<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1647-6158</journal-id>
<journal-title><![CDATA[Revista :Estúdio]]></journal-title>
<abbrev-journal-title><![CDATA[Estúdio]]></abbrev-journal-title>
<issn>1647-6158</issn>
<publisher>
<publisher-name><![CDATA[Universidade de LisboaFaculdade de Belas-Artes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1647-61582021000300075</article-id>
<title-group>
<article-title xml:lang="es"><![CDATA[Nano4814: más allá del graffiti]]></article-title>
<article-title xml:lang="en"><![CDATA[Nano4814: beyond graffiti]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Hermo]]></surname>
<given-names><![CDATA[Alberto Santos]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade de Vigo Escuela Universitaria de Magisterio CEU ]]></institution>
<addr-line><![CDATA[Vigo ]]></addr-line>
<country>Spain</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>09</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>09</month>
<year>2021</year>
</pub-date>
<volume>12</volume>
<numero>35</numero>
<fpage>75</fpage>
<lpage>86</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S1647-61582021000300075&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S1647-61582021000300075&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S1647-61582021000300075&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="es"><p><![CDATA[Resumen El presente artículo tiene como objetivo analizar la producción plástica de Nano4814 (Vigo, 1978), un artista proveniente de la escena del graffiti y el skateboarding vigués de mediados de los 90, y considerado pionero del postgraffiti en Galicia en la primera mitad de la década de los 2000 junto a los Niños Especiales. Para ello he realizado un recorrido por distintas etapas en las que su obra ha evolucionado desde propuestas más cercanas al graffiti tradicional hasta instalaciones que combinan aspectos pictóricos y escultóricos, dentro de un peculiar lenguaje en el que destacan una serie de elementos recurrentes.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article aims to analyze the plastic production of Nano4814 (Vigo, 1978), an artist from the Vigo graffiti and skateboarding scene of the mid-90s, and considered a pioneer of postgraffiti in Galicia in the first half of the decade of the 2000 with the Special Children. To do this, I have made a tour through different stages in which his work has evolved from proposals closer to traditional graffiti to installations that combine pictorial and sculptural aspects, within a peculiar language in which a series of recurring elements stands out.]]></p></abstract>
<kwd-group>
<kwd lng="es"><![CDATA[graffiti]]></kwd>
<kwd lng="es"><![CDATA[instalación]]></kwd>
<kwd lng="es"><![CDATA[Nano4814]]></kwd>
<kwd lng="es"><![CDATA[pintura contemporánea]]></kwd>
<kwd lng="es"><![CDATA[postgraffiti]]></kwd>
<kwd lng="es"><![CDATA[street art]]></kwd>
<kwd lng="en"><![CDATA[contemporary painting]]></kwd>
<kwd lng="en"><![CDATA[graffiti]]></kwd>
<kwd lng="en"><![CDATA[installation]]></kwd>
<kwd lng="en"><![CDATA[Nano4814]]></kwd>
<kwd lng="en"><![CDATA[postgraffiti]]></kwd>
<kwd lng="en"><![CDATA[street art]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Abarca]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[El postgraffiti, su escenario y sus raíces: graffiti, punk, skate y contrapublicidad]]></source>
<year>2010</year>
<publisher-name><![CDATA[E-prints Complutense]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Alonso]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[El crecimiento, densificación y ordenación de la ciudad difusa en Galicia: desarrollo urbanístico del área urbana en la ría de Vigo 1990-2010]]></source>
<year>2015</year>
<publisher-name><![CDATA[Archivo digital UPM]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Barro]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
</person-group>
<source><![CDATA[Jorge Perianes y NANO4814]]></source>
<year>2005</year>
<publisher-name><![CDATA[El Cultural]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Castleman]]></surname>
<given-names><![CDATA[C.]]></given-names>
</name>
</person-group>
<source><![CDATA[Getting Up. Subway Graffiti in New York]]></source>
<year>1982</year>
<publisher-name><![CDATA[MIT Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Figueroa]]></surname>
<given-names><![CDATA[F.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[URBANITAS: el artefitti se hizo graffarte. Ciudad y graffiti]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Garci&#769;a]]></surname>
<given-names><![CDATA[M.]]></given-names>
</name>
</person-group>
<source><![CDATA[URBANITAS]]></source>
<year>2006</year>
<page-range>117-35</page-range><publisher-name><![CDATA[Fundacio&#769;n MARCO]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Manco]]></surname>
<given-names><![CDATA[T.]]></given-names>
</name>
</person-group>
<source><![CDATA[Stencil Graffiti]]></source>
<year>2002</year>
<publisher-name><![CDATA[Thames &amp; Hudson]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Manco]]></surname>
<given-names><![CDATA[T.]]></given-names>
</name>
</person-group>
<source><![CDATA[Street Logos]]></source>
<year>2004</year>
<publisher-name><![CDATA[Thames &amp; Hudson]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="">
<collab>Nano4814</collab>
<source><![CDATA[Equipo Plastico en Lima con el maestro Elliot Urcuhuaranga]]></source>
<year>2011</year>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[López Cuenca]]></surname>
<given-names><![CDATA[E.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Mal de Archivo / 2: Obey]]></article-title>
<source><![CDATA[El Observador]]></source>
<year>2013</year>
</nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Schacter]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Ornament and order : graffiti, street art and the parergon]]></article-title>
<source><![CDATA[Ashgate Publishing Limited]]></source>
<year>2014</year>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Schacter]]></surname>
<given-names><![CDATA[R]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Street Art is a Period. Period (Or, classificatory confusion and intermural art)]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Avramidis]]></surname>
<given-names><![CDATA[K.]]></given-names>
</name>
</person-group>
<source><![CDATA[Graffiti and Street Art Reading, Writing and Representing the City (pp. 103-118)]]></source>
<year>2016</year>
<publisher-loc><![CDATA[Routledge ]]></publisher-loc>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
