<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2184-0180</journal-id>
<journal-title><![CDATA[Convergências - Revista de Investigação e Ensino das Artes]]></journal-title>
<abbrev-journal-title><![CDATA[Revista Convergências]]></abbrev-journal-title>
<issn>2184-0180</issn>
<publisher>
<publisher-name><![CDATA[Escola Superior de Artes AplicadasInstituto Politécnico Castelo Branco]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2184-01802022000200061</article-id>
<article-id pub-id-type="doi">10.53681/c1514225187514391s.30.144</article-id>
<title-group>
<article-title xml:lang="en"><![CDATA[Understanding user experience of an open design-clothing product.]]></article-title>
<article-title xml:lang="pt"><![CDATA[Compreendendo a experiência do usuário com vestuário open design.]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Perez]]></surname>
<given-names><![CDATA[Iana Uliana]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Arakaki]]></surname>
<given-names><![CDATA[Marina Granja]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Abreu]]></surname>
<given-names><![CDATA[Ana Cláudia de]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Io]]></surname>
<given-names><![CDATA[Vanessa Mayumi]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Zitkus]]></surname>
<given-names><![CDATA[Emilene]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Paschoarelli]]></surname>
<given-names><![CDATA[Luis Carlos]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,São Paulo State University  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af2">
<institution><![CDATA[,Federal Institute of the South of Minas Gerais  ]]></institution>
<addr-line><![CDATA[Passos ]]></addr-line>
<country>Brazil</country>
</aff>
<aff id="Af3">
<institution><![CDATA[,Loughborough University  ]]></institution>
<addr-line><![CDATA[ ]]></addr-line>
<country>United Kingdom</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>11</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>11</month>
<year>2022</year>
</pub-date>
<volume>15</volume>
<numero>30</numero>
<fpage>61</fpage>
<lpage>68</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2184-01802022000200061&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2184-01802022000200061&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2184-01802022000200061&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract Few studies related open design to the clothing sector, but none explored how users would experience it. The study reported here aimed to investigate how people with some or without prior sewing knowledge - advanced and amateur users - experience an open design-clothing product. Following four fashion design heuristics, a garment was created and distributed as DIY kits among advanced and amateur users. Data were collected in two stages: assembly and personalization. The results indicate that although skills play a significant role during assembly, other factors, like cross-generational differences and personal taste, influence how users experience an open design product. Furthermore, the study shows that given the necessary support, the open design can be used by a heterogeneous public, amplifying the participation of users with little or without prior sewing skills in clothing co-creation.]]></p></abstract>
<abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo Poucos estudos relacionam o design aberto ao setor de vestuário, mas nenhum explora como a experiência dos usuários. O estudo aqui relatado teve como objetivo investigar como pessoas com ou sem conhecimento prévio de costura - usuários avançados e amadores - vivenciam um produto de vestuário de design aberto. Seguindo quatro heurísticas de design de moda, uma peça de vestuário foi criada e distribuída como kits de &#8220;faça você mesmo&#8221; entre usuários avançados e amadores. Os dados foram coletados seguindo duas etapas: montagem e personalização. Os resultados indicam que, embora as habilidades tenham um grande papel durante a montagem, existem outros fatores, como diferenças entre gerações e gosto pessoal, que influenciam a forma como os usuários experimentam um produto de design aberto. O estudo mostra que, com o suporte necessário, o design aberto pode ser explorado por um público heterogêneo, ampliando a participação de usuários com pouca ou nenhuma habilidade prévia em costura na cocriação de vestuário.]]></p></abstract>
<kwd-group>
<kwd lng="en"><![CDATA[Co-creation]]></kwd>
<kwd lng="en"><![CDATA[Do-It-Yourself (DIY)]]></kwd>
<kwd lng="en"><![CDATA[Fashion Design]]></kwd>
<kwd lng="en"><![CDATA[Sewing]]></kwd>
<kwd lng="pt"><![CDATA[Cocriação]]></kwd>
<kwd lng="pt"><![CDATA[Costura]]></kwd>
<kwd lng="pt"><![CDATA[Design de Moda]]></kwd>
<kwd lng="pt"><![CDATA[Faça Você Mesmo]]></kwd>
</kwd-group>
</article-meta>
</front><back>
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