<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2182-4452</journal-id>
<journal-title><![CDATA[Revista Internacional em Língua Portuguesa]]></journal-title>
<abbrev-journal-title><![CDATA[RILP]]></abbrev-journal-title>
<issn>2182-4452</issn>
<publisher>
<publisher-name><![CDATA[Associação das Universidades de  Língua Portuguesa (AULP)]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2182-44522020000100127</article-id>
<article-id pub-id-type="doi">10.31492/2184-2043.rilp2020.37/pp.127-140</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[A reinvenção das Maculaturas realizadas por Lotus Lobo]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Braga]]></surname>
<given-names><![CDATA[Nara Firme]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade do Estado de Minas Gerais Professora de Litografia na Escola Guignard ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>06</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>06</month>
<year>2020</year>
</pub-date>
<volume>37</volume>
<fpage>127</fpage>
<lpage>140</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2182-44522020000100127&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2182-44522020000100127&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2182-44522020000100127&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Neste artigo, apresentarei &#8220;As Maculaturas&#8221; da artista mineira Lotus Lobo. Maculatura era o nome dado, no passado, às chapas de folha de flandres, utilizadas tanto para teste como para acerto de impressões de embalagens de produtos nas casas de impressão comercial em litografia. Essas chapas recebiam várias impressões de diversas marcas, causando um emaranhado de imagens superpostas. A partir do estudo de Hans Belting, conhecido como &#8220;A Arqueologia da Técnica&#8221;, avaliarei como Lotus, ao apropriar-se das Maculaturas e da litografia (evidenciando novamente esta velha técnica de impressão), transforma a própria litografia em arte. Analisarei, a partir das reflexões de Roland Barthes e Maria do Carmo de Freitas Veneroso, o caráter intertextual das Maculaturas, explorando as relações existentes entre palavra e imagem, a partir da &#8220;textura gráfica&#8221;. Por fim, relacionarei as Maculaturas de Lotus Lobo com o trabalho do artista americano Robert Rauschenberg, com Décollage do artista italiano Mimmo Rotella e com as escrituras ancestrais dos palimpsestos.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract In this article I aim to present &#8220;The Maculatures&#8221; (Original Title: As Maculaturas), an art work by Brazilian artist Lotus Lobo. In the past, maculature was the name given to tinplate sheets used for both testing and adjusting product packaging prints in commercial lithographic printing presses. These sheets received multiple print marks of various kinds, causing a tangle of overlapping images. From the study by Hans Belting named as &#8220;The Archeology of Technique&#8221;, I will evaluate how Lotus, by appropriating &#8220;The Maculatures&#8221; and lithography (highlighting again this old printing technique), transforms lithography itself into art. Based on the reflections of Roland Barthes and Maria do Carmo de Freitas Veneroso, I will analyze the intertextual character of &#8220;The Maculatures&#8221;, exploring the relationships between word and image, based on the "graphic texture". Finally, I will relate Lotus Lobo&#8217;s &#8220;The Maculatures&#8221; with American artist Robert Rauschenberg&#8217;s works, with the Italian artist Mimmo Rotella's Décollage, and with the ancient writings of the palimpsestos.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[apropriação]]></kwd>
<kwd lng="pt"><![CDATA[arqueologia da técnica]]></kwd>
<kwd lng="pt"><![CDATA[gravura ampliada]]></kwd>
<kwd lng="pt"><![CDATA[gravura contemporânea]]></kwd>
<kwd lng="pt"><![CDATA[intertextualidade]]></kwd>
<kwd lng="pt"><![CDATA[relação entre palavra e imagem]]></kwd>
<kwd lng="en"><![CDATA[appropriation]]></kwd>
<kwd lng="en"><![CDATA[archeology of technique]]></kwd>
<kwd lng="en"><![CDATA[enlarged engraving]]></kwd>
<kwd lng="en"><![CDATA[contemporary engraving]]></kwd>
<kwd lng="en"><![CDATA[intertextuality]]></kwd>
<kwd lng="en"><![CDATA[word and image relationships]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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