<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1647-6158</journal-id>
<journal-title><![CDATA[Revista :Estúdio]]></journal-title>
<abbrev-journal-title><![CDATA[Estúdio]]></abbrev-journal-title>
<issn>1647-6158</issn>
<publisher>
<publisher-name><![CDATA[Universidade de LisboaFaculdade de Belas-Artes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1647-61582021000100064</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Eduardo Berliner: a pintura como processo para a (re)construção de um imaginário]]></article-title>
<article-title xml:lang="en"><![CDATA[Eduardo Berliner: painting as a process for the (re)construction of an imaginary]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Corujo]]></surname>
<given-names><![CDATA[Cecília Andrade]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade de Lisboa Faculdade de Belas-Artes Centro de Investigação em Belas Artes]]></institution>
<addr-line><![CDATA[Lisboa ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>03</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>03</month>
<year>2021</year>
</pub-date>
<volume>12</volume>
<numero>33</numero>
<fpage>64</fpage>
<lpage>76</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S1647-61582021000100064&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S1647-61582021000100064&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S1647-61582021000100064&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Elegendo-se o trabalho pictórico de Eduardo Berliner como objeto de estudo, observa-se, neste texto, como o processo de trabalho deste artista protagoniza uma forma contemporânea de abordar a prática tradicional da pintura. Seguindo o ethos subjacente ao conceito de colagem e as possibilidades do fragmento, analisa-se, através das imagens e palavras do Pintor, o modo como este dá vida a um estranho imaginário agregador, que mistura planos &#8220;socialmente opostos&#8221; como o quotidiano e o imaginado, o insólito e o banal ou morte e infância.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This text reflects on the work of Eduardo Berliner and analyses how his work process leads to a contemporary way of approaching the traditional practice of painting. Through the images and words of Berliner, this study, following the concept of collage and the possibilities inherent to the fragment, shows how the Artist gives life to a strange imaginary, which mixes "socially opposed" states such as: the everyday and the imagined, the unusual and the banal or death and childhood.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[pintura]]></kwd>
<kwd lng="pt"><![CDATA[imaginário]]></kwd>
<kwd lng="pt"><![CDATA[processo criativo]]></kwd>
<kwd lng="pt"><![CDATA[colagem]]></kwd>
<kwd lng="pt"><![CDATA[metamorfose]]></kwd>
<kwd lng="en"><![CDATA[painting]]></kwd>
<kwd lng="en"><![CDATA[imaginary]]></kwd>
<kwd lng="en"><![CDATA[creative process]]></kwd>
<kwd lng="en"><![CDATA[collage]]></kwd>
<kwd lng="en"><![CDATA[metamorphose]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Berliner]]></surname>
<given-names><![CDATA[Eduardo]]></given-names>
</name>
<name>
<surname><![CDATA[Leite Neto]]></surname>
<given-names><![CDATA[Alcino]]></given-names>
</name>
</person-group>
<source><![CDATA[Alcino Leite Neto entrevista Eduardo Berliner]]></source>
<year>2009</year>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Diegues]]></surname>
<given-names><![CDATA[Isabel]]></given-names>
</name>
<name>
<surname><![CDATA[Coelho]]></surname>
<given-names><![CDATA[Frederico]]></given-names>
</name>
</person-group>
<source><![CDATA[Pintura Brasileira Séc. XXI]]></source>
<year>2011</year>
<publisher-loc><![CDATA[Rio de Janeiro ]]></publisher-loc>
<publisher-name><![CDATA[Cobogo]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Doctors]]></surname>
<given-names><![CDATA[Marcio]]></given-names>
</name>
</person-group>
<source><![CDATA[A presença da ausência]]></source>
<year>2015</year>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Fradkin]]></surname>
<given-names><![CDATA[Eduardo]]></given-names>
</name>
</person-group>
<source><![CDATA[Eduardo Berliner e a Forma dos Restos]]></source>
<year>2019</year>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gomes]]></surname>
<given-names><![CDATA[Priscyla]]></given-names>
</name>
<name>
<surname><![CDATA[Kaizer]]></surname>
<given-names><![CDATA[Felipe]]></given-names>
</name>
</person-group>
<source><![CDATA[Corpo em muda]]></source>
<year>2016</year>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="">
<collab>Instituto Tomie Ohtake</collab>
<source><![CDATA[Conversa com Eduardo Berliner]]></source>
<year>2015</year>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Leite Neto]]></surname>
<given-names><![CDATA[Alcino]]></given-names>
</name>
</person-group>
<source><![CDATA[A pintura inquietante de Eduardo Berliner]]></source>
<year>2011</year>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Medeiros]]></surname>
<given-names><![CDATA[Gabriel Morais]]></given-names>
</name>
</person-group>
<source><![CDATA[Todo o sonho é real. Pornografia, humanoides e bonecas na pintura de Eduardo Berliner: uma análise cronotrópica]]></source>
<year>2018</year>
<publisher-loc><![CDATA[Campinas ]]></publisher-loc>
<publisher-name><![CDATA[Intituto de Artes da Universidade de Campinas]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ribeiro]]></surname>
<given-names><![CDATA[Marcos]]></given-names>
</name>
</person-group>
<source><![CDATA[Eduardo Berliner, Catálogo, de Marcos Ribeiro]]></source>
<year>2010</year>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Vanderbilt]]></surname>
<given-names><![CDATA[Tom]]></given-names>
</name>
</person-group>
<source><![CDATA[The joys of being an absolute beginner - for life]]></source>
<year>2021</year>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Vicalvi]]></surname>
<given-names><![CDATA[Cacá]]></given-names>
</name>
</person-group>
<source><![CDATA[Curta Artes: Eduardo Berliner]]></source>
<year>2012</year>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
