<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2183-3575</journal-id>
<journal-title><![CDATA[Comunicação e Sociedade]]></journal-title>
<abbrev-journal-title><![CDATA[Comunicação e Sociedade]]></abbrev-journal-title>
<issn>2183-3575</issn>
<publisher>
<publisher-name><![CDATA[Centro de Estudos de Comunicação e Sociedade - Universidade do Minho]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2183-35752022000100061</article-id>
<article-id pub-id-type="doi">10.17231/comsoc.41(2022).3687</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[O Mestiço na &#8220;Urgência de Existência&#8221;. Essa Dama Bate Bué! (2018), de Yara Monteiro]]></article-title>
<article-title xml:lang="en"><![CDATA[The Mestiço in the &#8220;Urgency of Existence&#8221;. Essa Dama Bate Bué! (2018), by Yara Monteiro]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Pimenta]]></surname>
<given-names><![CDATA[Susana]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
<xref ref-type="aff" rid="Aaf"/>
<xref ref-type="aff" rid="A a"/>
<xref ref-type="aff" rid="A3"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade do Minho Instituto de Ciências Sociais Centro de Estudos de Comunicac&#807;a&#771;o e Sociedade]]></institution>
<addr-line><![CDATA[Braga ]]></addr-line>
<country>Portugal</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Universidade de Trás-os-Montes e Alto Douro Escola de Ciências Humanas e Sociais Departamento de Letras, Artes e Comunicação]]></institution>
<addr-line><![CDATA[Vila Real ]]></addr-line>
<country>Portugal</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Instituto Politécnico de Braganç  ]]></institution>
<addr-line><![CDATA[Bragança ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>06</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>06</month>
<year>2022</year>
</pub-date>
<volume>41</volume>
<fpage>61</fpage>
<lpage>73</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2183-35752022000100061&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2183-35752022000100061&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2183-35752022000100061&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo: No atual panorama cultural lusófono (2010-2020), vários artistas da geração da pós-memória (Hirsch, 2016), herdeiros do trauma colonial, têm vindo a desconstruir ou a reparar equívocos, injustiças e desigualdades consequentes do sistema colonial, assim como há um conjunto de investigadores que lutam por políticas da memória mais justas, de modo a reparar a Europa na forma como pensou, classificou e imaginou os mundos distantes. A partir do romance de estreia de Yara Monteiro (1979-), Essa Dama Bate Bué! (2018), este artigo pretende analisar a forma como a condição pós-colonial e mestiça da &#8220;geração da pós-memória&#8221; lusófona é perspetivada. As memórias permitem indagar sobre o passado colonial e sobre as raízes e heranças culturais das gerações seguintes situadas &#8220;entre-lugares&#8221; (Bhabha, 1994/1998), como é exemplo o mestiço. Yara Monteiro enceta a discussão sobre o trauma, a mestiçagem, a humanidade, e ainda sobre uma possível universalidade ou uma possível reparação histórica, procurando normalizar no discurso europeu o outro lado da mestiçagem. Verifica-se que o processo de identificação do mestiço é ainda hoje problemático, reclamando por isso uma &#8220;urgência de existência&#8221;.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract: In today&#8217;s Lusophone cultural panorama (2010-2020), several artists of the generation of postmemory (Hirsch, 2016), heirs of the colonial trauma, have been deconstructing or repairing misconceptions, injustices and inequalities stemming from the colonial system. A group of researchers also fight for fairer memory policies to repair how Europe thought, classified and imagined the distant worlds. Drawing on Yara Monteiro&#8217;s (1979-) debut novel, Essa Dama Bate Bué! (2018), this article aims to analyse how the postcolonial and mestiço condition of the Lusophone &#8220;generation of postmemory&#8221; is envisioned. Memories allow inquiring about the colonial past and the roots and cultural heritage of the following generations in &#8220;between-places&#8221; (Bhabha, 1994/1998), such as the mestizo. Yara Monteiro opens the discussion on the trauma, miscegenation, humankind, and even a possible universality or a historical reparation, seeking to normalise the other side of miscegenation in the European discourse. The process of identifying the mestiço is still problematic today and therefore requires an &#8220;urgency of existence&#8221;.]]></p></abstract>
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<kwd lng="pt"><![CDATA[geração da pós-memória]]></kwd>
<kwd lng="pt"><![CDATA[mestiçagem]]></kwd>
<kwd lng="pt"><![CDATA[reparação histórica]]></kwd>
<kwd lng="pt"><![CDATA[Yara Monteiro]]></kwd>
<kwd lng="en"><![CDATA[generation of postmemory]]></kwd>
<kwd lng="en"><![CDATA[miscegenation]]></kwd>
<kwd lng="en"><![CDATA[historical reparation]]></kwd>
<kwd lng="en"><![CDATA[Yara Monteiro]]></kwd>
</kwd-group>
</article-meta>
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