<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1647-6158</journal-id>
<journal-title><![CDATA[Revista :Estúdio]]></journal-title>
<abbrev-journal-title><![CDATA[Estúdio]]></abbrev-journal-title>
<issn>1647-6158</issn>
<publisher>
<publisher-name><![CDATA[Universidade de LisboaFaculdade de Belas-Artes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1647-61582021000200065</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[As técnicas de escapismo na obra de Alejandra Pombo]]></article-title>
<article-title xml:lang="en"><![CDATA[The techniques of escapism in the work of Alejandra Pombo]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Molina]]></surname>
<given-names><![CDATA[Berio]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade de Vigo Facultade de Belas Artes ]]></institution>
<addr-line><![CDATA[Pontevedra ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>06</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>06</month>
<year>2021</year>
</pub-date>
<volume>12</volume>
<numero>34</numero>
<fpage>65</fpage>
<lpage>75</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S1647-61582021000200065&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S1647-61582021000200065&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S1647-61582021000200065&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumo Esta comunicación é unha procura da maxia, unha investigación que intenta responder, coa rabia de quen foi seducido, a unha mesma pregunta que sempre nos xorde ao ver unha obra da artista Alejandra Pombo: como fai para escapar? cales son as súas estratexias para actuar coa máxima liberdade posible nun contexto artístico cada ver máis controlado por inxerencias institucionais, sociais e profesionais? Para abordar esta cuestión o traballo xira arredor dunha conversa persoal coa artista, así como de lecturas e visionados doutras fontes documentais como a súa tese, entrevistas, escritos e pezas artísticas.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This communication is a search for magic, an investigation that tries to answer, with the anger of those who have been seduced, the same question that always arises when we see a work by artist Alejandra Pombo: how do you escape? what are your strategies for acting with the maximum possible freedom in an artistic context increasingly controlled by institutional, social and professional interference? To address this issue the work revolves around a personal conversation with the artist, as well as readings and viewings of other documentary sources such as his thesis, interviews, writings and art pieces.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[performance art]]></kwd>
<kwd lng="es"><![CDATA[perencontro]]></kwd>
<kwd lng="es"><![CDATA[videoarte]]></kwd>
<kwd lng="es"><![CDATA[cine]]></kwd>
<kwd lng="en"><![CDATA[performance art]]></kwd>
<kwd lng="en"><![CDATA[perencontro]]></kwd>
<kwd lng="en"><![CDATA[video art]]></kwd>
<kwd lng="en"><![CDATA[cinema]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pombo]]></surname>
<given-names><![CDATA[Alejandra]]></given-names>
</name>
</person-group>
<source><![CDATA[Vídeo resumo da conferencia performativa de Alejandra Pombo, A importancia de ser iceberg]]></source>
<year>2020</year>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pombo]]></surname>
<given-names><![CDATA[Alejandra]]></given-names>
</name>
</person-group>
<source><![CDATA[Puestas en práctica del curso de escapismo]]></source>
<year>2009</year>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pombo]]></surname>
<given-names><![CDATA[Alejandra]]></given-names>
</name>
</person-group>
<source><![CDATA[La performatividad como experiencia artística: el perencuentro. Paradojas y usos de la categoría performance en el ámbito artístico]]></source>
<year>2015</year>
<publisher-loc><![CDATA[Pontevedra ]]></publisher-loc>
<publisher-name><![CDATA[Universidade de Vigo]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pombo]]></surname>
<given-names><![CDATA[Alejandra]]></given-names>
</name>
</person-group>
<source><![CDATA[Entrevista a Alejandra Pombo]]></source>
<year>2021</year>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ruiz de Samaniego]]></surname>
<given-names><![CDATA[Alberto]]></given-names>
</name>
</person-group>
<source><![CDATA[Ser y no ser: figuras en el dominio de lo espectral]]></source>
<year>2013</year>
<publisher-loc><![CDATA[Micromegas ]]></publisher-loc>
<publisher-name><![CDATA[Murcia]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
