<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1647-6158</journal-id>
<journal-title><![CDATA[Revista :Estúdio]]></journal-title>
<abbrev-journal-title><![CDATA[Estúdio]]></abbrev-journal-title>
<issn>1647-6158</issn>
<publisher>
<publisher-name><![CDATA[Universidade de LisboaFaculdade de Belas-Artes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1647-61582020000300012</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Arte: no ângulo do espelho, uma pegada grande demais]]></article-title>
<article-title xml:lang="en"><![CDATA[Art: at the angle of the mirror, a footprint too big]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Queiroz]]></surname>
<given-names><![CDATA[João Paulo]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade de Lisboa Faculdade de Belas Artes Centro de Investigação e Estudos em Belas Artes]]></institution>
<addr-line><![CDATA[Lisboa ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>09</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>09</month>
<year>2020</year>
</pub-date>
<volume>11</volume>
<numero>31</numero>
<fpage>12</fpage>
<lpage>20</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S1647-61582020000300012&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S1647-61582020000300012&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S1647-61582020000300012&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo A propósito dos artigos apresentados no N. 31 da Revista Estúdio, apresentase uma perspetiva sintética e interrogadora sobre as formas da arte, interrogando a sua ancoragem agarrada à subjetividade. Esta entidade desfaz-se como ponto de vista, mas permite a representação, para uma abstração estética. A Arte na mole dos tempos é então uma forma agarrada a uma perspetiva, uma imagem na retina semantizada. O contexto é de perigo, na emergência ambiental, expondo uma arte que pode ser doente, com o mal reificado do capital. O desafio é alto, para uma superação na Arte contemporânea.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract With regard to the articles presented in N. 31 of &#8216;Revista Estúdio&#8217; Journal, a synthetic and interrogative perspective on the forms of art is presented, questioning its anchorage attached to subjectivity. This entity falls apart as a point of view but allows representation, towards an aesthetic abstraction. Art in the mole of the times is then a form attached to a perspective, an image on the semantized retina. The context is one of danger, in the environmental emergency, exposing the sickness in art, with the reified evil of capital. The challenge is high, for overcoming contemporary art.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Revista Estúdio]]></kwd>
<kwd lng="pt"><![CDATA[arte]]></kwd>
<kwd lng="pt"><![CDATA[emergência ambiental]]></kwd>
<kwd lng="pt"><![CDATA[reificação]]></kwd>
<kwd lng="pt"><![CDATA[capital]]></kwd>
<kwd lng="en"><![CDATA[Estúdio Estúdio]]></kwd>
<kwd lng="en"><![CDATA[art]]></kwd>
<kwd lng="en"><![CDATA[environmental emergency]]></kwd>
<kwd lng="en"><![CDATA[reification]]></kwd>
<kwd lng="en"><![CDATA[capital]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Assis]]></surname>
<given-names><![CDATA[Tiago Barbedo]]></given-names>
</name>
</person-group>
<source><![CDATA[Comunidad y sociedad en los márgenes del diluvio tecnológico.Impacto e interrupciones de las tecnologías de información y comunicación en las comunidades reales: cultura, lengua y emancipación]]></source>
<year>2013</year>
<publisher-loc><![CDATA[España ]]></publisher-loc>
<publisher-name><![CDATA[Universitat Politècnica de València]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Fernández Fariña]]></surname>
<given-names><![CDATA[Almudena]]></given-names>
</name>
</person-group>
<source><![CDATA[Lo que la Pintura no es: la lógica de la negación como afirmación del campo expandido de la Pintura]]></source>
<year>2009</year>
<publisher-loc><![CDATA[Pontevedra ]]></publisher-loc>
<publisher-name><![CDATA[Diputación de. Pontevedra]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Huerta]]></surname>
<given-names><![CDATA[Ricard]]></given-names>
</name>
<name>
<surname><![CDATA[Alonso Sanz]]></surname>
<given-names><![CDATA[Amparo]]></given-names>
</name>
</person-group>
<source><![CDATA[Educación artística y diversidad sexual]]></source>
<year>2015</year>
<publisher-loc><![CDATA[Valencia ]]></publisher-loc>
<publisher-name><![CDATA[PUV]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Huerta]]></surname>
<given-names><![CDATA[Ricard]]></given-names>
</name>
</person-group>
<source><![CDATA[Transeducar: Arte, docencia y derechos LGTB]]></source>
<year>2016</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Egales]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Oliveira]]></surname>
<given-names><![CDATA[Marilda Oliveira de]]></given-names>
</name>
<name>
<surname><![CDATA[Hernández]]></surname>
<given-names><![CDATA[Fernando]]></given-names>
</name>
</person-group>
<source><![CDATA[A Formação do Professor e o Ensino das Artes Visuais]]></source>
<year>2016</year>
<publisher-loc><![CDATA[Santa Maria ]]></publisher-loc>
<publisher-name><![CDATA[EditoraUFSM]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Oliveira]]></surname>
<given-names><![CDATA[Marilda Oliveira de]]></given-names>
</name>
<name>
<surname><![CDATA[Charréu]]></surname>
<given-names><![CDATA[Leonardo Augusto]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Contribuições da Perspectiva Metodológica &#8216;Investigação Baseada nas Artes&#8217; e da A/R/Tografia para as pesquisas em educação]]></article-title>
<source><![CDATA[Educação em Revista]]></source>
<year>2016</year>
<volume>32</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>365-82</page-range></nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Prieto]]></surname>
<given-names><![CDATA[Margarida P.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[João Paulo Queiroz: a imagem de uma imagem]]></article-title>
<source><![CDATA[Revista Estúdio]]></source>
<year>2018</year>
<volume>9</volume>
<numero>23</numero>
<issue>23</issue>
<page-range>46-58</page-range></nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Queiroz]]></surname>
<given-names><![CDATA[João Paulo]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Resistir: arte e discursos contra a história]]></article-title>
<source><![CDATA[Revista :Estúdio]]></source>
<year>2017</year>
<volume>8</volume>
<numero>20</numero>
<issue>20</issue>
<page-range>12-7</page-range></nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Queiroz]]></surname>
<given-names><![CDATA[João Paulo]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Arte e relações habituais: aprender a agir]]></article-title>
<source><![CDATA[Revista :Estúdio]]></source>
<year>2017</year>
<volume>8</volume>
<numero>19</numero>
<issue>19</issue>
<page-range>12-6</page-range></nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Santos]]></surname>
<given-names><![CDATA[Luísa]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[João Paulo Queiroz: Desenhos, 2005-2016. Acalmar a natureza inquieta do lugar]]></article-title>
<source><![CDATA[Revista :Estúdio]]></source>
<year>2017</year>
<volume>8</volume>
<numero>17</numero>
<issue>17</issue>
<page-range>28-41</page-range></nlm-citation>
</ref>
</ref-list>
</back>
</article>
