<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1647-6158</journal-id>
<journal-title><![CDATA[Revista :Estúdio]]></journal-title>
<abbrev-journal-title><![CDATA[Estúdio]]></abbrev-journal-title>
<issn>1647-6158</issn>
<publisher>
<publisher-name><![CDATA[Universidade de LisboaFaculdade de Belas-Artes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1647-61582020000100076</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Clara Menéres, mulher-terra-viva]]></article-title>
<article-title xml:lang="en"><![CDATA[Clara Menéres, woman-earth-alive]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Sabino]]></surname>
<given-names><![CDATA[Isabel]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade de Lisboa Faculdade de Belas Artes Centro de Investigação e Estudos em Belas Artes]]></institution>
<addr-line><![CDATA[Lisboa ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>03</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>03</month>
<year>2020</year>
</pub-date>
<volume>11</volume>
<numero>29</numero>
<fpage>76</fpage>
<lpage>87</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S1647-61582020000100076&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S1647-61582020000100076&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S1647-61582020000100076&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo O ano de 1977 é um período especial de confluência de algumas linhas centrais de produção da escultora portuguesa Clara Menéres (1943-2018). Entre Portugal, França e Brasil, ela soma a organização da significativa mostra Artistas Portuguesas à criação e exposição de obras suas de grande fôlego como artista e como mulher consciente da sua condição na cultura e na natureza. O texto Ce sexe qui n&#8217;en est pas un, de Luce Irigaray, publicado também nesse ano em Paris, permite estabelecer uma perspectiva cruzada entre ambas, em Clara extensível a uma ligação à terra, ao planeta, centrada na obra MulherTerra-Viva.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The year 1977 is a special period of confluence of some of the central production lines of the Portuguese sculptor Clara Menéres (1943-2018). Between Portugal, France and Brazil, she adds the organization of the significant exhibition Portuguese Women Artists to the creation and show of her breathtaking works as an artist and as a woman aware of her condition in culture and nature. The text Ce sexe qui n&#8217;en est pas un, by Luce Irigaray, also published this year in Paris, allows us to establish a crossed perspective between Clara, extending to a connection to the earth, to the planet, centered on the work Mulher-Terra-Viva.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Clara Menéres]]></kwd>
<kwd lng="pt"><![CDATA[Luce Irigaray]]></kwd>
<kwd lng="pt"><![CDATA[feminismo]]></kwd>
<kwd lng="pt"><![CDATA[natureza]]></kwd>
<kwd lng="pt"><![CDATA[terra]]></kwd>
<kwd lng="en"><![CDATA[Clara Menéres]]></kwd>
<kwd lng="en"><![CDATA[Luce Irigaray]]></kwd>
<kwd lng="en"><![CDATA[feminism]]></kwd>
<kwd lng="en"><![CDATA[nature]]></kwd>
<kwd lng="en"><![CDATA[earth]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<collab>AAVV</collab>
<source><![CDATA[XIV Bienal Internacional de São Paulo]]></source>
<year>1977</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Fundação Bienal de São Paulo]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Irigaray]]></surname>
<given-names><![CDATA[Luce]]></given-names>
</name>
</person-group>
<source><![CDATA[Speculum. De l&#8217;autre femme]]></source>
<year>1974</year>
<publisher-loc><![CDATA[Paris ]]></publisher-loc>
<publisher-name><![CDATA[Les Éditions de Minuit]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Irigaray]]></surname>
<given-names><![CDATA[Luce]]></given-names>
</name>
</person-group>
<source><![CDATA[Ce Sexe Qui N&#8217;En Est Pas Un]]></source>
<year>1977</year>
<publisher-loc><![CDATA[Paris ]]></publisher-loc>
<publisher-name><![CDATA[Les Éditions de Minuit]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Irigaray]]></surname>
<given-names><![CDATA[Luce]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Interview]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Pollock]]></surname>
<given-names><![CDATA[Griselda]]></given-names>
</name>
</person-group>
<source><![CDATA[Vision and Difference]]></source>
<year>1978</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[Routledge]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Melo e Castro]]></surname>
<given-names><![CDATA[E.M]]></given-names>
</name>
</person-group>
<source><![CDATA[Representação portuguesa à XIV Bienal de São Paulo / XIV Bienal de São Paulo]]></source>
<year>1977</year>
<publisher-loc><![CDATA[S. Paulo ]]></publisher-loc>
<publisher-name><![CDATA[MNE/SEC/SNBA/AICA/FCG]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mendieta]]></surname>
<given-names><![CDATA[Ana]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Artist Statement]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Phelan]]></surname>
<given-names><![CDATA[Peggy]]></given-names>
</name>
<name>
<surname><![CDATA[Reckitt]]></surname>
<given-names><![CDATA[Helena]]></given-names>
</name>
</person-group>
<source><![CDATA[Art and Feminism]]></source>
<year>1988</year>
<page-range>98</page-range><publisher-loc><![CDATA[London and New York ]]></publisher-loc>
<publisher-name><![CDATA[Phaidon Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Menéres]]></surname>
<given-names><![CDATA[Clara]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Texto sem título]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Melo e Castro]]></surname>
<given-names><![CDATA[E. M. de]]></given-names>
</name>
</person-group>
<source><![CDATA[Representação portuguesa à XIV Bienal de São Paulo / XIV Bienal de São Paulo (1977)]]></source>
<year>1977</year>
<publisher-loc><![CDATA[S. Paulo ]]></publisher-loc>
<publisher-name><![CDATA[MNE/SEC/SNBA/AICA/FCG]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Menéres]]></surname>
<given-names><![CDATA[Clara]]></given-names>
</name>
</person-group>
<source><![CDATA[Curriculum vitae. Currículo para apresentação a provas de agregação em Artes Visuais]]></source>
<year>2001</year>
<publisher-loc><![CDATA[Évora ]]></publisher-loc>
<publisher-name><![CDATA[Universidade de Évora]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Nunes]]></surname>
<given-names><![CDATA[Luís Herberto]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Há um equívoco de obscenidade na obra sexualmente explícita de Clara Menéres, 1968-72]]></article-title>
<source><![CDATA[Revista Gama, Estudos Artísticos]]></source>
<year>2015</year>
<volume>3</volume>
<numero>5</numero>
<issue>5</issue>
<page-range>46-53</page-range></nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Saint-Phalle]]></surname>
<given-names><![CDATA[Niki de]]></given-names>
</name>
</person-group>
<source><![CDATA[Niki de SaintPhalle et le Project Horn]]></source>
<year>1966</year>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pereira]]></surname>
<given-names><![CDATA[José Fernandes]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Conversas com escultores... Clara Menéres]]></article-title>
<source><![CDATA[Revista Arte Teoria]]></source>
<year>2008</year>
<numero>11</numero>
<issue>11</issue>
<page-range>297-306</page-range></nlm-citation>
</ref>
</ref-list>
</back>
</article>
