<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1647-6158</journal-id>
<journal-title><![CDATA[Revista :Estúdio]]></journal-title>
<abbrev-journal-title><![CDATA[Estúdio]]></abbrev-journal-title>
<issn>1647-6158</issn>
<publisher>
<publisher-name><![CDATA[Universidade de LisboaFaculdade de Belas-Artes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1647-61582020000300097</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Pedres 3D: l&#8217;error d&#8217;Anna Dot i la còpia de Mercè Casanovas]]></article-title>
<article-title xml:lang="en"><![CDATA[3D stones: the error of Anna Dot and the copy of Mercè Casanovas]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Rovira]]></surname>
<given-names><![CDATA[Jordi Morell i]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universitat de Barcelona Facultat de Belles Arts Departament d&#8217;Arts Visuals i Disseny]]></institution>
<addr-line><![CDATA[Barcelona ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>09</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>09</month>
<year>2020</year>
</pub-date>
<volume>11</volume>
<numero>31</numero>
<fpage>97</fpage>
<lpage>104</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S1647-61582020000300097&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S1647-61582020000300097&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S1647-61582020000300097&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resum L&#8217;article ens acosta a dues artistes catalanes, Anna Dot i Mercè Casanovas, que han incorporat la tecnologia d&#8217;impressió en 3D com una eina més en els seus processos creatius. Coincideix, a més, que les pedres impreses són protagonistes en les seves obres: com a error, en El camí de les pedres (2017), de Dot, i com a còpia en Repensant Penone (2019), de Casanovas. Es conclou que aquestes pedres peculiars condensen, més que temps, un conjunt de dades, i que ens desvelen densitats conceptuals pròpies de les seves recerques artístiques.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This paper brings us closer to two Catalan artists: Anna Dot and Mercè Casanovas, who have incorporated 3D printing technology as another tool in their creative processes. It also coincides with the fact that printed stones are the main character in their works: as an error in Dot&#8217;s El camí de les pedres (2017), and as a copy in Casanovas&#8217;s Repensant Penone (2019). In conclusion, these peculiar stones, more than time, condense data and reveal the conceptual densities of their artistic research.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[pedra]]></kwd>
<kwd lng="es"><![CDATA[impressió en 3D]]></kwd>
<kwd lng="es"><![CDATA[error]]></kwd>
<kwd lng="es"><![CDATA[còpia]]></kwd>
<kwd lng="es"><![CDATA[Anna Dot]]></kwd>
<kwd lng="es"><![CDATA[Mercè Casanovas]]></kwd>
<kwd lng="es"><![CDATA[processos artístics]]></kwd>
<kwd lng="en"><![CDATA[stone]]></kwd>
<kwd lng="en"><![CDATA[3D printing]]></kwd>
<kwd lng="en"><![CDATA[error]]></kwd>
<kwd lng="en"><![CDATA[copy]]></kwd>
<kwd lng="en"><![CDATA[Anna Dot]]></kwd>
<kwd lng="en"><![CDATA[Mercè Casanovas]]></kwd>
<kwd lng="en"><![CDATA[artistic processes]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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