<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1647-6158</journal-id>
<journal-title><![CDATA[Revista :Estúdio]]></journal-title>
<abbrev-journal-title><![CDATA[Estúdio]]></abbrev-journal-title>
<issn>1647-6158</issn>
<publisher>
<publisher-name><![CDATA[Universidade de LisboaFaculdade de Belas-Artes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1647-61582020000300134</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Experimentações político-formais no corpo linguístico performativo: a escrita em artes visuais]]></article-title>
<article-title xml:lang="en"><![CDATA[Political-formal experiments in the performative linguistic body: writing in visual arts]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Silva]]></surname>
<given-names><![CDATA[Daniela Torres Gelly de Castro e]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Melim]]></surname>
<given-names><![CDATA[Regina]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade do Estado de Santa Catarina Programa de Pós-Graduação em Artes Visuais ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>09</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>09</month>
<year>2020</year>
</pub-date>
<volume>11</volume>
<numero>31</numero>
<fpage>134</fpage>
<lpage>144</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S1647-61582020000300134&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S1647-61582020000300134&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S1647-61582020000300134&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo O texto escrito para esse Congresso fala da escrita nas artes visuais - das experimentações político-formais no corpo linguístico performativo na obra do artista brasileiro Fabio Morais. Assim, selecionamos alguns trabalhos apresentados em Excritexpográfica - uma exposição que o artista realizou em fevereiro de 2017 na Galeria Vermelho, em São Paulo. Nela, as obras mostravam articulações gráfico-espaciais que acresciam à palavra a condição de imagem em marcha, possibilitando novos significados e instigando um olhar analítico à conjuntura política brasileira e mundial. No entanto, entre os primeiros dias de janeiro de 2020, quando finalizamos aquele texto, e as primeiras semanas de março, quando ele foi convidado para ser a comunicação de abertura do CSO tornado online em função da pandemia do coronavírus, descobrimos um mundo além de nós. Encontramos um mundo suspenso entre um passado em curso junto a uma narrativa corrosiva e uma brusca interrupção dessa mesma narrativa, sem sabermos se ela seria retomada ou se ali fora concluída para ser ainda uma outra inaugurada. Estávamos no escuro, salvo quando iluminados pela luz azul das telas do computador e celular. Tínhamos três dias para &#8216;atualizar&#8217; o texto para um contexto incerto, interior, desde casa. Foi um exercício sem flexão muscular, mas com a coluna reta: partimos da certeza que nos invadiu naquele momento sobre o papel da arte: a arte não relativiza mais; a arte não problematiza mais, ela não questiona. Ela exige: respostas, movimentos, vozes, corpos, postura ética.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The text that was selected for this congress focused on artist Fabio Morais&#8217; solo exhibition Writexpographic at the Vermelho Gallery in São Paulo in February 2017. The show consisted of pieces that disclosed the artist&#8217;s two decade long and ongoing research on writing within the realm of the visual arts. Such practice has been reflecting on the current formal-political experimentation of writing within a performative linguistic body. Writexpographic revealed graphic and spatial articulations that added to the written word the condition of image en marche, rendering new meanings - and new readings - onto the current political scenario in Brazil and abroad. However, the period that marked the completion of the article in late January 2020 and early March, when it was invited by the congress to be the keynote address, the world had dramatically changed. We found a world whose narrative came into a complete halt due to the coronavirus pandemic. The present in which we found ourselves needing to &#8216;update&#8217; the article before the congress opening was as uncertain as it was hopeful, as it was dark. We were in the dark, except when lit by the blue light reflected by the computer and cell phone screens. In the attempt to reframe and redirect the discussion in the article while committing to its original intent we were motivated by Morais&#8217; practice. We could not be sure what the writing needed to communicate or inform but we were certain what it had to perform, knowing that the role of art from then on demands answers, movement, voices, bodies, ethical posture.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[escrita nas artes visuais]]></kwd>
<kwd lng="pt"><![CDATA[performativo]]></kwd>
<kwd lng="pt"><![CDATA[vozes]]></kwd>
<kwd lng="pt"><![CDATA[corpos]]></kwd>
<kwd lng="pt"><![CDATA[movimento]]></kwd>
<kwd lng="pt"><![CDATA[ética]]></kwd>
<kwd lng="en"><![CDATA[visual arts writing]]></kwd>
<kwd lng="en"><![CDATA[performative writing]]></kwd>
<kwd lng="en"><![CDATA[voices]]></kwd>
<kwd lng="en"><![CDATA[bodies]]></kwd>
<kwd lng="en"><![CDATA[movement]]></kwd>
<kwd lng="en"><![CDATA[ethics]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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</article>
