<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2184-0180</journal-id>
<journal-title><![CDATA[Convergências - Revista de Investigação e Ensino das Artes]]></journal-title>
<abbrev-journal-title><![CDATA[Revista Convergências]]></abbrev-journal-title>
<issn>2184-0180</issn>
<publisher>
<publisher-name><![CDATA[Escola Superior de Artes AplicadasInstituto Politécnico Castelo Branco]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2184-01802021000200043</article-id>
<article-id pub-id-type="doi">10.53681/c1514225187514391s.28.83</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[Paradigma da Desigualdade de Género na Arte Contemporânea: O processo artístico e a &#8220;suposta diferenciação&#8221;.]]></article-title>
<article-title xml:lang="en"><![CDATA[Paradigm of Gender Inequality in Contemporary Art: The artistic process and the &#8220;supposed differentiation&#8221;.]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Monteiro]]></surname>
<given-names><![CDATA[Ilda]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Instituto Politécnico de Viseu Escola Superior de Educação Centro de Estudos em Educação, Tecnologia e Saúde]]></institution>
<addr-line><![CDATA[Viseu ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>11</month>
<year>2021</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>11</month>
<year>2021</year>
</pub-date>
<volume>14</volume>
<numero>28</numero>
<fpage>43</fpage>
<lpage>58</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2184-01802021000200043&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2184-01802021000200043&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2184-01802021000200043&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Esta investigação submete-se a um estudo da revisão da literatura de natureza teórica, através da qual é feita a descrição generalizada do tema. De um modo mais restrito foram analisados os pressupostos e estratégias, face à desigualdade do género, no domínio das artes que têm sido uma realidade nas sociedades ocidentais desde a sua origem. Ao longo dos séculos também tem sido um ponto de discussão e luta na sociedade, contudo foi apenas na segunda metade do século XX (durante a segunda vaga do feminismo) que a questão da discriminação das mulheres ganhou visibilidade no público, levando a mudanças profundas dos paradigmas sociais. O mundo da arte não ficou imune a essas mudanças, tendo sido profundamente afetado pelo feminismo e pela forma como este se expressou a nível de produção da teoria artística assim como o impacto que o feminismo teve no mundo da arte e na mudança da posição subalterna, que nele a mulher artista tem tido. Este estudo pretende oferecer um panorama geral e atual que permite uma reflexão sobre a discriminação da mulher artista e de que forma esta pode ser combatida.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstrat This investigation is submitted to a study of the literature review of a theoretical nature, through which the generalized description of the theme is made. In a more restricted way, the assumptions and strategies were analyzed, in face of gender inequality, in the field of arts that have been a reality in western societies since its origin. Over the centuries it has also been a point of discussion and struggle in society, however it was only in the second half of the twentieth century (during the second wave of feminism) that the issue of discrimination against women gained visibility in the public, leading to profound changes in social paradigms. The art world was not immune to these changes, having been profoundly affected by feminism and the way it expressed itself in terms of the production of artistic theory as well as the impact that feminism had in the art world and in the change of the subordinate position, that the woman artist has had in her. This study intends to offer a general and current panorama that allows a reflection on the discrimination of the female artist and how it can be fought.]]></p></abstract>
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<kwd lng="pt"><![CDATA[exposições]]></kwd>
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<kwd lng="en"><![CDATA[art]]></kwd>
<kwd lng="en"><![CDATA[artists]]></kwd>
<kwd lng="en"><![CDATA[galleries]]></kwd>
<kwd lng="en"><![CDATA[exhibitions]]></kwd>
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</article-meta>
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