<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1647-6158</journal-id>
<journal-title><![CDATA[Revista :Estúdio]]></journal-title>
<abbrev-journal-title><![CDATA[Estúdio]]></abbrev-journal-title>
<issn>1647-6158</issn>
<publisher>
<publisher-name><![CDATA[Universidade de LisboaFaculdade de Belas-Artes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1647-61582020000100097</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Lo que queda, el resto, como agente articulador en la obra de Rui Pedro Jorge]]></article-title>
<article-title xml:lang="en"><![CDATA[What remains, the rest, as an articulating factor in the artwork of Rui Pedro Jorge]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Ramos]]></surname>
<given-names><![CDATA[Jon Macareno]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad del País Vasco Facultad de Bellas Artes Departamento de Escultura]]></institution>
<addr-line><![CDATA[Leioa ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>03</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>03</month>
<year>2020</year>
</pub-date>
<volume>11</volume>
<numero>29</numero>
<fpage>97</fpage>
<lpage>105</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S1647-61582020000100097&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S1647-61582020000100097&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S1647-61582020000100097&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen La trayectoria artística de Rui Pedro Jorge (1987) está ligada íntimamente a la preocupación por resolver la problemática pictórica, a través de una práctica en la que, aun sirviéndose inexorablemente de la representación, trata de desmontar los grandes significantes que devienen de la misma. Su insistencia e interés se localizan en la propia práctica pictórica, con el fin de dar solución a la infinidad de interrogantes que el proceso artístico suscita, coronado por un momento que podríamos determinar como original, esto es, cuando se hace presente el carácter germinal y novedoso que toda creación artística detenta.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The artistic career of Rui Pedro Jorge (1987) is closely linked to the concern to solve the pictorial problem, through a practice in which, even though inexorably using representation, tries to dismantle the great signifiers that come from it. His insistence and interest are located in the pictorial practice itself, in order to solve the infinite number of questions that the artistic process raises, concluded for a moment that we could determine as original, that is, when the germinal and novel character that every artistic creation holds emerges.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Pintura]]></kwd>
<kwd lng="es"><![CDATA[espácio]]></kwd>
<kwd lng="es"><![CDATA[naturaleza]]></kwd>
<kwd lng="es"><![CDATA[paisaje]]></kwd>
<kwd lng="es"><![CDATA[Rui Pedro Jorge]]></kwd>
<kwd lng="en"><![CDATA[Painting]]></kwd>
<kwd lng="en"><![CDATA[space]]></kwd>
<kwd lng="en"><![CDATA[nature]]></kwd>
<kwd lng="en"><![CDATA[landscape]]></kwd>
<kwd lng="en"><![CDATA[Rui Pedro Jorge]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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</nlm-citation>
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</article>
