<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2182-4452</journal-id>
<journal-title><![CDATA[Revista Internacional em Língua Portuguesa]]></journal-title>
<abbrev-journal-title><![CDATA[RILP]]></abbrev-journal-title>
<issn>2182-4452</issn>
<publisher>
<publisher-name><![CDATA[Associação das Universidades de  Língua Portuguesa (AULP)]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2182-44522025000200081</article-id>
<article-id pub-id-type="doi">10.31492/2184-2043.rilp2025.48/pp.81-98</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Modos de produção e ensino superior de cinema: estudo comparativo entre Moçambique e Portugal]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Alves]]></surname>
<given-names><![CDATA[Pedro]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Nhachote]]></surname>
<given-names><![CDATA[Rosalina]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Católica Portuguesa  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Portugal</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Instituto Superior de Artes e Cultura  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Moçambique</country>
</aff>
<pub-date pub-type="pub">
<day>00</day>
<month>12</month>
<year>2025</year>
</pub-date>
<pub-date pub-type="epub">
<day>00</day>
<month>12</month>
<year>2025</year>
</pub-date>
<numero>48</numero>
<fpage>81</fpage>
<lpage>98</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2182-44522025000200081&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2182-44522025000200081&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2182-44522025000200081&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo O ensino superior orienta-se pelos desafios advindos de cada realidade profissional, social e cultural. Deve ser capaz de produzir conhecimento e desenvolver capacidades nos estudantes que desemboquem em respostas capazes às suas vidas profissionais futuras. O cinema não é exceção a esta regra. Os modos de produção cinematográficos de cada contexto requerem competências e respostas específicas das universidades às exigências e à história da cinematografia local, regional ou nacional. E deve também proporcionar ou construir uma participação ativa, produtiva e exitosa dos estudantes nesse panorama. Neste artigo procuraremos desenhar um mapa dos modos de produção de cinema em Moçambique e Portugal, visando o seu percurso histórico e a resposta pedagógica proporcionada por duas das principais instituições de ensino superior lecionando cinema nos dois países (Instituto Superior de Artes e Cultura de Moçambique e Escola das Artes da Universidade Católica Portuguesa) aos desafios colocados pelos mesmos.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Higher education is guided by the challenges arising from each professional, social and cultural reality. It must be capable of producing knowledge and developing skills in students that lead to capable responses to their future professional lives. Cinema is no exception to this rule. The cinematographic production modes of each context require specific skills and responses from universities to the demands and history of local, regional or national cinematography. And it must also provide or build active, productive and successful participation of students in this panorama. In this article we will seek to draw a map of cinema production modes in Mozambique and Portugal, looking at their historical path and the pedagogical response provided by two of the main higher education institutions teaching cinema in both countries (Instituto Superior de Artes e Cultura of Mozambique and School of Arts of Universidade Católica Portuguesa) to the challenges posed by them.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Cinema]]></kwd>
<kwd lng="pt"><![CDATA[Moçambique]]></kwd>
<kwd lng="pt"><![CDATA[Portugal]]></kwd>
<kwd lng="pt"><![CDATA[produção]]></kwd>
<kwd lng="pt"><![CDATA[ensino superior]]></kwd>
<kwd lng="en"><![CDATA[Cinema]]></kwd>
<kwd lng="en"><![CDATA[Mozambique]]></kwd>
<kwd lng="en"><![CDATA[Portugal]]></kwd>
<kwd lng="en"><![CDATA[production]]></kwd>
<kwd lng="en"><![CDATA[higher education]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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