<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2182-3030</journal-id>
<journal-title><![CDATA[CIDADES, Comunidades e Territórios]]></journal-title>
<abbrev-journal-title><![CDATA[CIDADES]]></abbrev-journal-title>
<issn>2182-3030</issn>
<publisher>
<publisher-name><![CDATA[DINÂMIA'CET-IUL, Centro de Estudos sobre a Mudança Socioeconómica e o Território]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2182-30302025000300122</article-id>
<article-id pub-id-type="doi">10.15847/cct.34328</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Da opacidade à luminosidade imagética: as interfaces do muro]]></article-title>
<article-title xml:lang="en"><![CDATA[From opacity to image luminosity: the wall interfaces]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Rossetto]]></surname>
<given-names><![CDATA[Thaís Maria]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Pina]]></surname>
<given-names><![CDATA[Silvia Mikami]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade de Campinas  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade de Campinas  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>11</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>11</month>
<year>2025</year>
</pub-date>
<numero>50</numero>
<fpage>122</fpage>
<lpage>137</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2182-30302025000300122&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2182-30302025000300122&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2182-30302025000300122&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo O muro é uma manifestação física dos processos segregadores históricos, sociais, políticos e econômicos, mas também se reveste de inúmeras subjetividades ligadas à individualização crescente da sociedade. Por sua complexidade, o muro é uma barreira que apresenta faces e interfaces integrantes de uma mesma estrutura, mas que possuem singularidades e impactos diferenciais no espaço público. Ao compreender os cercamentos como elementos à deriva que são passíveis à mutação, o graffiti é evocado enquanto uma prática artística que pode ativar e aprimorar as interfaces do muro em áreas urbanas. O objetivo deste trabalho é apresentar as potencialidades do graffiti na ativação da interface do muro com o espaço público, articulado a partir de ações coletivas. Para isso, se apresenta uma análise de caso brasileiro na região periférica de Campinas- São Paulo, apoiada por revisão sistemática de literatura e um mapeamento de observação. O graffiti criou ambiências acolhedoras nos locais onde foi executado e estimulou outras dinâmicas de uso e apropriação destes espaços, ressignificando parcelas do bairro no sentido da territorialização e pertencimento. Os resultados indicam possibilidades e pistas de incentivo às práticas de apropriação, vislumbrando um caminho de maior vitalidade das cidades contemporâneas, principalmente em regiões carentes de infraestrutura e de equipamentos comunitários. A identidade local é valorizada na medida que o espaço e a paisagem urbana são qualificados e passam a ser instrumentos de afirmação de que o espaço em disputa pertence e é de direito de cada cidadão.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The wall is a physical manifestation of historical, social, political, and economic segregation processes, but it also has countless subjectivities linked to the growing individualization of society. Because of its complexity, the wall is a barrier that presents faces and interfaces that are part of the same structure but have singularities and differential impacts on public space. By understanding fences as drifting elements susceptible to mutation, graffiti is evoked as an artistic practice that can activate and enhance the interfaces of the wall in urban areas. This paper aims to present the potential of graffiti in activating the interface between the wall and the public space, articulated through collective actions. To this end, an analysis of a Brazilian case in the peripheral region of Campinas - São Paulo is presented, supported by a systematic literature review and an observation mapping. The graffiti created welcoming environments where it was executed and stimulated other dynamics of use and appropriation of these places, re-signifying parts of the neighborhood in the sense of territorialization and belonging. The findings suggest potential avenues for fostering practices of appropriation, thereby charting a course towards enhanced vitality in contemporary urban environments, particularly in regions facing infrastructure and community facility deficiencies. Local identity is upheld to the extent that urban space and landscape are designated as belonging to and being the right of every citizen, thereby affirming their value.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[paisagem urbana]]></kwd>
<kwd lng="pt"><![CDATA[graffiti]]></kwd>
<kwd lng="pt"><![CDATA[apropriação]]></kwd>
<kwd lng="pt"><![CDATA[espaço público]]></kwd>
<kwd lng="en"><![CDATA[urban landscape]]></kwd>
<kwd lng="en"><![CDATA[graffiti]]></kwd>
<kwd lng="en"><![CDATA[appropriation]]></kwd>
<kwd lng="en"><![CDATA[public space]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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