<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2182-7435</journal-id>
<journal-title><![CDATA[Revista Crítica de Ciências Sociais]]></journal-title>
<abbrev-journal-title><![CDATA[Revista Crítica de Ciências Sociais]]></abbrev-journal-title>
<issn>2182-7435</issn>
<publisher>
<publisher-name><![CDATA[Centro de Estudos Sociais]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2182-74352021000200147</article-id>
<article-id pub-id-type="doi">10.4000/rccs.12268</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[The Sea as a Border, the Sea as an Experience: Artistic Engagements with the European Migration Crisis in Three Films]]></article-title>
<article-title xml:lang="pt"><![CDATA[O mar como uma fronteira, o mar como uma experiência: três filmes comprometidos artisticamente com a crise europeia das migrações]]></article-title>
<article-title xml:lang="fr"><![CDATA[La mer comme une frontière, la mer comme une expérience : trois films engagés artistiquement avec la crise européenne des migrations]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Angelis]]></surname>
<given-names><![CDATA[Emma De]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Angelis]]></surname>
<given-names><![CDATA[Gabriele De]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Royal United Services Institute  ]]></institution>
<addr-line><![CDATA[London ]]></addr-line>
<country>United Kingdom</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade NOVA de Lisboa Faculdade de Ciências Sociais e Humanas Instituto de Filosofia da NOVA]]></institution>
<addr-line><![CDATA[Lisboa ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>09</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>09</month>
<year>2021</year>
</pub-date>
<numero>125</numero>
<fpage>147</fpage>
<lpage>166</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2182-74352021000200147&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2182-74352021000200147&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2182-74352021000200147&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract In recent years, migration has become one of the most important issues in the political and cultural discourse across Europe. Inflows through the Mediterranean Sea, in particular, have reminded the European public of the ambivalent effects of globalization, and of the fragility and the ethical questionableness of how political borders are drawn and geographical boundaries perceived. Artistic engagements with the topic shed light on both collective fears and political responses to global challenges, allowing to deconstruct human institutions, such as borders, that have at present acquired the status of a second nature. The article explores three relevant case studies, and attempts to clarify how artistic forms of communication vehiculate ethical insights by aesthetic means, allowing the European audience to gain an outer perspective on ingrained cultural and political practices.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Nos últimos anos, a migração tornou-se uma das mais importantes questões no discurso político e cultural em toda a Europa. As entradas através do mar Mediterrâneo, em particular, lembraram o público europeu dos efeitos ambivalentes da globalização assim como da fragilidade e da questionabilidade ética de como as fronteiras políticas são traçadas e as fronteiras geográficas percebidas. Os comprometimentos artísticos com este tópico ajudam a compreender os medos coletivos e as respostas políticas aos desafios globais, permitindo desconstruir as instituições humanas, como as fronteiras, que atualmente adquiriram o estatuto de uma segunda natureza. No artigo, exploram-se três estudos de caso relevantes e as tentativas de esclarecer o modo como as formas artísticas de comunicação veiculam perceções éticas através de meios estéticos, permitindo que o público europeu ganhe uma perspetiva externa sobre as práticas culturais e políticas arraigadas.]]></p></abstract>
<abstract abstract-type="short" xml:lang="fr"><p><![CDATA[Résumé Ces dernières années, la migration est devenue l&#8217;une des plus importantes questions dans le discours politique et culturel à travers l&#8217;Europe. L&#8217;afflux de migrants à travers la mer Méditerranée, en particulier, ont rappelé au public européen les effets ambivalents de la mondialisation ainsi comme la fragilité et l&#8217;éthique discutable de la façon dont les frontières politiques sont tracées et les limites géographiques perçues. Les engagements artistiques sur ce sujet éclairent les peurs collectives et les réponses politiques aux défis mondiaux, ce qui permet de déconstruire les institutions humaines, telles que les frontières, qui ont actuellement acquis le statut d&#8217;une deuxième nature. On explore trois études de cas importants et essaye de clarifier comment les formes de communication artistiques véhiculent des aperçus éthiques à travers l&#8217;esthétique, permettant au public européen d&#8217;avoir une perspective extérieure sur des pratiques culturelles et politiques bien ancrées.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[borders]]></kwd>
<kwd lng="en"><![CDATA[cinema]]></kwd>
<kwd lng="en"><![CDATA[Mediterranean]]></kwd>
<kwd lng="en"><![CDATA[migration]]></kwd>
<kwd lng="en"><![CDATA[refugees]]></kwd>
<kwd lng="pt"><![CDATA[cinema]]></kwd>
<kwd lng="pt"><![CDATA[crise política]]></kwd>
<kwd lng="pt"><![CDATA[fronteiras]]></kwd>
<kwd lng="pt"><![CDATA[Mediterrâneo]]></kwd>
<kwd lng="pt"><![CDATA[refugiados]]></kwd>
<kwd lng="fr"><![CDATA[cinéma]]></kwd>
<kwd lng="fr"><![CDATA[crise politique]]></kwd>
<kwd lng="fr"><![CDATA[frontières]]></kwd>
<kwd lng="fr"><![CDATA[Méditerranée]]></kwd>
<kwd lng="fr"><![CDATA[réfugiés]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Andersson]]></surname>
<given-names><![CDATA[Ruben]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Mare Nostrum and Migrant Deaths: The Humanitarian Paradox at Europe&#8217;s Frontiers]]></article-title>
<source><![CDATA[opendemocracy.net]]></source>
<year>2014</year>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="">
<collab>Barbican</collab>
<source><![CDATA[Richard Mosse: Incoming]]></source>
<year>2016</year>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Basaran]]></surname>
<given-names><![CDATA[Tugba]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Saved and the Drowned: Governing Indifference in the Name of Security]]></article-title>
<source><![CDATA[Security Dialogue]]></source>
<year>2015</year>
<volume>46</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>205-20</page-range></nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bauman]]></surname>
<given-names><![CDATA[Zygmunt]]></given-names>
</name>
</person-group>
<source><![CDATA[Globalisation: The Human Consequences]]></source>
<year>1998</year>
<publisher-loc><![CDATA[Cambridge ]]></publisher-loc>
<publisher-name><![CDATA[Polity]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bauman]]></surname>
<given-names><![CDATA[Zygmunt]]></given-names>
</name>
</person-group>
<source><![CDATA[Liquid Times: Living in an Age of Uncertainty]]></source>
<year>2007</year>
<publisher-loc><![CDATA[Cambridge ]]></publisher-loc>
<publisher-name><![CDATA[Polity]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bauman]]></surname>
<given-names><![CDATA[Zygmunt]]></given-names>
</name>
</person-group>
<source><![CDATA[Strangers at Our Door]]></source>
<year>2016</year>
<publisher-loc><![CDATA[Cambridge ]]></publisher-loc>
<publisher-name><![CDATA[Polity]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Brambilla]]></surname>
<given-names><![CDATA[Chiara]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Exploring the Critical Potential of the Borderscapes Concept]]></article-title>
<source><![CDATA[Geopolitics]]></source>
<year>2015</year>
<volume>20</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>14-34</page-range></nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Chouliaraki]]></surname>
<given-names><![CDATA[Lilie]]></given-names>
</name>
<name>
<surname><![CDATA[Georgiou]]></surname>
<given-names><![CDATA[Myria]]></given-names>
</name>
<name>
<surname><![CDATA[Zaborwski]]></surname>
<given-names><![CDATA[Rafal]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The European Migration Crisis and the Media: A Cross-European Press Content Analysis]]></article-title>
<source><![CDATA[Project Report]]></source>
<year>2017</year>
<publisher-loc><![CDATA[London ]]></publisher-loc>
<publisher-name><![CDATA[London School of Economics Department of Media and Communications]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Collyer]]></surname>
<given-names><![CDATA[Michael]]></given-names>
</name>
<name>
<surname><![CDATA[King]]></surname>
<given-names><![CDATA[Russell]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Narrating Europe&#8217;s Migration and Refugee &#8216;Crisis&#8217;]]></article-title>
<source><![CDATA[Human Geography: A New Radical Journal]]></source>
<year>2016</year>
<volume>9</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>1-12</page-range></nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Del Barco]]></surname>
<given-names><![CDATA[Mandalit]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[These Oscar-Nominated Documentaries Tell Intimate Stories of Syria&#8217;s Civil War]]></article-title>
<source><![CDATA[NPR]]></source>
<year>2017</year>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Dell&#8217;Agnese]]></surname>
<given-names><![CDATA[Elena]]></given-names>
</name>
<name>
<surname><![CDATA[Szary]]></surname>
<given-names><![CDATA[Anne-Laure Amilhat]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Borderscapes: From Border Landscapes to Border Aesthetics]]></article-title>
<source><![CDATA[Geopolitics]]></source>
<year>2015</year>
<volume>20</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>4-13</page-range></nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Demos]]></surname>
<given-names><![CDATA[T. J.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Migrant Image: The Art and Politics of Documentary During Global Crisis]]></article-title>
<source><![CDATA[Durham/London: Duke University Press]]></source>
<year>2013</year>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Dimitriadi]]></surname>
<given-names><![CDATA[Angeliki]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Governing Irregular Migration at the Margins of Europe. The Case of Hotspots on the Greek Islands]]></article-title>
<source><![CDATA[Etnografia e ricerca qualitativa]]></source>
<year>2017</year>
<volume>1</volume>
<page-range>75-96</page-range></nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="">
<collab>European Parliament</collab>
<source><![CDATA[Asylum and Migration in the EU: Facts and Figures]]></source>
<year>2017</year>
</nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Flint]]></surname>
<given-names><![CDATA[Colin]]></given-names>
</name>
<name>
<surname><![CDATA[Mamadouh]]></surname>
<given-names><![CDATA[Virginie]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Multi-Disciplinary Reclamation of Geopolitics: New Opportunities and Challenges]]></article-title>
<source><![CDATA[Geopolitics]]></source>
<year>2015</year>
<volume>20</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>1-3</page-range></nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Giudice]]></surname>
<given-names><![CDATA[Cristina]]></given-names>
</name>
<name>
<surname><![CDATA[Giubilaro]]></surname>
<given-names><![CDATA[Chiara]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Re-Imagining the Border: Border Art as a Space of Critical Imagination and Creative Resistance]]></article-title>
<source><![CDATA[Geopolitics]]></source>
<year>2015</year>
<volume>20</volume>
<numero>1</numero>
<issue>1</issue>
<page-range>79-94</page-range></nlm-citation>
</ref>
<ref id="B17">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mazzara]]></surname>
<given-names><![CDATA[Federica]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Lampedusa: Cultural and Artistic Spaces for Migrant Voices]]></article-title>
<source><![CDATA[Crossings: Journal of Migration and Culture]]></source>
<year>2016</year>
<volume>7</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>129-33</page-range></nlm-citation>
</ref>
<ref id="B18">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mazzara]]></surname>
<given-names><![CDATA[Federica]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Subverting the Narrative of the Lampedusa Borderscape]]></article-title>
<source><![CDATA[Crossings: Journal of Migration and Culture]]></source>
<year>2016</year>
<volume>7</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>135-47</page-range></nlm-citation>
</ref>
<ref id="B19">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Moeller]]></surname>
<given-names><![CDATA[Susan D.]]></given-names>
</name>
</person-group>
<source><![CDATA[Compassion Fatigue: How the Media Sell Disease, Famine, War and Death]]></source>
<year>1999</year>
<publisher-loc><![CDATA[New York ]]></publisher-loc>
<publisher-name><![CDATA[Routledge]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B20">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mosse]]></surname>
<given-names><![CDATA[Richard]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[&#8220;The Photographer Finding Beauty in Political Devastation&#8221;, interview with Georgia Illingworth]]></article-title>
<source><![CDATA[AnOther Magazine]]></source>
<year>2017</year>
</nlm-citation>
</ref>
<ref id="B21">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mosse]]></surname>
<given-names><![CDATA[Richard]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Richard Mosse in conversation with Alona Pardo]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Pardo]]></surname>
<given-names><![CDATA[Alana]]></given-names>
</name>
</person-group>
<source><![CDATA[Richard Mosse]]></source>
<year>2017</year>
<publisher-loc><![CDATA[London ]]></publisher-loc>
<publisher-name><![CDATA[Barbican]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B22">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mosse]]></surname>
<given-names><![CDATA[Richard]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Transmigration of the Souls]]></article-title>
<source><![CDATA[Incoming]]></source>
<year>2017</year>
<publisher-loc><![CDATA[London ]]></publisher-loc>
<publisher-name><![CDATA[MACK]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B23">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Mountz]]></surname>
<given-names><![CDATA[Alison]]></given-names>
</name>
<name>
<surname><![CDATA[Hiemstra]]></surname>
<given-names><![CDATA[Nancy]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Chaos and Crisis: Dissecting the Spatiotemporal Logics of Contemporary Migrations and State Practices]]></article-title>
<source><![CDATA[Annals of the Association of American Geographers]]></source>
<year>2014</year>
<volume>104</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>382-90</page-range></nlm-citation>
</ref>
<ref id="B24">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Newman]]></surname>
<given-names><![CDATA[David]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Borders and Bordering. Towards an Interdisciplinary Dialogue]]></article-title>
<source><![CDATA[European Journal of Social Theory]]></source>
<year>2006</year>
<volume>9</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>171-86</page-range></nlm-citation>
</ref>
<ref id="B25">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Nichols]]></surname>
<given-names><![CDATA[Bill]]></given-names>
</name>
</person-group>
<source><![CDATA[Introduction to Documentary]]></source>
<year>2010</year>
</nlm-citation>
</ref>
<ref id="B26">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[O&#8217;Hagan]]></surname>
<given-names><![CDATA[Sean]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Richard Mosse: Incoming Review - Shows the White-Hot Misery of the Migrant Crisis]]></article-title>
<source><![CDATA[The Guardian]]></source>
<year>2017</year>
</nlm-citation>
</ref>
<ref id="B27">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pezzani]]></surname>
<given-names><![CDATA[Lorenzo]]></given-names>
</name>
<name>
<surname><![CDATA[Heller]]></surname>
<given-names><![CDATA[Charles]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A Disobedient Gaze: Strategic Interventions in the Knowledge(s) of Maritime Borders]]></article-title>
<source><![CDATA[Postcolonial Studies]]></source>
<year>2013</year>
<volume>16</volume>
<numero>3</numero>
<issue>3</issue>
<page-range>289-98</page-range></nlm-citation>
</ref>
<ref id="B28">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Pipolo]]></surname>
<given-names><![CDATA[Tony]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Seeing Clearly]]></article-title>
<source><![CDATA[Artforum International Magazine]]></source>
<year>2016</year>
</nlm-citation>
</ref>
<ref id="B29">
<nlm-citation citation-type="journal">
<collab>Prospero</collab>
<article-title xml:lang=""><![CDATA[The Odd, Award-Winning Migration Movie &#8216;Fire at Sea&#8217;]]></article-title>
<source><![CDATA[The Economist]]></source>
<year>2016</year>
</nlm-citation>
</ref>
<ref id="B30">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rajaram]]></surname>
<given-names><![CDATA[Prem Kumar]]></given-names>
</name>
<name>
<surname><![CDATA[Grundy-Warr]]></surname>
<given-names><![CDATA[Carl]]></given-names>
</name>
</person-group>
<source><![CDATA[Borderscapes: Hidden Geographies and Politics at Territory&#8217;s Edge]]></source>
<year>2007</year>
<publisher-loc><![CDATA[Minneapolis ]]></publisher-loc>
<publisher-name><![CDATA[University of Minnesota Press]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B31">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Ramsay]]></surname>
<given-names><![CDATA[Maya]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Reframing the Debate: The Art of Lampedusa]]></article-title>
<source><![CDATA[Crossings: Journal of Migration and Culture]]></source>
<year>2016</year>
<volume>7</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>209-25</page-range></nlm-citation>
</ref>
<ref id="B32">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rosi]]></surname>
<given-names><![CDATA[Gianfranco]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Berlinale Dispatch #1: Gianfranco Rosi Talks About Fire at Sea (Fuocoammare) (2016)&#8221;, interview with Amir Ganjavie]]></article-title>
<source><![CDATA[Bright Lights Film Journal]]></source>
<year>2016</year>
</nlm-citation>
</ref>
<ref id="B33">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Rosi]]></surname>
<given-names><![CDATA[Gianfranco]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[How Gianfranco Rosi Directed &#8216;Fire at Sea&#8217; Through Cinematography&#8221;, interview with Chris O&#8217;Falt]]></article-title>
<source><![CDATA[IndieWire]]></source>
<year>2017</year>
</nlm-citation>
</ref>
<ref id="B34">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Seymour]]></surname>
<given-names><![CDATA[Tom]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Richard Mosse - Incoming]]></article-title>
<source><![CDATA[British Journal of Photography]]></source>
<year>2017</year>
</nlm-citation>
</ref>
<ref id="B35">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Sinclair]]></surname>
<given-names><![CDATA[Kirstine]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[The Dead Boy and the Aftermath]]></article-title>
<source><![CDATA[Videncenter om det moderne Mellemøsten]]></source>
<year>2016</year>
</nlm-citation>
</ref>
<ref id="B36">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Tazzioli]]></surname>
<given-names><![CDATA[Martina]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Concentric Cages: The Hotspots of Lesvos after the EU-Turkey Agreement]]></article-title>
<source><![CDATA[opendemocracy.net]]></source>
<year>2016</year>
</nlm-citation>
</ref>
<ref id="B37">
<nlm-citation citation-type="journal">
<collab>The Economist</collab>
<article-title xml:lang=""><![CDATA[Most EU Countries Are Happy to Welcome Other Europeans]]></article-title>
<source><![CDATA[Special Report: Compassion Fatigue]]></source>
<year>2017</year>
</nlm-citation>
</ref>
<ref id="B38">
<nlm-citation citation-type="">
<collab>The Guardian</collab>
<article-title xml:lang=""><![CDATA[Berlin Film Festival Awards Top Prize to Refugee Crisis Documentary Fire at Sea]]></article-title>
<source><![CDATA[]]></source>
<year>2016</year>
</nlm-citation>
</ref>
<ref id="B39">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Tsoni]]></surname>
<given-names><![CDATA[Ioanna]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[&#8220;&#8216;They Won&#8217;t Let Us Come, They Won&#8217;t Let Us Stay, They Won&#8217;t Let Us Leave&#8217;, Liminality in the Aegean Borderscape: The Case of Irregular Migrants, Volunteers and Locals on Lesvos]]></article-title>
<source><![CDATA[Human Geography: A New Radical Journal]]></source>
<year>2016</year>
<volume>9</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>35-46</page-range></nlm-citation>
</ref>
<ref id="B40">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Viveros-Fauné]]></surname>
<given-names><![CDATA[Christian]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Richard Mosse&#8217;s New Film Portrays the Refugee Crisis in Thermal Detail]]></article-title>
<source><![CDATA[Artnet]]></source>
<year>2017</year>
</nlm-citation>
</ref>
<ref id="B41">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Wright]]></surname>
<given-names><![CDATA[Terence]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Refugees on Screen]]></article-title>
<source><![CDATA[Working Paper, 5. Oxford: Refugees Studies Centre]]></source>
<year>2000</year>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
