<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1647-6158</journal-id>
<journal-title><![CDATA[Revista :Estúdio]]></journal-title>
<abbrev-journal-title><![CDATA[Estúdio]]></abbrev-journal-title>
<issn>1647-6158</issn>
<publisher>
<publisher-name><![CDATA[Universidade de LisboaFaculdade de Belas-Artes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1647-61582020000300071</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Travesías de la pintura de Almudena Fernández Fariña: escribir pintura, tejer pintura, pintar]]></article-title>
<article-title xml:lang="en"><![CDATA[Crossroads of Almudena Fernandez Fariña´s painting: writing painting, weaving painting, painting]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Flores]]></surname>
<given-names><![CDATA[Isabel Cáceres]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidad de Vigo Departamento de Pintura ]]></institution>
<addr-line><![CDATA[Pontevedra ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>09</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>09</month>
<year>2020</year>
</pub-date>
<volume>11</volume>
<numero>31</numero>
<fpage>71</fpage>
<lpage>79</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S1647-61582020000300071&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S1647-61582020000300071&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S1647-61582020000300071&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen En esta comunicación se propone una lectura de la travesía pictórica de Almudena Fernández Fariña. Para ello se tomarán como estudio de caso cuatro de sus obras: &#8220;Sin título&#8221; (1998), &#8220;Knoten&#8221; (2004), &#8220;Pintura Hábitat&#8221; (2005) y &#8220;Mural Concha&#8221; (2013) que se analizarán en los apartados que dividen este artículo: Escribir pintura, Tejer pintura y Pintar. Dichas exposiciones nos permitirán conocer la evolución que experimenta la pintura de Fernández Fariña desde sus primeros lienzos escritos, hasta la salida de su pintura del marco del cuadro al espacio arquitectónico a través del uso del ornamento.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This communication proposes an interpretation of the crossroads of Almudena Fernández Fariña´s painting. With the aim of doing that, four of her artworks will be use as a case of study: &#8220;Sin título&#8221; (1998), &#8220;Knoten&#8221; (2004), &#8220;Pintura Hábitat&#8221; (2005) and &#8220;Mural Concha&#8221; (2013). These artworks will be analysed in the sections dividing this article: Writing painting, Weaving painting and Painting. These works will allow us to get to know the evolution that Fernández Fariñas´s painting experienced from her first written canvases, until the outing of her painting from the frame to the architectural space through the use of ornament.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[Pintura fuera del marco]]></kwd>
<kwd lng="es"><![CDATA[decoración]]></kwd>
<kwd lng="es"><![CDATA[ornamento /site/non-site]]></kwd>
<kwd lng="en"><![CDATA[Out of frame painting]]></kwd>
<kwd lng="en"><![CDATA[decoration]]></kwd>
<kwd lng="en"><![CDATA[ornament]]></kwd>
<kwd lng="en"><![CDATA[site/non-site]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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</article>
