<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1647-6158</journal-id>
<journal-title><![CDATA[Revista :Estúdio]]></journal-title>
<abbrev-journal-title><![CDATA[Estúdio]]></abbrev-journal-title>
<issn>1647-6158</issn>
<publisher>
<publisher-name><![CDATA[Universidade de LisboaFaculdade de Belas-Artes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1647-61582020000200101</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Movimiento quieto: la pintura de Joseba Eskubi]]></article-title>
<article-title xml:lang="en"><![CDATA[Still Movement: the painting of Joseba Eskubi]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Colorado]]></surname>
<given-names><![CDATA[Jon Martín]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad Pública del País Vasco - Euskal Herriko Unibertsitatea Facultad de Bellas Artes Departamento de Dibujo]]></institution>
<addr-line><![CDATA[Leioa ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>06</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>06</month>
<year>2020</year>
</pub-date>
<volume>11</volume>
<numero>30</numero>
<fpage>101</fpage>
<lpage>111</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S1647-61582020000200101&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S1647-61582020000200101&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S1647-61582020000200101&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen Joseba Eskubi trabaja de manera explosiva. Independientemente de soporte y técnica, sus obras no dejan de acumularse de manera incansable; ritmo vertiginoso que contrasta con el universo de quietud y silencio que sugieren sus imágenes. Pintar es un ejercicio diario basado en repetir y variar; el tema, la propia pintura. Ante la mirada atenta, esa especie de bodegones se vuelven pronto mixturas de figuras-paisaje, construcciones frágiles, olvidadas en el tiempo. Poética de la descomposición. Una explosión que, de lenta, se convierte en invisible.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Joseba Eskubi works intensely, explosively. Regardless of medium and technique his works never cease to accumulate massively. This dizzying rhythm contrasts with the still and silent universe that his images suggest. Painting is a daily exercise based on repeating and varying; the theme is the paint itself. Under the watchful eye, this kind of still lifes become mixtures of landscape-figures, fragile constructions, forgotten in time. Poetics of decomposition. An explosion, so slow, that grows invisible.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[pintura]]></kwd>
<kwd lng="es"><![CDATA[naturaleza muerta]]></kwd>
<kwd lng="es"><![CDATA[paisaje]]></kwd>
<kwd lng="en"><![CDATA[painting]]></kwd>
<kwd lng="en"><![CDATA[still life]]></kwd>
<kwd lng="en"><![CDATA[landscape]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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</back>
</article>
