<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2182-4452</journal-id>
<journal-title><![CDATA[Revista Internacional em Língua Portuguesa]]></journal-title>
<abbrev-journal-title><![CDATA[RILP]]></abbrev-journal-title>
<issn>2182-4452</issn>
<publisher>
<publisher-name><![CDATA[Associação das Universidades de  Língua Portuguesa (AULP)]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2182-44522020000200157</article-id>
<article-id pub-id-type="doi">10.31492/2184-2043.rilp2020.38/pp.157-171</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[A fragmentação do mito da democracia racial e a dimensão pedagógica do cinema negro]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Prudente]]></surname>
<given-names><![CDATA[Celso Luiz]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal do Mato Grosso - UFMT  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>31</day>
<month>12</month>
<year>2020</year>
</pub-date>
<pub-date pub-type="epub">
<day>31</day>
<month>12</month>
<year>2020</year>
</pub-date>
<volume>38</volume>
<fpage>157</fpage>
<lpage>171</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2182-44522020000200157&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2182-44522020000200157&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2182-44522020000200157&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este artigo trata a fragmentação do mito da democracia racial, cuja sociedade brasileira monocultural foi vista como um paraíso de laboratório racial, para os países multirraciais. O Movimento Negro Unificado - MNU lutou contra o racismo, a violência policial e a ditadura militar, fragmentando o mito da democracia racial brasileira. Os ativistas negros se identificaram com o cinema novo, de Glauber Rocha, que adotou o negro como referencial estético. Glauber criou também o cinema negro, sendo o cinema das minorias vulneráveis, no qual a imagem do ibero-ásio-afro-amerindio fez uma luta ontológica contra a hegemonia imagética do euro-hétero-macho-autoritário sua euroheteronormatividade, que foi o sentido da eurocolonização. Na dimensão pedagógica do cinema negro as minorias desenvolveram a construção da imagem de afirmação positiva, ensinando ao anacronismo excludente como ela é, e deve ser tratada, na sociedade de contemporaneidade inclusiva.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This article deals with fragmentation of the myth of racial democracy, whose monocultural Brazilian society was seen as a racial laboratory paradise for multiracial countries. The so-called "Movimento Negro Unificado" (or Unified Black Movement) fought against racism, police violence and military dictatorship, fragmenting the myth of Brazilian racial democracy. Black activists identified with the filmmaker Glauber Rocha's "Cinema Novo" movement, which adopted black people as the aesthetic framework. Glauber also created the black cinema in Brazil, being the cinema of the vulnerable minorities, in which the image of the Ibero-Asio-Afro-Amerindian made an ontological struggle against the imaginary hegemony of the Euro-hetero-male-authoritarian its Euro-heteronormativity, which was the sense of the Euro colonization. In the pedagogical dimension of black cinema, minorities have developed the construction of the positive affirmation image, teaching exclusionary anachronism as it is, and should be treated, in an inclusive contemporary society.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[dimensão pedagógica do cinema negro]]></kwd>
<kwd lng="pt"><![CDATA[ibero-ásio-afro-ameríndio]]></kwd>
<kwd lng="pt"><![CDATA[euro-hétero-macho-autoritário]]></kwd>
<kwd lng="pt"><![CDATA[euroheteronormatividade]]></kwd>
<kwd lng="en"><![CDATA[pedagogical dimension of black cinema]]></kwd>
<kwd lng="en"><![CDATA[ibero-asio-afro-amerindian]]></kwd>
<kwd lng="en"><![CDATA[euro-straight-male-authoritarian]]></kwd>
<kwd lng="en"><![CDATA[euroheteronormativity]]></kwd>
</kwd-group>
</article-meta>
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</ref>
<ref id="B32">
<label>32</label><nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Geraldo]]></surname>
<given-names><![CDATA[Vandré]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Para não dizer que não falei das flores]]></article-title>
<source><![CDATA[Letras]]></source>
<year></year>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
