<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1647-6158</journal-id>
<journal-title><![CDATA[Revista :Estúdio]]></journal-title>
<abbrev-journal-title><![CDATA[Estúdio]]></abbrev-journal-title>
<issn>1647-6158</issn>
<publisher>
<publisher-name><![CDATA[Universidade de LisboaFaculdade de Belas-Artes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1647-61582020000200130</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Arte Contemporânea e o retorno da história na obra de Francisco Tropa]]></article-title>
<article-title xml:lang="en"><![CDATA[Contemporary art and the return of history in Francisco Tropa&#8217;s work]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Marcondes]]></surname>
<given-names><![CDATA[Neide]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Martins]]></surname>
<given-names><![CDATA[Nara Silvia M.]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Estadual Paulista  ]]></institution>
<addr-line><![CDATA[São Paulo SP]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade Presbiteriana Mackenzie Faculdade de Arquitetura e Urbanismo ]]></institution>
<addr-line><![CDATA[São Paulo SP]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>06</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>06</month>
<year>2020</year>
</pub-date>
<volume>11</volume>
<numero>30</numero>
<fpage>130</fpage>
<lpage>136</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S1647-61582020000200130&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S1647-61582020000200130&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S1647-61582020000200130&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Retirar de períodos históricos e trazer em retorno o texto desconstruído, este é o tema para o novo contexto da atual pesquisa. Elabora-se aqui a práxis significativa do artista português, Francisco Tropa, nascido em 1968. Seu interesse por jogos de tabuleiro está incorporado em múltiplas instalações. Tropa cria uma trama de ironia fóssil e reapropriação na instalação de 2019 no Museu Calouste Gulbenkian. Tropa instalou com objetos encontrados nas Termas Medicinais Romanas de Chaves, cidade de Portugal, a instalação O Pirgo de Chaves, o jogo, o tempo, a morte.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract To disclose from historical periods and bringing back the deconstructed text, this is the theme for the new context of the current research. The significant praxis of Portuguese artist Francisco Tropa, born in 1968, is elaborated here. His interest in board games is incorporated in multiple installations. Tropa creates a plot of fossil irony and reappropriation at the 2019 installation at the Calouste Gulbenkian Museum. Tropa installed with objects found in the Roman Medicinal Spa of Chaves, city of Portugal, the installation The Pirgo de Chaves, the game, the time, the death.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[arte contemporânea]]></kwd>
<kwd lng="pt"><![CDATA[instalação]]></kwd>
<kwd lng="pt"><![CDATA[arqueologia]]></kwd>
<kwd lng="en"><![CDATA[contemporary art]]></kwd>
<kwd lng="en"><![CDATA[installation]]></kwd>
<kwd lng="en"><![CDATA[archeology]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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</article>
