<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2182-4452</journal-id>
<journal-title><![CDATA[Revista Internacional em Língua Portuguesa]]></journal-title>
<abbrev-journal-title><![CDATA[RILP]]></abbrev-journal-title>
<issn>2182-4452</issn>
<publisher>
<publisher-name><![CDATA[Associação das Universidades de  Língua Portuguesa (AULP)]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2182-44522020000100093</article-id>
<article-id pub-id-type="doi">10.31492/2184-2043.rilp2020.37/pp.93-114</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Literatura e música: união indissolúvel]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Oliveira]]></surname>
<given-names><![CDATA[Solange Ribeiro de]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal de Minas Gerais (UFMG)  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>06</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>06</month>
<year>2020</year>
</pub-date>
<volume>37</volume>
<fpage>93</fpage>
<lpage>114</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2182-44522020000100093&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2182-44522020000100093&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2182-44522020000100093&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Como parte da Melopoética_ disciplina voltada para o estudo de diferentes formas de relação entre Literatura e Música_ o ensaio discute teorias e tipologias propostas por críticos como Steven Paul Scher, Werner Wolf, Paul Zumthor, Susanne Langer, Luis Tatit e Claus Clüver, entre outros. A partir de três eixos classificatórios_ Música na Literatura, Literatura na Música, Literatura e Música_ estudam-se várias possibilidades de relação entre as duas artes. A título de complementação, acrescentam-se análises de criações musicais brasileiras e europeias, selecionadas como ilustrativas dos temas focalizados. Reconhecendo a existência de aspectos significativos da Melopoética ainda por explorar, o texto se encerra com a sugestão de temas especialmente convidativos para pesquisas futuras, tais como a gênese da intermidialidade, funções das relações intermidiáticas, a figura do autor /compositor ou do leitor /ouvinte e a compilação de um dicionário de relações músico-literárias.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract As part of Melopoetics_ defined as the study of different forms of relations between Literature and Music_ the essay discusses theories and typologies put forth by critics like Steven Paul Scher, Werner Wolf, Paul Zumthor, Susanne Langer, Luis Tatit and Claus Clüver, among others. Starting from three classificatory axes_ Music in Literature, Literature in Music, Literature and Music_ a number of possible relations between the two arts are analyzed. By way of complementation, the text considers certain Brazilian and European musical creations, selected as illustrative of the themes dealt with. Realizing the existence of significant aspects of Melopoetics still unexplored, the article ends up with a suggestion of themes especially instigating for future research, such as the genesis of intermediality, functions of intermediatic relations, the figure of the composer/author and of the listener/reader and the compilation of a dictionary of musico-literary relations.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[melopoética]]></kwd>
<kwd lng="pt"><![CDATA[teorias sobre as relações entre a música e a literatura]]></kwd>
<kwd lng="pt"><![CDATA[a tipologia of relações musico-literárias]]></kwd>
<kwd lng="pt"><![CDATA[composições brasileiras e europeias]]></kwd>
<kwd lng="pt"><![CDATA[temas para pesquisas futuras]]></kwd>
<kwd lng="en"><![CDATA[Melopoetics]]></kwd>
<kwd lng="en"><![CDATA[theories of musico-literary relations]]></kwd>
<kwd lng="en"><![CDATA[a typology of musico-literary relations]]></kwd>
<kwd lng="en"><![CDATA[Brazilian and European compositions]]></kwd>
<kwd lng="en"><![CDATA[themes for future research]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<label>1</label><nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mário]]></surname>
<given-names><![CDATA[Andrade]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Terapêutica Musical]]></article-title>
<source><![CDATA[Em Namoros com a medicina, organizado pelo autor]]></source>
<year>1980</year>
<page-range>21-3</page-range><publisher-loc><![CDATA[Belo Horizonte ]]></publisher-loc>
<publisher-name><![CDATA[Itatiaia]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<label>2</label><nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Marcos]]></surname>
<given-names><![CDATA[Bagno]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[In principium erat verbum]]></article-title>
<source><![CDATA[Em Artes e ofícios da poesia, organizado por Augusto Massi]]></source>
<year>1991</year>
<page-range>241-54</page-range><publisher-loc><![CDATA[Porto Alegre ]]></publisher-loc>
<publisher-name><![CDATA[Artes e Ofícios]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<label>3</label><nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Manuel]]></surname>
<given-names><![CDATA[Bandeira]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[O ritmo dissoluto]]></article-title>
<source><![CDATA[Em Poesia Completa e Prosa, organizado pelo autor]]></source>
<year>1986</year>
<page-range>181-97</page-range><publisher-loc><![CDATA[Rio de Janeiro ]]></publisher-loc>
<publisher-name><![CDATA[Editora Nova Aguilar]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<label>4</label><nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Manuel]]></surname>
<given-names><![CDATA[Bandeira]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Opus 10]]></article-title>
<source><![CDATA[Em Poesia Completa e Prosa, organizado pelo autor]]></source>
<year>1986</year>
<page-range>293-312</page-range><publisher-loc><![CDATA[Rio de Janeiro ]]></publisher-loc>
<publisher-name><![CDATA[Editora Nova Aguilar]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<label>5</label><nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bertoltt]]></surname>
<given-names><![CDATA[Brecht]]></given-names>
</name>
</person-group>
<source><![CDATA[Die Dreigroschenoper]]></source>
<year>1988</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[Suhrkamp Pub Ny]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<label>6</label><nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Calvin]]></surname>
<given-names><![CDATA[Brown]]></given-names>
</name>
</person-group>
<source><![CDATA[Music and Literature]]></source>
<year>1987</year>
<publisher-loc><![CDATA[London/Hanover ]]></publisher-loc>
<publisher-name><![CDATA[University Press of New England]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<label>7</label><nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[John]]></surname>
<given-names><![CDATA[Cage]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Themes and Variations (excerpts)]]></article-title>
<source><![CDATA[Em Postmodern American Poetry, organizado por Paul Hoover]]></source>
<year>1994</year>
<page-range>616-26</page-range><publisher-loc><![CDATA[New York and London ]]></publisher-loc>
<publisher-name><![CDATA[W. W. Norton &amp; Company]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<label>8</label><nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Alejo]]></surname>
<given-names><![CDATA[Carpentier]]></given-names>
</name>
</person-group>
<source><![CDATA[Los Pasos Perdidos]]></source>
<year>1996</year>
<publisher-loc><![CDATA[Madrid ]]></publisher-loc>
<publisher-name><![CDATA[Allianza Editorial]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<label>9</label><nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Henri]]></surname>
<given-names><![CDATA[Chopin]]></given-names>
</name>
</person-group>
<source><![CDATA[Poésie Sonore International]]></source>
<year>1979</year>
<publisher-loc><![CDATA[Paris ]]></publisher-loc>
<publisher-name><![CDATA[Jean-Michel Place]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B10">
<label>10</label><nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Antonio]]></surname>
<given-names><![CDATA[Callado]]></given-names>
</name>
</person-group>
<source><![CDATA[Reflexos do Baile]]></source>
<year>1976</year>
<publisher-loc><![CDATA[Rio de Janeiro ]]></publisher-loc>
<publisher-name><![CDATA[Paz e Terra]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<label>11</label><nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Claus]]></surname>
<given-names><![CDATA[Clüver]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Concrete Poetry and the New Performance Arts:Intersemiotic, Intermedia, Intercultural]]></article-title>
<source><![CDATA[Em East of West. Cross-Cultura Performance and the Staging of Difference, organizado por Claire Sponsler e Xiaomei Chen]]></source>
<year>2000</year>
<page-range>33-61</page-range><publisher-loc><![CDATA[London ]]></publisher-loc>
<publisher-name><![CDATA[Palgrave Macmillan]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B12">
<label>12</label><nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Claus]]></surname>
<given-names><![CDATA[Clüver]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Musikgedicht]]></article-title>
<source><![CDATA[Notes on an Ekphrastic Genre]]></source>
<year>1999</year>
<page-range>187-204</page-range><publisher-loc><![CDATA[Amsterdam and Atlanta, GA ]]></publisher-loc>
<publisher-name><![CDATA[Editions Rodopi]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<label>13</label><nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Claus]]></surname>
<given-names><![CDATA[Clüver]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Concrete Sound Poetry]]></article-title>
<source><![CDATA[Between Poetry and Music. Em Cultural Functions of Intermedial Exploration, organizado por Erik Hedling e Ulla-Britta Lagerroth]]></source>
<year>2002</year>
<page-range>163-78</page-range><publisher-loc><![CDATA[Amsterdam, New York ]]></publisher-loc>
<publisher-name><![CDATA[Editions Rodopi, 2002]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<label>14</label><nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ricardo]]></surname>
<given-names><![CDATA[Corona]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Simbolista]]></article-title>
<source><![CDATA[Em Na virada do século, organizado por Cláudio Daniel e Frederico Barbosa]]></source>
<year>2002</year>
<page-range>269</page-range><publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Landy]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B15">
<label>15</label><nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Steven]]></surname>
<given-names><![CDATA[Feld]]></given-names>
</name>
</person-group>
<source><![CDATA[Sound and sentiment: Birds, weeping, poetics and song in Kaluli expression]]></source>
<year>2012</year>
<edition>3</edition>
<publisher-name><![CDATA[Duke University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B16">
<label>16</label><nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Langer]]></surname>
<given-names><![CDATA[Susanne K]]></given-names>
</name>
</person-group>
<source><![CDATA[Feeling and Form]]></source>
<year>1953</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[Charles Scribner´s Sons]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B17">
<label>17</label><nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sérgio]]></surname>
<given-names><![CDATA[Medeiros]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Cage and Joyce]]></article-title>
<source><![CDATA[Em ABEI JOURNAL]]></source>
<year>2003</year>
<volume>5</volume>
<page-range>51-6</page-range><publisher-loc><![CDATA[The Brazilian Journal of Irish Studies ]]></publisher-loc>
<publisher-name><![CDATA[Interrelations]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B18">
<label>18</label><nlm-citation citation-type="journal">
<collab>Mello e Souza Gilda</collab>
<article-title xml:lang=""><![CDATA[O tupi e o alaúde]]></article-title>
<source><![CDATA[Uma intepretação de Macunaíma]]></source>
<year>1979</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Duas Cidades]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B19">
<label>19</label><nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Philadelpho]]></surname>
<given-names><![CDATA[Menezes]]></given-names>
</name>
</person-group>
<source><![CDATA[Poesia Sonora: Poéticas Experimentais da Voz no Século XX]]></source>
<year>1992</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Ed. EDUC]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B20">
<label>20</label><nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Solange Ribeiro de]]></surname>
<given-names><![CDATA[Oliveira]]></given-names>
</name>
</person-group>
<source><![CDATA[Literatura e Música: Modulações Pós-Coloniais]]></source>
<year>2002</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Perspectiva]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B21">
<label>21</label><nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Solange Ribeiro de]]></surname>
<given-names><![CDATA[Oliveira]]></given-names>
</name>
</person-group>
<source><![CDATA[De Mendigos e Malandros: Chico Buarque, Bertolt Brecht, John Gay]]></source>
<year>2011</year>
<edition>2</edition>
<publisher-loc><![CDATA[Curitiba ]]></publisher-loc>
<publisher-name><![CDATA[Editora CRV]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B22">
<label>22</label><nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Solange Ribeiro de]]></surname>
<given-names><![CDATA[Oliveira]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Canção: Letra x Estrutura Musical]]></article-title>
<source><![CDATA[Aletria]]></source>
<year>2006</year>
<volume>14</volume>
<page-range>323-33</page-range><publisher-name><![CDATA[Revista de Estudos de Literatura]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B23">
<label>23</label><nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Solange Ribeiro de]]></surname>
<given-names><![CDATA[Oliveira]]></given-names>
</name>
</person-group>
<source><![CDATA[E a Música? Poesia Sonora ou Música Concreta? Em Perdida entre Signos: Literatura, Artes e Mídias, hoje]]></source>
<year>2012</year>
<page-range>187-97</page-range><publisher-loc><![CDATA[Belo Horizonte ]]></publisher-loc>
<publisher-name><![CDATA[Faculdade de Letras da UFMG]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B24">
<label>24</label><nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Maria Luiza]]></surname>
<given-names><![CDATA[Ramos]]></given-names>
</name>
</person-group>
<source><![CDATA[Maíra: Leitura/Escritura. Em Literatura, Mito, Inconsciente, Cognição]]></source>
<year>2000</year>
<page-range>141-60</page-range><publisher-loc><![CDATA[Belo Horizonte ]]></publisher-loc>
<publisher-name><![CDATA[Editora da UFMG]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B25">
<label>25</label><nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gabrielle]]></surname>
<given-names><![CDATA[Ripple]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Literature and Music: Theory]]></article-title>
<source><![CDATA[Em The Handbook of Intermediality. organizado por Gabrielle Ripple]]></source>
<year>2015</year>
<page-range>459-75</page-range><publisher-loc><![CDATA[Berlin ]]></publisher-loc>
<publisher-name><![CDATA[De Gruyter]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B26">
<label>26</label><nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Silviano]]></surname>
<given-names><![CDATA[Santiago]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A estrutura musical no romance:o caso de Érico Veríssimo]]></article-title>
<source><![CDATA[Em Anais do Simpósio de Literatura Comparada, 2, organizado por Júlio César Machado Pinto &amp; Eneida Maria de Souza]]></source>
<year>1986</year>
<page-range>164-5</page-range><publisher-loc><![CDATA[Belo Horizonte ]]></publisher-loc>
<publisher-name><![CDATA[Editora da UFMG]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B27">
<label>27</label><nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Steven Paul]]></surname>
<given-names><![CDATA[Scher]]></given-names>
</name>
</person-group>
<source><![CDATA[Verbal Music in German Literature]]></source>
<year>1968</year>
<publisher-loc><![CDATA[New Haven ]]></publisher-loc>
<publisher-name><![CDATA[Yale University Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B28">
<label>28</label><nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Steven Paul]]></surname>
<given-names><![CDATA[Scher]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Notes Toward a Theory of Verbal Music]]></article-title>
<source><![CDATA[Comparative Literature]]></source>
<year>1970</year>
<numero>22</numero>
<issue>22</issue>
<page-range>147-56</page-range></nlm-citation>
</ref>
<ref id="B29">
<label>29</label><nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Steven Paul]]></surname>
<given-names><![CDATA[Scher]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Literature and Music]]></article-title>
<source><![CDATA[Em Interrelations of Literature, organizado por Jean Pierre Barricelli &amp; Joseph Gibaldi]]></source>
<year>1982</year>
<page-range>225-50</page-range><publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[MLA]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B30">
<label>30</label><nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Luis]]></surname>
<given-names><![CDATA[Tatit]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[O Cancionista]]></article-title>
<source><![CDATA[Composição de Canções no Brasil]]></source>
<year>1996</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Edusp]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B31">
<label>31</label><nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Paul]]></surname>
<given-names><![CDATA[Zumthor]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Poesia do espaço]]></article-title>
<source><![CDATA[Em Poesia Sonora: poéticas experimentais da voz no século XX]]></source>
<year>1992</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[EDUC]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B32">
<label>32</label><nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Werner]]></surname>
<given-names><![CDATA[Wolf]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Intermediality Revisited]]></article-title>
<source><![CDATA[Reflections on Word and Music Relations in the Context of a General Typology of Intermediality. Em A Handbook of Intermediality, organizado por Gabrielle Ripple]]></source>
<year>2015</year>
<page-range>459-75</page-range><publisher-loc><![CDATA[Berlin ]]></publisher-loc>
<publisher-name><![CDATA[DE Gruyter]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B33">
<label>33</label><nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Paul]]></surname>
<given-names><![CDATA[Zumthor]]></given-names>
</name>
</person-group>
<source><![CDATA[Introdução à Poesia Oral]]></source>
<year>1998</year>
<publisher-loc><![CDATA[São Paulo ]]></publisher-loc>
<publisher-name><![CDATA[Ed. Hucitec / Educ]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
