<?xml version="1.0" encoding="ISO-8859-1"?><article xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
<front>
<journal-meta>
<journal-id>2184-0180</journal-id>
<journal-title><![CDATA[Convergências - Revista de Investigação e Ensino das Artes]]></journal-title>
<abbrev-journal-title><![CDATA[Revista Convergências]]></abbrev-journal-title>
<issn>2184-0180</issn>
<publisher>
<publisher-name><![CDATA[Escola Superior de Artes AplicadasInstituto Politécnico Castelo Branco]]></publisher-name>
</publisher>
</journal-meta>
<article-meta>
<article-id>S2184-01802022000200069</article-id>
<article-id pub-id-type="doi">10.53681/c1514225187514391s.30.124</article-id>
<title-group>
<article-title xml:lang="pt"><![CDATA[A História da Arte Diante da Imagem]]></article-title>
<article-title xml:lang="en"><![CDATA[The history of art in front of the image]]></article-title>
</title-group>
<contrib-group>
<contrib contrib-type="author">
<name>
<surname><![CDATA[Campos]]></surname>
<given-names><![CDATA[Daniela Queiroz]]></given-names>
</name>
<xref ref-type="aff" rid="Aff"/>
</contrib>
</contrib-group>
<aff id="Af1">
<institution><![CDATA[,Universidade Federal de Santa Catarina Centro de Filosofia e Ciências Humanas Departamento de História]]></institution>
<addr-line><![CDATA[Trindade ]]></addr-line>
<country>Brazil</country>
</aff>
<pub-date pub-type="pub">
<day>30</day>
<month>11</month>
<year>2022</year>
</pub-date>
<pub-date pub-type="epub">
<day>30</day>
<month>11</month>
<year>2022</year>
</pub-date>
<volume>15</volume>
<numero>30</numero>
<fpage>69</fpage>
<lpage>76</lpage>
<copyright-statement/>
<copyright-year/>
<self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_arttext&amp;pid=S2184-01802022000200069&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_abstract&amp;pid=S2184-01802022000200069&amp;lng=en&amp;nrm=iso"></self-uri><self-uri xlink:href="http://scielo.pt/scielo.php?script=sci_pdf&amp;pid=S2184-01802022000200069&amp;lng=en&amp;nrm=iso"></self-uri><abstract abstract-type="short" xml:lang="pt"><p><![CDATA[Resumo As presentes páginas têm como intento tecer considerações sobre a história da história da arte. Para alcançar o almejado objetivo, partiu-se dos primeiros textos escritos na Antiguidade. Em seguida, abordou-se os tratados de pintura redigidos a partir do século XIV e o texto inaugural da história da arte que &#8220;nascia&#8221; naquele Renascimento. Foram, então, mencionadas as modificações metodológicas estabelecidas por Johann Joachim Winckelmann, no século XVIII. Do século XIX, destacou-se as aberturas propostas por Alois Riegl e Aby Warburg. Dos muitos relevantes historiadores da arte do século XX, apontou-se os conceitos defendidos por Erwin Panofsky, Heirich Wölfflin e Ernst Gombrich. Por fim, assinalou-se as mudanças historiográficas atuais empreendidas por dois nomes de destaque: Hans Belting e Georges Didi-Huberman.]]></p></abstract>
<abstract abstract-type="short" xml:lang="en"><p><![CDATA[Abstract The present pages intend to discuss the history of art history. In order to reach the desired objective, it starts with the first texts written in Antiquity. Then, the painting treatises written from the 14th century onwards and the inaugural text of the history of art that was &#8220;born&#8221; in that Renaissance were discussed. Then, the methodological changes established by Johann Joachim Winckelmann, in the 18th century, were mentioned. From the 19th century, the openings proposed by Alois Riegl and Aby Warburg were highlighted. Of the many relevant art historians of the 20th century, the concepts defended by Erwin Panofsky, Heirich Wölfflin and Ernst Gombrich were prominent. Finally, the current historiographic changes undertaken by two noticeable names were indicated: Hans Belting and Georges Didi-Huberman.]]></p></abstract>
<kwd-group>
<kwd lng="pt"><![CDATA[historiografia da arte]]></kwd>
<kwd lng="pt"><![CDATA[história da arte]]></kwd>
<kwd lng="pt"><![CDATA[teoria da imagem]]></kwd>
<kwd lng="en"><![CDATA[art historiography]]></kwd>
<kwd lng="en"><![CDATA[art history]]></kwd>
<kwd lng="en"><![CDATA[image theory]]></kwd>
</kwd-group>
</article-meta>
</front><back>
<ref-list>
<ref id="B1">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Cauquelin]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[Teorias da Arte]]></source>
<year>2005</year>
<publisher-name><![CDATA[Martins Fontes]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B2">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Lichtenstein]]></surname>
<given-names><![CDATA[J.]]></given-names>
</name>
</person-group>
<source><![CDATA[A cor eloquente]]></source>
<year>1994</year>
<publisher-name><![CDATA[Siciliano]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B3">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Didi-Huberman]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<source><![CDATA[Diante da Imagem. Questões colocadas ao fim de uma história da arte.]]></source>
<year>2013</year>
<publisher-name><![CDATA[Editora 34]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B4">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Chalumeau]]></surname>
<given-names><![CDATA[J. L.]]></given-names>
</name>
</person-group>
<source><![CDATA[Teorias da Arte. Filosofia, crítica e história da arte de Platão aos nossos dias]]></source>
<year>1997</year>
<publisher-name><![CDATA[Instituto Piaget]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B5">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Bazan]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<source><![CDATA[A história da história da arte]]></source>
<year>1989</year>
<publisher-name><![CDATA[Martins Fontes]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B6">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Arasse]]></surname>
<given-names><![CDATA[D.]]></given-names>
</name>
</person-group>
<source><![CDATA[História de Pinturas]]></source>
<year>2016</year>
<publisher-name><![CDATA[KKYM]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B7">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Vasari]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<source><![CDATA[Vidas dos artistas]]></source>
<year>2011</year>
<publisher-name><![CDATA[Martins Fontes]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B8">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Huchet]]></surname>
<given-names><![CDATA[S.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[A História da Arte, disciplina luminosa]]></article-title>
<source><![CDATA[Revista UFMG]]></source>
<year>2014</year>
</nlm-citation>
</ref>
<ref id="B9">
<nlm-citation citation-type="journal">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Avolese]]></surname>
<given-names><![CDATA[C. V. de M.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[Winckelmann e sua inserção no ambiente das artes em Roma]]></article-title>
<source><![CDATA[Figura: Studies on the Classical Tradition]]></source>
<year>2018</year>
<volume>6</volume>
<numero>2</numero>
<issue>2</issue>
<page-range>107-27</page-range></nlm-citation>
</ref>
<ref id="B10">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Warburg]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[História de Fantasmas para gente grande]]></source>
<year>2015</year>
<publisher-name><![CDATA[Companhia das Letras]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B11">
<nlm-citation citation-type="">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Recht]]></surname>
<given-names><![CDATA[R.]]></given-names>
</name>
</person-group>
<article-title xml:lang=""><![CDATA[L&#8217;Atlas Mnemosyne d&#8217;Aby Warburg - par Roland Rech]]></article-title>
<person-group person-group-type="editor">
<name>
<surname><![CDATA[Warburg]]></surname>
<given-names><![CDATA[A.]]></given-names>
</name>
</person-group>
<source><![CDATA[L&#8217;Atlas Mnémosyne. l&#8217;Écarquillé]]></source>
<year>2012</year>
</nlm-citation>
</ref>
<ref id="B12">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Panofsky]]></surname>
<given-names><![CDATA[E.]]></given-names>
</name>
</person-group>
<source><![CDATA[Significado nas artes visuais]]></source>
<year>2011</year>
<publisher-name><![CDATA[Perspectiva]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B13">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Gombrich]]></surname>
<given-names><![CDATA[E.]]></given-names>
</name>
</person-group>
<source><![CDATA[Arte e ilusão. Um estudo da psicologia da representação pictórica]]></source>
<year>2007</year>
<publisher-name><![CDATA[Martins Fontes]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B14">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Belting]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
</person-group>
<source><![CDATA[O fim da história da arte]]></source>
<year>2003</year>
<publisher-name><![CDATA[Cosac Naif]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B15">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Belting]]></surname>
<given-names><![CDATA[H.]]></given-names>
</name>
</person-group>
<source><![CDATA[Antropologia da Imagem]]></source>
<year>2014</year>
<publisher-name><![CDATA[KKYM]]></publisher-name>
</nlm-citation>
</ref>
<ref id="B16">
<nlm-citation citation-type="book">
<person-group person-group-type="author">
<name>
<surname><![CDATA[Didi-Huberman]]></surname>
<given-names><![CDATA[G.]]></given-names>
</name>
</person-group>
<source><![CDATA[Diante do tempo]]></source>
<year>2015</year>
<publisher-name><![CDATA[Humanitas]]></publisher-name>
</nlm-citation>
</ref>
</ref-list>
</back>
</article>
