<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>1647-6158</journal-id>
<journal-title><![CDATA[Revista :Estúdio]]></journal-title>
<abbrev-journal-title><![CDATA[Estúdio]]></abbrev-journal-title>
<issn>1647-6158</issn>
<publisher>
<publisher-name><![CDATA[Universidade de LisboaFaculdade de Belas-Artes]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S1647-61582021000300109</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Habitar &#8220;vazios&#8221;: entre lugares e memórias de Alberto Bitar]]></article-title>
<article-title xml:lang="en"><![CDATA[Inhabiting &#8220;empties&#8221;: between places and memories of Alberto Bitar]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Paraguai]]></surname>
<given-names><![CDATA[Luisa]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Pontifícia Universidade Católica de Campinas Faculdade de Artes Visuais ]]></institution>
<addr-line><![CDATA[Campinas São Paulo]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>09</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>09</month>
<year>2021</year>
</pub-date>
<volume>12</volume>
<numero>35</numero>
<fpage>109</fpage>
<lpage>117</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S1647-61582021000300109&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S1647-61582021000300109&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S1647-61582021000300109&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo O texto aborda o fotofilme &#8220;Vazios&#8221; (2012), composto por outros dois justapostos &#8220;Todo o Vazio&#8221; (2011) e &#8220;Qualquer Vazio&#8221; (2011), do artista brasileiro Alberto Bitar, enquanto um exercício poético sobre as dimensões do habitar no cotidiano. Entre o quadro estático e a sucessão de imagens, a fotografia e o filme, Bitar desequilibra a estabilidade das linguagens e usa a transversalidade como lógica operacional. Entre contração e distensão, o interior e o exterior, a narrativa evoca tempos vividos, que recuperam e acumulam o passado sobre o presente (Bergson, 1999) a partir de um arquivo imagético do artista, enquanto questiona as relações entre lugares e memórias, ficção e realidade.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The text addresses the photofilm &#8220;Vazios&#8221; (2012), composed of two other juxtaposed &#8220;Todo o Vazio&#8221; (2011) and &#8220;Qualquer Vazio&#8221; (2011), by the Brazilian artist Alberto Bitar, as a poetic exercise on the dimensions of inhabiting in daily. Between the static picture and the succession of images, the photography and the film, Bitar unbalances the stability of languages and uses transversality as an operational logic. Between contraction and distension, the interior and the exterior, the narrative evokes times lived, which recover and accumulate the past over the present (Bergson, 1999) starting from an artist's image archive, while questioning the relationships between places and memories, fiction and reality.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[fotofilme]]></kwd>
<kwd lng="pt"><![CDATA[habitar]]></kwd>
<kwd lng="pt"><![CDATA[memórias]]></kwd>
<kwd lng="en"><![CDATA[slide-motion fim]]></kwd>
<kwd lng="en"><![CDATA[inhabit]]></kwd>
<kwd lng="en"><![CDATA[memories]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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