<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2184-0180</journal-id>
<journal-title><![CDATA[Convergências - Revista de Investigação e Ensino das Artes]]></journal-title>
<abbrev-journal-title><![CDATA[Revista Convergências]]></abbrev-journal-title>
<issn>2184-0180</issn>
<publisher>
<publisher-name><![CDATA[Escola Superior de Artes AplicadasInstituto Politécnico Castelo Branco]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2184-01802022000100141</article-id>
<article-id pub-id-type="doi">10.53681/c1514225187514391s.29.79</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[BODY ART: Performance e a simbologia do corpo como forma de expressão artística]]></article-title>
<article-title xml:lang="en"><![CDATA[BODY ART: Performance and the symbology of the body as a form of artistic expression]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Monteiro]]></surname>
<given-names><![CDATA[Ilda]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Instituto politécnico de Viseu Escola Superior de Educação Centro de Estudos em Educação, Tecnologias e Saúde ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Portugal</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>05</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>05</month>
<year>2022</year>
</pub-date>
<volume>15</volume>
<numero>29</numero>
<fpage>141</fpage>
<lpage>154</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2184-01802022000100141&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2184-01802022000100141&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2184-01802022000100141&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Este trabalho de investigação remete para um estudo de revisão de literatura, considerando a Body art na Perfomance descrita como uma simbologia do corpo, onde o artista é a expressão artística, e ao mesmo tempo objeto da obra que ele próprio representa. O fenómeno emergente da perfomance, como expressão artística surgiu a partir de um conjunto de ações individuais e coletivas, em que a simbologia e a expressividade do corpo se consubstanciam numa forma de arte, através das quais ocupam uma estrutura simbólica e uma função ao serviço do poder artístico. O corpo é considerado um interlocutor simbólico de relevância e destaque nas representações culturais e artísticas, cujo protagonismo incide em várias expressividades artísticas a nível contemporâneo, desde os primórdios da ritualidade mais ancestral. A performance afirma-se enquanto prática artística no confronto com as artes cénicas, as artes plásticas em geral, cujo ímpeto experimental se acentua a partir do modernismo e das vanguardas históricas. Notavelmente, quando falamos em arte da performance, happening ou live art, relacionamos o ritual a estes procedimentos artísticos, pois, como vimos, são &#8220;rituais estéticos&#8221;, tendo consciência de que, evidentemente, não estamos a falar de um ritual propriamente dito de varias experiências pessoais, mas sim de um valor artístico.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract This research work refers to a literature review study, considering the Body art in Performance described as a symbology of the body, where the artist is the artistic expression, and at the same time the object of the work he represents. The emerging phenomenon of performance, as an artistic expression, emerged from a set of individual and collective actions, in which the symbology and expressiveness of the body are embodied in an art form, through which they occupy a symbolic structure and a function at the service of the artistic power. The body is considered a symbolic interlocutor of relevance and prominence in cultural and artistic representations, whose protagonism focuses on various artistic expressivities at a contemporary level, since the beginnings of the most ancestral ritual. Performance asserts itself as an artistic practice in confrontation with the performing arts, the plastic arts in general, whose experimental impetus is accentuated from modernism and historical avant-gardes. Notably, when we talk about performance art, happening or live art, we relate the ritual to these artistic procedures, because, as we have seen, they are &#8220;aesthetic rituals&#8221;, being aware that, evidently, we are not talking about a ritual properly speaking. various personal experiences, but of an artistic value.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[Body art]]></kwd>
<kwd lng="pt"><![CDATA[Performance]]></kwd>
<kwd lng="pt"><![CDATA[Antropologia]]></kwd>
<kwd lng="pt"><![CDATA[Imaginário]]></kwd>
<kwd lng="en"><![CDATA[Body art]]></kwd>
<kwd lng="en"><![CDATA[performance]]></kwd>
<kwd lng="en"><![CDATA[anthropology]]></kwd>
<kwd lng="en"><![CDATA[Imaginary]]></kwd>
</kwd-group>
</article-meta>
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