<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1647-6158</journal-id>
<journal-title><![CDATA[Revista :Estúdio]]></journal-title>
<abbrev-journal-title><![CDATA[Estúdio]]></abbrev-journal-title>
<issn>1647-6158</issn>
<publisher>
<publisher-name><![CDATA[Universidade de LisboaFaculdade de Belas-Artes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1647-61582021000300020</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Riscar o que interessa: a importância do erro na obra Gonçalo Barreiros]]></article-title>
<article-title xml:lang="en"><![CDATA[Strike out what matters: the importance of the error in the work of Gonçalo Barreiros]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Rodrigues]]></surname>
<given-names><![CDATA[Teresa Palma]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Franco]]></surname>
<given-names><![CDATA[Orlando]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade de Lisboa Faculdade de Belas Artes Departamento de Pintura]]></institution>
<addr-line><![CDATA[Lisboa ]]></addr-line>
<country>Portugal</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade Lusófona de Humanidades e Tecnologias Escola de Comunicação, Arquitetura, Artes e Tecnologias da Informação Departamento de Cinema e Artes dos Média]]></institution>
<addr-line><![CDATA[Lisboa ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>09</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>09</month>
<year>2021</year>
</pub-date>
<volume>12</volume>
<numero>35</numero>
<fpage>20</fpage>
<lpage>30</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S1647-61582021000300020&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S1647-61582021000300020&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S1647-61582021000300020&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo O presente artigo tem por objetivo apresentar duas obras de Gonçalo Barreiros, explicando de que modo, através da presença do erro e da falha, estas obras nos atraem e repelem, criando uma tensão provocada pela curta distância entre aquilo que compreendemos e aquilo a que não conseguimos aceder.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article aims to present two works of the artist Gonçalo Barreiros, explaining how, through the presence of error and failure, these works attract and repel us, creating a tension caused by the short distance between what we understand and what we cannot have access.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[escultura]]></kwd>
<kwd lng="pt"><![CDATA[instalação, Gonçalo Barreiros]]></kwd>
<kwd lng="en"><![CDATA[sculpture]]></kwd>
<kwd lng="en"><![CDATA[installation]]></kwd>
<kwd lng="en"><![CDATA[Gonçalo Barreiros]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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</article>
