<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1647-6158</journal-id>
<journal-title><![CDATA[Revista :Estúdio]]></journal-title>
<abbrev-journal-title><![CDATA[Estúdio]]></abbrev-journal-title>
<issn>1647-6158</issn>
<publisher>
<publisher-name><![CDATA[Universidade de LisboaFaculdade de Belas-Artes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1647-61582020000400088</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Anamorphoses: projeções cíclicas, deformações geradoras: plasticidade sonora em Anamorphoses V e VII de Isabel Soveral]]></article-title>
<article-title xml:lang="en"><![CDATA[Anamorphoses: cyclic projections, generating deformations: sound plasticity in Isabel Soveral&#8217;s Anamorphoses V and VII]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Postiga]]></surname>
<given-names><![CDATA[José Luís]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade de Aveiro Departamento de Comunicação e Arte; Instituto de Etnomusicologia Centro de Estudos em Música e Dança]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>12</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>12</month>
<year>2020</year>
</pub-date>
<volume>11</volume>
<numero>32</numero>
<fpage>88</fpage>
<lpage>100</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S1647-61582020000400088&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S1647-61582020000400088&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S1647-61582020000400088&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo O ciclo Anamorphoses assume-se como um dos mais importantes da atividade criativa de Isabel Soveral. Nele, a compositora vai manipulando o conceito que lhe dá nome, como princípio para a transformação e desenvolvimento sonoros. Através de diferentes estratégias de análise musical, procura-se desvendar como o conceito de plasticidade é importado do domínio visual, pela sua formulação matemática, para o da organização sonora, focando-se nas variações melódicas e projeções nas obras V e VII do ciclo. Reforçase, assim, a importação de conceitos das artes visuais no processo criativo da compositora.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The Anamorphoses cycle is one of the most important of Isabel Soveral&#8217;s creative activity. In it, the composer manipulates the concept that gives it name, as aprinciple for sound transformation and development. Through different strategies of musical analysis, we seek to unveil how plasticity, as a concept, is imported from the visual domain, by it&#8217;s mathematic formulation, to that of the sound organization, focusing on the melodic variations and projections in the works V and VII of the cycle. Thus, it reinforces the importation of concepts from visual arts to the creative process of the composer.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Anamorfose]]></kwd>
<kwd lng="pt"><![CDATA[Plasticidade]]></kwd>
<kwd lng="pt"><![CDATA[Composição Musical]]></kwd>
<kwd lng="en"><![CDATA[Anamorphose]]></kwd>
<kwd lng="en"><![CDATA[Plasticity]]></kwd>
<kwd lng="en"><![CDATA[Musical Composition]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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</article>
