<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1647-6158</journal-id>
<journal-title><![CDATA[Revista :Estúdio]]></journal-title>
<abbrev-journal-title><![CDATA[Estúdio]]></abbrev-journal-title>
<issn>1647-6158</issn>
<publisher>
<publisher-name><![CDATA[Universidade de LisboaFaculdade de Belas-Artes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1647-61582021000200076</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Interações Dialógicas no Processo Artístico de Cláudia Amandi: o Eu e os Eus-Outros]]></article-title>
<article-title xml:lang="en"><![CDATA[Dialogic Interactions in the Artistic Process of Cláudia Amandi: the Self and its I-Positions]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Pinheiro]]></surname>
<given-names><![CDATA[Daniela F.]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
<xref ref-type="aff" rid="Aaf"/>
<xref ref-type="aff" rid="A a"/>
<xref ref-type="aff" rid="A3"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Almeida]]></surname>
<given-names><![CDATA[Teresa]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
<xref ref-type="aff" rid="Aaf"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Loureiro]]></surname>
<given-names><![CDATA[Domingos]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade do Porto Faculdade de Belas-Artes Instituto de Investigação em Arte, Design e Sociedade]]></institution>
<addr-line><![CDATA[Porto ]]></addr-line>
<country>Portugal</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,UNL FCT Unidade de Investigação, Vidro e Cerâmica para as Artes]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Portugal</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Ministério da Educação e Ciência de Portugal Fundação para a Ciência e a Tecnologia ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>06</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>06</month>
<year>2021</year>
</pub-date>
<volume>12</volume>
<numero>34</numero>
<fpage>76</fpage>
<lpage>91</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S1647-61582021000200076&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S1647-61582021000200076&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S1647-61582021000200076&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este artigo procura abordar o movimento ambivalente e imprevisível que muitas das vezes dá conta da atividade artística e do processo criativo de um autor. Aproximamo-nos, por isso, da atividade artística de Cláudia Amandi e dos seus processos operativos, que induzem uma regularidade formal e sistemática, para explorar e analisar em que termos ocorrem pequenos desfasamentos e alteridades, no espaço de uma inscrição repetitiva. Numa aproximação à teoria do self dialógico e ao discurso polifónico de Bakhtin, analisamos o processo da criação artística a partir de um movimento oscilante entre a implementação reiterada e concreta de um conjunto de indicações processuais e a abertura dialógica que se fomenta pela imprevisibilidade circunstancial do acontecimento.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article intends to approach the ambivalent and unpredictable movement that often accounts for the artistic activity, as well as the creative process of an author. Therefore, Cláudia Amandi&#8217;s artistic activity will be approached within her operative processes that explain a formal and systematic regularity, to explore and analyze in which terms small derivations and alterities occur, regarding the space of a repetitive inscription. In an approximation to the self-dialogic theory and to the polyphonic discourse of Bakhtin, the process of artistic creation will be analyzed. Through an oscillating movement between the reiterated and concrete implementation of a set of procedural indications and the dialogical openness which fosters itself across the circumstantial unpredictability of the event.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[repetição]]></kwd>
<kwd lng="pt"><![CDATA[desenho]]></kwd>
<kwd lng="pt"><![CDATA[processo artístico]]></kwd>
<kwd lng="pt"><![CDATA[ideia]]></kwd>
<kwd lng="pt"><![CDATA[dialogismo]]></kwd>
<kwd lng="en"><![CDATA[repetition]]></kwd>
<kwd lng="en"><![CDATA[drawing]]></kwd>
<kwd lng="en"><![CDATA[artistic process]]></kwd>
<kwd lng="en"><![CDATA[idea]]></kwd>
<kwd lng="en"><![CDATA[dialogism]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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