalhos. Esta análise também busca olhar mais atentamente para o gesto repetitivo que se desdobra no tempo, em uma ação que parece ultrapassar os contornos das obras e potencialmente se estender ao infinito.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article proposes an analysis of part of the production of José Patrício (Recife/ PE - 1960) whose material are domino pieces, putting the modular form and the construction through a system in dialogue with the surprises that may occur once the work is executed. This analysis also aims to look more closely at the repetitive gesture that unfolds in time, in an action that seems to surpass the contours of works and potentially extend to the infinite.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[José Patrício]]></kwd>
<kwd lng="pt"><![CDATA[dominós]]></kwd>
<kwd lng="pt"><![CDATA[jogos]]></kwd>
<kwd lng="pt"><![CDATA[repetição]]></kwd>
<kwd lng="en"><![CDATA[José Patrício]]></kwd>
<kwd lng="en"><![CDATA[dominoes]]></kwd>
<kwd lng="en"><![CDATA[games]]></kwd>
<kwd lng="en"><![CDATA[repetition]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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</article>
