<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2183-3176</journal-id>
<journal-title><![CDATA[Cadernos do Arquivo Municipal]]></journal-title>
<abbrev-journal-title><![CDATA[Cadernos do Arquivo Municipal]]></abbrev-journal-title>
<issn>2183-3176</issn>
<publisher>
<publisher-name><![CDATA[Arquivo Municipal de Lisboa / Câmara Municipal de Lisboa]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2183-31762021000200079</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[A importância das &#8220;cores finas&#8221;: notas sobre pintores e os seus materiais de trabalho na pintura mural do Alentejo (séculos XVI-XIX)]]></article-title>
<article-title xml:lang="en"><![CDATA[The importance of &#8220;fine colours&#8221;: notes on painters and their work materials in Alentejo&#8217;s mural painting (16 th - 19 th centuries)]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Monteiro]]></surname>
<given-names><![CDATA[Patrícia Alexandra Rodrigues]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Faculdade de Letras da Universidade de Lisboa ARTIS - Instituto de História da Arte CLEPUL - Centro de Literaturas e Culturas Lusófonas e Europeias]]></institution>
<addr-line><![CDATA[Lisboa ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>12</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>12</month>
<year>2021</year>
</pub-date>
<volume>ser2</volume>
<numero>16</numero>
<fpage>79</fpage>
<lpage>96</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2183-31762021000200079&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2183-31762021000200079&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2183-31762021000200079&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo No Alentejo existe um conjunto de técnicas tradicionais decorativas (esgrafito, stucco, pintura mural) que utilizaram a cal e os pigmentos locais como base, formando um património artístico bastante expressivo. De entre todas, a pintura mural foi a que mais marcou a imagem desta região, exigindo hoje, cada vez mais, um olhar interdisciplinar. Neste contexto, a documentação histórica torna-se uma ferramenta essencial. Através da sua consulta, levantamento e sistematização é possível reunir novos dados sobre os protagonistas das campanhas murais, bem como os materiais que utilizavam. Estas informações serão auxiliares importantes no momento de se traçarem intervenções de conservação e restauro ajustadas a cada caso. No presente artigo apresentaremos exemplos de campanhas de pintura mural documentadas, onde foram identificadas referências a materiais e a pintores, alguns dos quais desconhecidos. Pretendemos, assim, contribuir para a caracterização do contexto laboral dos pintores entre o final do século XVI e o início do século XIX.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract In Alentejo there is a set of traditional decorative techniques (esgrafito, stucco, mural painting) that used lime and local pigments as a base, forming a very expressive artistic heritage. Amongst all, mural painting was the one that most marked the image of this region, requiring an interdisciplinary look. In this context, the research, survey and systematization of historical documentation becomes an essential tool. Through it is possible to gather new data about the protagonists involved in the mural campaigns, as well as the materials they used. This information will be an important tool when designing conservation and restoration interventions, tailored to each case. In this article we will present examples of documented mural painting campaigns, where references to materials and painters have been identified, some of them unknown. Thus, we intend to contribute to the characterization of the work context of painters between late 16th century and the beginning of the 19th century.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Pintura mural]]></kwd>
<kwd lng="pt"><![CDATA[Fontes documentais]]></kwd>
<kwd lng="pt"><![CDATA[Pintores]]></kwd>
<kwd lng="pt"><![CDATA[Materiais]]></kwd>
<kwd lng="pt"><![CDATA[Fresco]]></kwd>
<kwd lng="en"><![CDATA[Mural painting]]></kwd>
<kwd lng="en"><![CDATA[Documentary sources]]></kwd>
<kwd lng="en"><![CDATA[Painters]]></kwd>
<kwd lng="en"><![CDATA[Materials]]></kwd>
<kwd lng="en"><![CDATA[Fresco]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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